{"title":"Ancient \u0026 Classical Drama","description":null,"products":[{"product_id":"the-ancient-quarrel-between-poetry-and-philosophy","title":"The Ancient Quarrel Between Poetry and Philosophy","description":"\u003cp\u003eAffecting audiences with depictions of suffering and injustice is a key function of tragedy, and yet it has long been viewed by philosophers as a dubious enterprise. In this book Thomas Gould uses both historical and theoretical approaches to explore tragedy and its power to gratify readers and audiences. He takes as his starting point Plato's moral and psychological objections to tragedy, and the conflict he recognized between \"poetry\"--the exploitation of our yearning to see ourselves as victims--and \"philosophy\"--the insistence that all good people are happy. Plato's objections to tragedy are shown to be an essential feature of Socratic rationalism and to constitute a formidable challenge even today. Gould makes a case for the rightness and psychological necessity of violence and suffering in literature, art, and religion, but he distinguishes between depictions of violence that elicit sympathy only for the victims and those that cause us to sympathize entirely with the perpetrators. It is chiefly the former, Gould argues, that fuel our responses not only to true tragedy but also to religious myths and critical displays of political rage.\u003cbr\u003e\u003cbr\u003eOriginally published in 1990.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.\u003c\/p\u003e","brand":"None","offers":[{"title":"Hardcover","offer_id":46154084090033,"sku":"9780691630755","price":230.0,"currency_code":"CAD","in_stock":true},{"title":"Paperback","offer_id":46154084122801,"sku":"9780691600956","price":90.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_ef4ba5e8-9f7d-45d1-bb1b-4010ccacabf8.jpg?v=1764382021"},{"product_id":"aeschylus-ii","title":"Aeschylus II: The Oresteia","description":"\u003cdiv\u003e\n\u003cp\u003e\u003ci\u003eAeschylus II\u003c\/i\u003e contains “The Oresteia,” translated by Richmond Lattimore, and fragments of “Proteus,” translated by Mark Griffith. \u003c\/p\u003e\n\u003cp\u003e Many years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. The updated third editions of these classic works were designed to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. \u003c\/p\u003e\n\u003cp\u003e In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. 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They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. The updated third editions of these classic works were designed to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. \u003c\/div\u003e\u003cdiv\u003e   \u003c\/div\u003e\u003cdiv\u003e In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. 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They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. The updated third editions of these classic works were designed to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. \u003c\/div\u003e\u003cdiv\u003e   \u003c\/div\u003e\u003cdiv\u003e In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. 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The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life. \u003c\/div\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46155205148849,"sku":"9780226035598","price":19.78,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46155205181617,"sku":"09778b52-80eb-3142-baa7-2dfbacddd84c","price":14.39,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_1b99a860-a342-437e-936b-f8cfc5149779.jpg?v=1763172354"},{"product_id":"aeschylus-i","title":"Aeschylus I: The Persians, The Seven Against Thebes, The Suppliant Maidens, Prometheus Bound","description":"\u003cdiv\u003e\n\u003cp\u003e\u003ci\u003eAeschylus I\u003c\/i\u003e contains “The Persians,” translated by Seth Benardete; “The Seven Against Thebes,” translated by David Grene; “The Suppliant Maidens,” translated by Seth Benardete; and “Prometheus Bound,” translated by David Grene. \u003c\/p\u003e\n\u003cp\u003e Many years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. 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Arguing that the Troades was not intended for stage production, the author also discusses the atmosphere of Rome at the time the play was written, when both political and poetic life were felt to be in decline. Although Seneca's plays reflect his experience of tyranny, corruption, and compromise, they are enriched by his contract with the nobler world of poetry. Demonstrating how Seneca loved and imitated the Augustan poets, Professor Fantham reveals the originality that is part of his imitation.\u003cbr\u003eProfessor Fantham discusses not only the particular characteristics of Seneca's generation but the interplay of his moral and poetic concerns in relationship to his subject--the Trojan captivity.By analyzing his reactions to accounts of this theme in Homer, Euripides, and Augustan epic, she explains his methods and motives in composition.\u003cbr\u003eComparison of the play with Seneca's other works and with other drama exposes some inconsistency, formulaic writing, and excess of ingenuity. It also reveals the influence of epic in loosening his dramtic form and makes apparent his immense vitality.\u003cbr\u003eElaine Fantham is Professor of Classics at the University of Toronto and author of Comparative Studies in the Republican Latin Imagery (Toronto).\u003cbr\u003e\u003cbr\u003eOriginally published in 1983.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation.\u003cbr\u003e\u003cbr\u003eRelatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play.\u003cbr\u003e\u003cbr\u003eOriginally published in 1989.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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