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Sandler presents the possibilities and shortcomings of counterpreservation as a dynamic force in Berlin and as a potential concept for other cities. \u003c\/p\u003e\u003cp\u003eCounterpreservation is part of Berlin's fabric: in the city's famed Hausprojekte (living projects) such as the Køpi, Tuntenhaus, and KA 86; in cultural centers such as the Haus Schwarzenberg, the Schokoladen, and the legendary, now defunct Tacheles; in memorials and museums; and even in commerce and residences. The appropriation of ruins is a way of carving out affordable spaces for housing, work, and cultural activities. It is also a visual statement against gentrification, and a complex representation of history, with the marks of different periods—the nineteenth century, World War II, postwar division, unification—on display for all to see. 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Through a study of the ideas and constructions of these visionary reformers, Hudson explores their efforts to build new forms of housing and \"settlements\" designed to free the residents, especially women, from drudgery, allowing them to participate in creative work and to enjoy the \"songs of larks.\" Resolving to obliterate this movement of human liberation, Stalinists in the field of architecture unleashed a \"little\" terror from below, prior to Stalin's Great Terror.\u003cbr\u003e\u003cbr\u003eUsing formerly secret Party archives made available by perestroika, Hudson finds in the rediscovered theoretical work of the avant-garde architects a new understanding of their aims. He shows, for instance, how they saw the necessity of bringing elite desires for a transformed world into harmony with the people's wish to preserve national culture. Such goals brought their often divided movement into conflict with the Stalinists, especially on the subject of collectivization. Hudson's provocative work offers evidence that in spite of the ultimate success of the Stalinists, the Bolshevik Revolution was not monolithic: at one time it offered real architectural and human alternatives to the Terror.\u003cbr\u003e\u003cbr\u003eOriginally published in 1993.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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It is widely believed that celebrated local architect Albert Kahn designed many of Detroit's structures, such as the General Motors and First National Bank buildings. In fact, while Kahn's efforts were focused on running his highly successful firm, it was Rowland, his chief designer, who was responsible for the appearance and layout of these buildings?an important point in appreciating the contributions of both Kahn and Rowland. During the early twentieth century, Rowland devised a wholly new or \"modern\" design for buildings, one not reliant on decorative elements copied from architecture of the past. As buildings became more specialized for their intended use, Rowland met the challenge with entirely new design methodologies and a number of improved technologies and materials that subsequently became commonplace. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eDesigning Detroit: Wirt Rowland and the Rise of Modern American Architecture\u003c\/i\u003e begins with a brief overview of Rowland's early life and career. Author Michael G. Smith goes on to analyze Rowland's achievements in building design and as a leader of Detroit's architectural community throughout both World Wars and the Great Depression. The interdependence of architecture with the city's fluctuating economic prosperity and population growth is explored, illuminating the conditions for good architecture and the arts in general. The author identifies the influence of Jay Hambidge's \"dynamic symmetry\" in Rowland's work and how it allowed him to employ color as a modern replacement for traditional ornamentation, leading to the revolutionary design of the Union Trust (Guardian) Building, for which he receives nearly unanimous praise in national media. This book is concerned primarily with Rowland's influence on Detroit architecture, but spans beyond his work in Michigan to include the designer's broad reach from New York to Miami. 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Communities throughout North America have strived for decades to maintain and enhance the prosperity of their residents. In the areas that are the focus of this research, the results of these efforts have been mixed?some communities have been relatively successful while others have fallen further behind the national averages. Midsize cities often lack the resources, both internal and external, to sustain and enhance their prosperity. Policies and strategies that have been successful in larger urban areas may be less effective (or unaffordable) in smaller ones. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eRoads to Prosperity\u003c\/i\u003e first examines the economic structure of forty-two Canadian urban regions that fall within the midsize range to determine the economic specializations that characterize these communities and to trace how these specializations have evolved over the time period between 1991 and 2011. 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