{"title":"Medieval","description":null,"products":[{"product_id":"byzantine-media-subjects","title":"Byzantine Media Subjects","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eByzantine Media Subjects \u003c\/i\u003e\u003c\/b\u003e\u003cb\u003einvites readers into a world replete with images?icons, frescoes, and mosaics filling places of worship, politics, and community. \u003c\/b\u003eGlenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. \u003c\/p\u003e\u003cp\u003eThe Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46156737708209,"sku":"9781501776267","price":44.95,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46156737740977,"sku":"9781501775024","price":195.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46156737773745,"sku":"4865a3be-1666-3c57-8888-b94773bddcb2","price":25.59,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_60487fd5-9776-450f-a3b1-3e706254370c.jpg?v=1763222686"},{"product_id":"imago-dei","title":"Imago Dei: The Byzantine Apologia for Icons","description":"\u003cp\u003e\u003cb\u003eA sweeping account of the controversies surrounding the worship of images in the early Byzantine church\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn 726, the Byzantine emperor, Leo III, issued an edict that all religious images in the empire were to be destroyed, a directive that was later endorsed by a synod of the church in 753 under his son, Constantine V. If the policy of Iconoclasm had succeeded, the entire history of Christian art—and of the Christian church, at least in the East—would have been altered.\u003cbr\u003e\u003cbr\u003eIconoclasm was defeated by Byzantine politics, popular revolts, monastic piety, and, most fundamentally of all, by theology, just as it had been theology that the opponents of images had used to justify their actions. Analyzing an intriguing chapter in the history of ideas, the renowned scholar Jaroslav Pelikan shows how a faith that began by attacking the worship of images ended first in permitting and then in commanding it.\u003cbr\u003e\u003cbr\u003ePelikan charts the theological defense of icons during the iconoclastic controversies of the eighth and ninth centuries, whose high point came in 787, when the Second Council of Nicaea restored the cult of images in the church. He demonstrates how the dogmas of the Trinity and the Incarnation eventually provided the basic rationale for images: because the invisible God had become human and therefore personally visible in Jesus Christ, it became permissible to make images of that Image. And because not only the human nature of Christ, but that of his Mother had been transformed by the Incarnation, she, too, could be “iconized,” together with all the other saints and angels.\u003cbr\u003e\u003cbr\u003eThe iconographic “text” of the book is provided by one of the very few surviving icons from the period before Iconoclasm, the Egyptian tapestry Icon of the Virgin now in the Cleveland Museum of Art. Other icons serve to illustrate the theological argument, just as the theological argument serves to explain the icons.\u003cbr\u003e\u003cbr\u003eIn an incisive foreword, Judith Herrin explains the enduring importance of the book and discusses how later scholars have built on Pelikan’s work.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46160089645233,"sku":"9780691141251","price":79.0,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46160089678001,"sku":"9780520231238","price":82.26,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46160089710769,"sku":"5744f0fa-6e41-3286-9e72-ffc0e8282e24","price":62.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_cf8d95cf-244f-4a76-8ac6-628bab9fbed0.jpg?v=1763717741"},{"product_id":"the-medieval-mediterranean-between-islam-and-christianity","title":"The Medieval Mediterranean between Islam and Christianity: Crosspollinations in Art, Architecture, and Material Culture","description":"\u003cp\u003e\u003cstrong\u003eChristian–Islamic encounters through religious arts, architecture, and material culture in the medieval era\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process. From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. \u003cbr\u003e\u003cbr\u003eIn this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia. \u003cbr\u003e\u003cbr\u003eWithin this frame, one of the most relevant, yet underexplored lines of investigation is that of the “aesthetic space,” the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. “Indeed, God is beautiful, and He loves beauty,” as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations.\u003cbr\u003e\u003cbr\u003eContributors:\u003cbr\u003e\u003cstrong\u003ePaschalis Androudis\u003c\/strong\u003e Aristotle University of Thessaloniki, Thessaloniki, Greece\u003cbr\u003e\u003cstrong\u003eFaruk Bilici\u003c\/strong\u003e Inalco, Paris, France\u003cbr\u003e\u003cstrong\u003eMaria Bormpoudaki\u003c\/strong\u003e Hellenic Ministry of Culture and Sports, Piraeus, Greece\u003cbr\u003e\u003cstrong\u003eSami Luigi De Giosa\u003c\/strong\u003e University of Sharjah, Sharjah, United Arab Emirates\u003cbr\u003e\u003cstrong\u003eHélène Fragaki\u003c\/strong\u003e University of Augsburg, Augsburg, Germany\u003cbr\u003e\u003cstrong\u003eHani Hamza\u003c\/strong\u003e Independent scholar, Cairo, Egypt\u003cbr\u003e\u003cstrong\u003eAna Cabrera Lafuente\u003c\/strong\u003e Instituto de Turismo de España (Turespaña\/Tourspain), Madrid, Spain \u003cbr\u003e\u003cstrong\u003eAlison Ohta\u003c\/strong\u003e Royal Asiatic Society of Great Britain and Ireland, London, United Kingdom\u003cbr\u003e\u003cstrong\u003eRichard Piran McClary\u003c\/strong\u003e University of York, York, United Kingdom \u003cbr\u003e\u003cstrong\u003eNino Simonishvili\u003c\/strong\u003e Ivane Javakhishvili Tbilisi State University, Tbilisi, Georgia\u003cbr\u003e\u003cstrong\u003eNikolaos Vryzidis\u003c\/strong\u003e University of West Attica, Athens, Greece\u003cbr\u003e\u003cstrong\u003eArielle Winnik\u003c\/strong\u003e Yale University Art Gallery, New Haven, United States\u003c\/p\u003e","brand":"None","offers":[{"title":"Hardcover","offer_id":46165177925809,"sku":"9781649031877","price":97.99,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46165177958577,"sku":"2dab4aa6-150a-32f2-abe1-2474646123d6","price":78.39,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_7612733b-7b35-43b8-b706-01eab4c5e483.jpg?v=1763681502"},{"product_id":"brueghels-heavy-dancers","title":"Brueghel's Heavy Dancers: Transgressive Clothing, Class, And Culture In The Late Middle Ages","description":"\u003cp\u003eWhat do Brueghel’s mid-sixteenth-century portrayals of \"heavy\" wedding dancers and feasters have in common with many late medieval poems and manuscript illustrations? Certain of his paintings, with their obsessive social detail, have often been treated as if they heralded a set of cultural attitudes peculiar to the Early Modern period. Yet the way that the painter combines, in a single scene, scurrilous behavior with dress not only unsuited to the rustic status of the wearers but often sexually revealing, reflects attitudes toward clothing, class, and culture that are deeply medieval. In this expansive and highly original book, Friedman reveals how portrayals of peasants from the literature of the Golden Age of Virgilian Pastoral, who behave according to their social station, were increasingly replaced in the Middle Ages by portrayals that present the realistic peasant, whose outrageous behavior betrays his or her class while it threatens those who stand \"above.\" \u003cbr\u003e\u003cbr\u003eCapacious in scope, the book covers poems from England, France, Germany, Italy, and Spain from the twelfth through the sixteenth centuries. In addition, Friedman draws on texts from various genres, particularly the Pastourelle, giving readers the first panoramic approach to late medieval views of peasant clothing and certain related social behaviors such as eating, publicly excreting, brawling, and \"mooning.\" The book examines elite anxiety over the socially striving lower classes during a period in which social identity was fluid and hierarchies were increasingly challenged by pressure from below. Illustrated with over twenty black and white images and offering detailed analyses of poems, plays, and stories, \u003ci\u003eBrueghel’s Heavy Dancers\u003c\/i\u003e offers a fresh and illuminating contribution to the field of medieval studies.\u003c\/p\u003e","brand":"None","offers":[{"title":"Hardcover","offer_id":46175898009777,"sku":"9780815632153","price":60.95,"currency_code":"CAD","in_stock":false},{"title":"Paperback","offer_id":46175898042545,"sku":"9780801886201","price":41.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46667535548626,"sku":"f1118c37-ef2f-3a0c-8eb4-6c82063b1285","price":34.69,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_ab064ef8-227e-4920-b9ca-9935289be2a1.jpg?v=1764401556"},{"product_id":"vikings","title":"Vikings: Life and Legend","description":"\u003cp\u003eIn the ninth and tenth centuries, the Vikings created a cultural network that spanned four continents: from the Caspian Sea to the North Atlantic and from the Arctic Circle to the Mediterranean. The Viking Age was a period of major change as a result of the Vikings? impact on neighboring areas and the introduction of external influences into Scandinavia. This book explores Viking culture from a global perspective, examining the influences of their varied contacts from around the world and how Viking Scandinavia drew from both Christian Europe and the Islamic world.The book focuses on the core period of the Viking Age, from the late eighth to the early eleventh centuries. New discoveries by archaeologists and metal detectorists highlight the interconnected nature of the cultures of Europe, Byzantium, and the Middle East.\u003ci\u003eVikings\u003c\/i\u003e accompanies a major exhibition developed jointly by the British Museum, the National Museum of Denmark, and the Museum for Prehistory and Early History in Berlin. Edited by the exhibition curators Gareth Williams, Peter Pentz, and Matthias Wemhoff and with contributions from a number of key experts, the book, with its strong, flowing narrative and integrated illustrations, draws on a wealth of Viking objects to provide a rich and vivid account of the impact of Viking expansion throughout the world.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback (2014)","offer_id":46177163247793,"sku":"9780801479427","price":48.95,"currency_code":"CAD","in_stock":true},{"title":"Paperback (2013)","offer_id":46177163280561,"sku":"9781469609331","price":67.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_a5cc1dfa-a3fd-499a-b65c-e4dfbf4bd93d.jpg?v=1763166518"},{"product_id":"painting-and-devotion-in-golden-age-iberia","title":"Painting And Devotion In Golden Age Iberia: Luis De Morales","description":"Luis de Morales, known as El Divino because of his intensely religious subject matter, is the most significant and recognizable Spanish painter of the mid-sixteenth century, the high point of the Spanish and Portuguese counter-reformations. He spent almost his entire working life in the Spanish city of Badajoz, not far from the border with Portugal and did not travel outside of a small area around that city, covering both sides of the border. The social, political and cultural environment of Badajoz and its environs is crucial for a thorough understanding of his output. This book provides that context in detail, looking at literature and liturgical theatre, the situation of converted Jews and Muslims, the presence of Erasmianism, Lutheranism and Illuminism (Alumbradismo), devotional writing for laypeople and proximity to the Bragança ducal palace in Portugal as a means of explaining this most enigmatic of painters.","brand":"None","offers":[{"title":"Hardcover","offer_id":46174967529649,"sku":"9781786836021","price":124.95,"currency_code":"CAD","in_stock":false},{"title":"Kobo eBook","offer_id":46174967562417,"sku":"9113e626-82b5-364d-adb0-dcb36bdba872","price":104.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_97fcaf08-438f-46c5-b0a7-d527486655f6.jpg?v=1763254058"},{"product_id":"body-worlds","title":"Body-Worlds: Opicinus de Canistris and the Medieval Cartographic Imagination","description":"In 1334, an Italian priest named Opicinus de Canistris fell ill and had a divine vision of continents and oceans transformed into human figures which inspired numerous drawings. 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In this richly illustrated book, Shih-Shan Susan Huang provides a comprehensive mapping of Daoist images in various media, including Dunhuang manuscripts, funerary artifacts, and paintings, as well as other charts, illustrations, and talismans preserved in the fifteenth-century Daoist Canon. True form (\u003ci\u003ezhenxing\u003c\/i\u003e), the key concept behind Daoist visuality, is not static, but entails an active journey of seeing underlying and secret phenomena.\u003cbr\u003e\u003cbr\u003eThis book’s structure mirrors the two-part Daoist journey from inner to outer. Part I focuses on inner images associated with meditation and visualization practices for self-cultivation and longevity. Part II investigates the visual and material dimensions of Daoist ritual. Interwoven through these discussions is the idea that the inner and outer mirror each other and the boundary demarcating the two is fluid. 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It inspired the largest pilgrim site in medieval Europe and many works of literature from Chaucer's \u003ci\u003eCanterbury Tales\u003c\/i\u003e to T. S. Eliot's \u003ci\u003eMurder in the Cathedral\u003c\/i\u003e and Anouilh's \u003ci\u003eBecket\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eIn a brilliant piece of historical detective work, Christopher de Hamel here identifies the only surviving relic from Becket's shrine: the Anglo-Saxon Psalter which he cherished throughout his time as Archbishop of Canterbury, and which he may even have been holding when he was murdered.\u003cbr\u003e\u003cbr\u003eBeautifully illustrated and published to coincide with the 850th anniversary of the death of Thomas Becket, this is an exciting rediscovery of one of the most evocative artefacts of medieval England.","brand":"None","offers":[{"title":"Hardcover","offer_id":46179091087537,"sku":"9780241469583","price":21.99,"currency_code":"CAD","in_stock":true},{"title":"Paperback","offer_id":46179091120305,"sku":"9780141994246","price":21.99,"currency_code":"CAD","in_stock":false},{"title":"Kobo eBook","offer_id":46179091153073,"sku":"ac702f1e-4430-32f1-9643-7df8ef1d95c3","price":10.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_4c44492a-37b5-425c-b7f9-9be62475de3d.jpg?v=1763683881"},{"product_id":"english-medieval-embroidery","title":"English Medieval Embroidery: Opus Anglicanum","description":"\u003cb\u003eAn introduction to the design, production and use of luxury embroideries in medieval England (c. 1200–1530)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e In medieval Europe, embroidered textiles were indispensable symbols of wealth and power. 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This part ends with a survey of sixteen medieval scripts dating from the eighth to the fifteenth century.\u003c\/p\u003e\u003cp\u003e* Part 3, \u003cb\u003e\"Some Manuscript Genres,\"\u003c\/b\u003e provides an analysis of several of the most frequently encountered types of medieval manuscripts, including Bibles and biblical concordances, liturgical service books, Books of Hours, charters and cartularies, maps, and rolls and scrolls. The book concludes with an extensive glossary, a guide to dictionaries of medieval Latin, and a bibliography subdivided and keyed to the subsections of the volume's chapters. \u003c\/p\u003e\u003cp\u003eEvery chapter in this magisterial guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46197103526065,"sku":"9780801487088","price":63.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_0e537222-0395-4fd4-8825-50118c0da680.jpg?v=1764382056"},{"product_id":"eating-beauty","title":"Eating Beauty: The Eucharist and the Spiritual Arts of the Middle Ages","description":"\u003cp\u003e\"The enigmatic link between the natural and artistic beauty that is to be contemplated but not eaten, on the one hand, and the eucharistic beauty that is both seen (with the eyes of faith) and eaten, on the other, intrigues me and inspires this book. One cannot ask theo-aesthetic questions about the Eucharist without engaging fundamental questions about the relationship between beauty, art (broadly defined), and eating.\"?from \u003ci\u003eEating Beauty\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eIn a remarkable book that is at once learned, startlingly original, and highly personal, Ann W. Astell explores the ambiguity of the phrase \"eating beauty.\" \u003c\/b\u003eThe phrase evokes the destruction of beauty, the devouring mouth of the grave, the mouth of hell. To eat beauty is to destroy it. Yet in the case of the Eucharist the person of faith who eats the Host is transformed into beauty itself, literally incorporated into Christ. 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