{"title":"Documentary","description":null,"products":[{"product_id":"angry-brigade","title":"Angry Brigade: A History of Britain's First Urban Guerilla Group","description":"\u003cp\u003e“You can’t reform profit capitalism and inhumanity. Just kick it till it breaks.”\u003cbr\u003e — Angry Brigade, communiqué.\u003c\/p\u003e\r\n\u003cp\u003eBetween 1970 and 1972 the Angry Brigade used guns and bombs in a series of symbolic attacks against property. A series of communiqués accompanied the actions, explaining the choice of targets and the Angry Brigade philosophy: autonomous organization and attacks on property alongside other forms of militant working class action. Targets included the embassies of repressive regimes, police stations and army barracks, boutiques and factories, government departments and the homes of Cabinet ministers, the Attorney General and the Commissioner of the Metropolitan Police. These attacks on the homes of senior political figures increased the pressure for results and brought an avalanche of police raids. From the start the police were faced with the difficulty of getting to grips with a section of society they found totally alien. And were they facing an organization—or an idea? \u003c\/p\u003e\r\n\u003cp\u003eThis documentary, produced by Gordon Carr for the BBC (and first shown in January 1973, shortly after the trial), covers the roots of the Angry Brigade in the revolutionary ferment of the 1960s, and follows their campaign and the police investigation to its culmination in the “Stoke Newington 8” conspiracy trial at the Old Bailey—the longest criminal trial in British legal history. Produced after extensive research—among both the libertarian opposition and the police—it remains the essential study of Britain’s first urban guerilla group. \u003c\/p\u003e\r\n\u003cp\u003eExtra: The Persons Unknown (1980, 22 minutes)\u003cbr\u003eThe so-called “Persons Unknown” case in which members of the Anarchist Black Cross were tried (and later acquitted) at the Old Bailey on charges of “conspiring with persons unknown, at places unknown, to cause explosions and to overthrow society.” Featuring interviews and footage of Stuart Christie, Nicholas Walter, Crass and many other UK anarchist activists and propagandists of the time.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46154129080497,"sku":"9781604860498","price":41.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46154129113265,"sku":"8d59e45e-98bf-39f6-9caf-8fdd87e0f918","price":10.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_e20db034-accb-4a94-b51a-604a8476d8d3.jpg?v=1763407853"},{"product_id":"documentary-objectives","title":"Documentary Objectives: Filming Africa from Colonialism to Independence","description":"For over a century, filmmakers have been shooting documentaries in West and Central Africa, a region that included the colonies of French West and Equatorial Africa and now encompasses fourteen nations and nearly 200 million people. Their work merits consideration for its contribution not only to global cinema but also to our understanding of documentary itself, yet it has been largely ignored by scholars of both nonfiction film and African film.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eDocumentary Objectives\u003c\/i\u003e addresses this neglect by offering a rich history of documentary in this region from its beginnings in 1906 to the present. Relying on extensive archival research, author Rachel Gabara provides an overview of French colonial documentary shot in sub-Saharan Africa, tracing fifty years of propaganda-infused travel, hunting, expedition, and ethnographic films. Following independence, African directors worked to reclaim their cinematic image from their former colonizers by challenging outsider claims to authenticity and developing new models for nonfiction film. Starting with the innovations of the early decades that have now been virtually forgotten, Gabara concludes with those of a new generation of documentarists whose work has gained greater attention from audiences and critics on the continent and internationally. Across a dynamic range of modes, from essays to observational films and in French and a range of African languages, they continue to transform the simplistic language of realism on which colonial documentary relied.\u003cbr\u003e\u003cbr\u003eBy recounting a history of nonfiction film in which Europe and Africa were inextricably linked,\u003ci\u003e Documentary Objectives\u003c\/i\u003e brings together traditions that have been both marginalized and kept apart, charting new ground in the disciplines of Film Studies, African Studies, and French and Francophone Studies.","brand":"None","offers":[{"title":"Paperback","offer_id":46156765200561,"sku":"9780253074805","price":64.67,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46156765233329,"sku":"9780253074799","price":156.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46800580018386,"sku":"9be3a1a3-1538-3ccf-8b72-0ce83cdd1bf2","price":51.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_b25f8017-657e-4458-a4bd-7a79a81fc46c.jpg?v=1763171133"},{"product_id":"documentary-habitats","title":"Documentary Habitats: Transmedia Ecologies","description":"As record-breaking wildfires moved across eastern Canada and record rainfalls flooded Dubai; as billionaires offshored immense profits while so-called essential workers risked their lives during a pandemic; resources, knowledge, and even life itself are increasingly privatized?and disruptions have become the status quo to ensure as much. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eDocumentary Habitats\u003c\/i\u003e argues that overlapping crises demand strategies for the long term rather than short-term technocratic pivots. They require local and Indigenous knowledge, derived from extended living with a place, rather than faith in techno-solutions designed to generate profit elsewhere. By redefining humans as one species of many in shared habitats rather than as an exceptional species with unchecked domain over the planet, authors Dale Hudson and Patricia R. Zimmermann offer a powerful counterpart to understandings of documentary conceived almost exclusively as centered not only on humans, but on humans who exploit modern systems. Across eight categories of relationships?entanglements, polyphonies, contaminations, iterations, navigations, extractions, adaptations, and infections?\u003ci\u003eDocumentary Habitats\u003c\/i\u003e follows documentary practices that are community oriented, dialogue-driven, place-based, and research-led, using augmented reality, interactive and mobile technologies, film and photography, and video installation. \u003cbr\u003e\u003cbr\u003eFeaturing works by artists and filmmakers from over 25 countries and drawing on two decades of curatorial collaborations,\u003ci\u003e Documentary Habitats\u003c\/i\u003e is a rallying cry to documentary studies to focus attention on environmental and social issues that may seem new and urgent to some people but are all too familiar to others.","brand":"None","offers":[{"title":"Paperback","offer_id":46163605061809,"sku":"9780253075512","price":63.95,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46163605094577,"sku":"9780253075505","price":143.95,"currency_code":"CAD","in_stock":false},{"title":"Kobo eBook","offer_id":46825886974162,"sku":"9aa5004f-bf15-3089-95e9-7da910c1cdb9","price":51.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_372f6a3a-0450-416d-9885-cd2207329fd1.jpg?v=1763227999"},{"product_id":"projections-of-dakar","title":"Projections of Dakar: (Re)Imagining Urban Senegal through Cinema","description":"\u003cdiv\u003e\n\u003ci\u003eProjections of Dakar\u003c\/i\u003e studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms.\u003cbr\u003e\u003cbr\u003e Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers’ practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants. \u003c\/div\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46176832815281,"sku":"9780896803497","price":45.5,"currency_code":"CAD","in_stock":false},{"title":"Hardcover","offer_id":46176832848049,"sku":"9780896803480","price":104.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_873b3560-2de6-47b7-9784-75838e5e86cd.jpg?v=1763136220"},{"product_id":"kartemquin-films","title":"Kartemquin Films: Documentaries on the Frontlines of Democracy","description":"\u003cb\u003eHow filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning reality—with help from nuns, gang members, skateboarders, artists, disability activists, and more.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e The evolution of Kartemquin Films—Peabody, Emmy, and Sundance-awarded and Oscar-nominated makers of such hits as \u003ci\u003eHoop Dreams \u003c\/i\u003eand\u003ci\u003e Minding the Gap—\u003c\/i\u003eis also the story of U.S. independent documentary film over the last seventy years. Patricia Aufderheide reveals the untold story of how Kartemquin developed as an institution that confronts the brutal realities of the industry and society while empowering people to claim their right to democracy.\u003cbr\u003e  \u003cbr\u003e Kartemquin filmmakers, inspired by pragmatic philosopher John Dewey, made their studio a Chicago-area institution. Activists for a more public media, they boldly confronted in their own productions the realities of gender, race, and class. They negotiated the harsh terms and demands of commercial media, from 16mm through the streaming era, while holding fast to their democratic vision. Drawing on archival research, interviews, and personal experience, Aufderheide tells an inspiring story of how to make media that matters in a cynical world.","brand":"None","offers":[{"title":"Paperback","offer_id":46177168588977,"sku":"9780520401662","price":36.98,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46177168621745,"sku":"9780520401655","price":122.46,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46177168654513,"sku":"9e1714a3-10b2-3a53-830a-80afb188f9df","price":29.29,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_b0f58a90-5889-4f4c-80cf-fbb671909f59.jpg?v=1762748159"},{"product_id":"well-documented","title":"Well Documented: The Essential Documentaries that Prove the Truth is More Fascinating than Fiction","description":"\u003cb\u003eThis fascinating book from veteran film journalist Ian Haydn Smith, with a foreword from award-winning director Asif Kapadia, explores 100 of the most compelling documentaries, each with the power to radically change our perceptions and challenge the way we see the world.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Every so often a documentary comes along with the \u003cb\u003epower to change the way you think\u003c\/b\u003e, to share alternative perspectives, to make you furious about injustice or warm your heart.\u003cbr\u003e\u003cbr\u003e Contained in this book are documentaries that fulfil these criteria and \u003cb\u003eastound viewers around the world\u003c\/b\u003e; real-life stories to stop you in your tracks, bring tears to your eyes, and put your heart in your mouth.\u003cbr\u003e\u003cbr\u003e From Barbara Kopple's Oscar-winning gritty depiction of working class America in \u003ci\u003e\u003cb\u003eHarlan County, USA\u003c\/b\u003e \u003c\/i\u003eto James Marsh's breathtaking \u003ci\u003e\u003cb\u003eMan on Wire\u003c\/b\u003e, \u003c\/i\u003efrom powerful sporting tales such as \u003ci\u003e\u003cb\u003eTouching the Void\u003c\/b\u003e \u003c\/i\u003eto stories of true crimes and their repercussions such as \u003cb\u003e\u003ci\u003eMaking a Murderer\u003c\/i\u003e,\u003c\/b\u003e this book delves deep into \u003cb\u003ehow these films were made\u003c\/b\u003e, what \u003cb\u003emakes them great,\u003c\/b\u003e and also what other films you might like if you loved these ones.\u003cbr\u003e\u003cbr\u003e From\u003cb\u003e Oscar winners \u003c\/b\u003eto \u003cb\u003eunseen gems\u003c\/b\u003e from the Netflix vaults, international filmmakers to true crime, sport and culture stories, every documentary featured will \u003cb\u003emake you think,\u003c\/b\u003e\u003cb\u003emake you feel, \u003c\/b\u003eand make you tell people, \u003cb\u003e“You NEED to see this film.”\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Veteran film journalist\u003cb\u003e Ian Haydn Smith writes with passion and knowledge \u003c\/b\u003eabout these masterpieces, and illustrations bring these films off the page. A foreword from \u003cb\u003eBAFTA and Grammy-winning director Asif Kapadia \u003c\/b\u003ehelps situate this book as \u003cb\u003eone of \u003ci\u003ethe \u003c\/i\u003einvaluable works on cinema today.\u003c\/b\u003e","brand":"None","offers":[{"title":"Hardcover","offer_id":46176388743345,"sku":"9780711267992","price":40.0,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46176388776113,"sku":"947051e6-9ad2-300c-bebf-cd7c89dccb4c","price":30.39,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_a8a5acea-709b-469c-9237-4a9545d92eeb.jpg?v=1762587216"},{"product_id":"screening-social-justice","title":"Screening Social Justice: Brave New Films and Documentary Activism","description":"In \u003ci\u003eScreening Social Justice\u003c\/i\u003e, award-winning anthropologist Sherry B. Ortner presents an ethnographic study of Brave New Films, a nonprofit film production company that makes documentaries intended to mobilize progressive grassroots activism. Ortner positions the work of the company within a tradition of activist documentary filmmaking and within the larger field of \"alternative media\" that is committed to challenging the mainstream media and telling the truth about the world today. The company's films cover a range of social justice issues, with particular focus on the hidden workings of capitalism, racism, and right-wing extremism. Beyond the films themselves, Brave New Films is also famous for its creative distribution strategies. All of the films are available for free on YouTube. Central to the intention of promoting political activism, the films circulate through networks of other activist and social justice organizations and are shown almost entirely in live screenings in which the power of the film is amplified. Ortner takes the reader inside both the production process and the screenings to show how a film can be made and used to mobilize action for a better world.","brand":"None","offers":[{"title":"Paperback","offer_id":46176636960945,"sku":"9781478019510","price":31.95,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46176636993713,"sku":"9781478016861","price":116.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46176637026481,"sku":"72a5055c-5a5f-3104-86c0-9bb9e61ca49d","price":26.09,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_af1b4a1e-a42d-4712-b7f0-87379e0720e0.jpg?v=1763137168"},{"product_id":"reclaiming-popular-documentary","title":"Reclaiming Popular Documentary","description":"\u003cb\u003eThe documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eReclaiming Popular Documentary \u003c\/i\u003ereverses this long-standing tendency by showing that documentaries can be?and are?made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of \u003ci\u003epopular\u003c\/i\u003e to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms?including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand?and offer the critical tools viewers need to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. \u003cbr\u003e\u003cbr\u003eBy combining perspectives of scholars and makers, \u003ci\u003eReclaiming Popular Documentary \u003c\/i\u003ebrings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.","brand":"None","offers":[{"title":"Paperback","offer_id":46179315318961,"sku":"9780253056887","price":35.78,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46179315351729,"sku":"9780253056870","price":104.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46179315384497,"sku":"6adcb7e6-a192-3956-afb0-8fa88fe644ea","price":27.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_df7ff683-9dd2-4ce3-8856-f6939adf6baa.jpg?v=1764373525"},{"product_id":"no-other-way-to-tell-it","title":"No other way to tell it: Docudrama on film and television (second edition)","description":"\u003cp\u003eThis second edition of No other Way To Tell It defines the form, analyses its codes and conventions, and reviews contrasting histories in America and British practice - taking into account new developments since the first edition.\u003cbr\u003e\u003cbr\u003eThese include television’s radically new ecology; with factual formats a growth area. Docudrama in film has also burgeoned recently, partly because the industries themselves have grown closer and partly because of continued interest in the lives of the famous and of those in the news. International co-production now exploits many different screening opportunities and possibilities, with the result that docudrama and become a cinematic as well as televisual staple. Docudrama is not only popular with audiences; it also causes constant flurries of commentary and controversy. Concerns about ‘borders’ and ‘boundaries’, a questioning of documentary’s claim to represent the real, doubts about the popular audience’s ability to cope with new approaches to the ideas of witness, testimony and confession, authenticity and truth - all fuel the debate.\u003cbr\u003e\u003cbr\u003eThis new edition situates docudrama and its ongoing debates within a newly vibrant and still highly contentious field of practice. This book will interest readers - academic and general - with an interest in fact-based drama in film, theatre and television\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46200194990257,"sku":"9780719084478","price":39.99,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46200195023025,"sku":"118e1041-db57-351c-9a0f-dd01a5dfa33f","price":29.29,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_321ed188-ed3c-4f97-a9bd-95539c96ecf9.jpg?v=1763636460"},{"product_id":"cinemas-military-industrial-complex","title":"Cinema's Military Industrial Complex","description":"\u003cdiv\u003eThe vast and influential American military has been aided and abetted by cinema since the earliest days of the medium. The army, navy, and air force put films to work in myriad ways, enlisting them to entertain, train, and heal soldiers as well as to propagandize, strategize, spy, map, and develop weapons, from rifles to atomic bombs. Presenting new essays based on archival research, \u003ci\u003eCinema’s Military Industrial Complex\u003c\/i\u003e addresses the relationship of military cinema to Hollywood, technological innovation, new modes of filmmaking, unique film styles and genres, and the rise of American soft power across the long twentieth century. This rich and timely volume is essential for scholars interested in the military’s use of media and the exercise of influence within and beyond American borders.\u003c\/div\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46209284243666,"sku":"9780520291515","price":47.03,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46209284276434,"sku":"9780520291508","price":122.46,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46209284309202,"sku":"c08e0074-0529-3724-892c-763053fa8ca7","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_224f9543-f9a5-4038-a471-4e1ae783362c.jpg?v=1763141216"},{"product_id":"los-angeles-documentary-and-the-production-of-public-history-1958-1977","title":"Los Angeles Documentary and the Production of Public History, 1958-1977","description":"\u003cdiv\u003e\n\u003ci\u003eLos Angeles Documentary and the Production of Public History, 1958–1977\u003c\/i\u003e explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation.\u003c\/div\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46209263370450,"sku":"9780520293717","price":47.03,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46209263403218,"sku":"9780520293700","price":122.46,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook (2018 B)","offer_id":46209263435986,"sku":"2fd99c29-5cf3-309d-9659-ddc63b72857b","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_e7c2040c-d506-4a53-973b-da097051445c.jpg?v=1763051739"},{"product_id":"introduction-to-documentary-fourth-edition","title":"Introduction to Documentary, Fourth Edition","description":"The fourth edition of Bill Nichols's best-selling text, \u003ci\u003eIntroduction to Documentary\u003c\/i\u003e, has been vastly altered in its entirety to bring this indispensable textbook up to date and reconceptualize aspects of its treatment of documentaries past and present. Here Nichols, with Jaimie Baron, has edited each chapter for clarity and ease of use and expanded the book with updates and new ideas.\u003cbr\u003e\u003cbr\u003eFeaturing abundant examples and images,\u003ci\u003e Introduction to Documentary, Fourth Edition\u003c\/i\u003e is designed to facilitate a rich understanding of how cinema can be used to document the historical world as it is seen by a wide variety of filmmakers. Subjectivity, expressivity, persuasiveness, and credibility are crucial factors that move documentary film away from objective documentation and toward the thought-provoking realm of arguments, perceptions, and perspectives that draw from a filmmaker's unique sensibility to help us see the world as we have not seen it before. Exploring ethics, history, different modes of documentary, key social issues addressed, and both the origins and evolution of this form, this updated volume also offers guidance on how to write about documentaries and how to begin the process of making one. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eIntroduction to Documentary, Fourth Edition\u003c\/i\u003e will be of use not only to film students but also those in adjacent fields where visual representations of reality play an important role: journalism, sociology, anthropology, feminist and ethnic studies, among others.","brand":"None","offers":[{"title":"Paperback","offer_id":46209227620562,"sku":"9780253070159","price":32.95,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46209227653330,"sku":"9780253070142","price":78.95,"currency_code":"CAD","in_stock":false},{"title":"Kobo eBook","offer_id":46209227686098,"sku":"6917a224-f76e-35d7-a694-4e01c98e6443","price":26.39,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_8fa014e5-19c0-42cb-91c9-3f0fb2bdb857.jpg?v=1763635935"},{"product_id":"stories-make-the-world","title":"Stories Make the World: Reflections on Storytelling and the Art of the Documentary","description":"\u003cp\u003e\r\n\tSince the beginning of human history, stories have helped people make sense of their lives and their world. Today, an understanding of storytelling is invaluable as we seek to orient ourselves within a flood of raw information and an unprecedented variety of supposedly true accounts. In \u003cem\u003eStories Make the World\u003c\/em\u003e, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary filmmakers and other storytellers come to understand their subjects and cast light on the world through their art. Drawing on the author’s decades of experience behind the scenes of television and film documentaries, this is an indispensable account of the principles and paradoxes that attend the quest to represent reality truthfully.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback (2025)","offer_id":46208947912914,"sku":"9781836950110","price":32.99,"currency_code":"CAD","in_stock":true},{"title":"Paperback (2017)","offer_id":46208947945682,"sku":"9781785335761","price":32.99,"currency_code":"CAD","in_stock":true},{"title":"Library Binding (2017)","offer_id":46208947978450,"sku":"9781785335754","price":175.99,"currency_code":"CAD","in_stock":true},{"title":"Library Binding (2025)","offer_id":46208948011218,"sku":"9781836950103","price":175.99,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46208948043986,"sku":"45d30b70-c9a1-3c65-b5b4-5562e0cf0399","price":20.79,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_2d90c63f-6d33-4392-be54-6bf355d8b15c.jpg?v=1763633846"},{"product_id":"in-fading-light","title":"In Fading Light: The Films of the Amber Collective","description":"\u003cp\u003eFor over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society. Situating their acclaimed output within wider social, political, and historical contexts, \u003cem\u003eIn Fading Light\u003c\/em\u003e provides an accessible introduction to Amber’s output from both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era.\u003c\/p\u003e","brand":"None","offers":[{"title":"Kobo eBook (2020)","offer_id":46214074302674,"sku":"16ba959b-cd92-348b-8863-ffdcbe992a68","price":26.99,"currency_code":"CAD","in_stock":true},{"title":"Library Binding","offer_id":46243541876946,"sku":"9781789206500","price":175.99,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook (2026)","offer_id":46716795781330,"sku":"bd389fbf-0b70-33ab-8cbd-42cbdf61049c","price":28.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_309d098c-43d9-44b9-a421-649b9cceb552.jpg?v=1763631285"},{"product_id":"filmmaking-for-fieldwork","title":"Filmmaking for fieldwork: A practical handbook","description":"\u003cp\u003eDesigned for researchers seeking new ways to explore their field and media professionals aiming to extend their practice, this filmmaking handbook shows you how to plug in to issues at the intersection of documentary cinema and ethnography. Exploring the unique potential for filmmaking to describe lifeworlds and the role of video editing in generating new ideas about human experience, it offers practical and theoretical advice for those making their first films.\u003cbr\u003e\u003cbr\u003eBased on over twenty years of teaching and industry experience, Filmmaking for fieldwork aims to inspire the development of core skills in camera use, sound recording and editing that can be applied to sensory, observational, participatory, reflexive and immersive modes of storytelling. Written for a multi-disciplinary audience, this book covers all stages necessary to produce a documentary film, from conception through to preparation, production, editing and distribution.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46214431572178,"sku":"9781526131553","price":49.99,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46214431604946,"sku":"bcc10d61-9f7a-3f11-8bd0-7036788ee841","price":32.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_da1b3031-474b-4ef4-98cc-6f81c39e82f2.jpg?v=1763632581"},{"product_id":"story-movements","title":"Story Movements: How Documentaries Empower People and Inspire Social Change","description":"Explores the rise of social-issue documentaries, focusing on the tactics and impact of such films as Blackfish, The Invisible War, 13th, and Citizenfour\r\n\r\nOnly a few years after the 2013 Sundance Film Festival premiere of Blackfish - an independent documentary that indicted the treatment of captive orcas - visits to SeaWorld declined, major corporate sponsors pulled support, and performing acts canceled appearances. Unfolding against a steady drumbeat of public criticism, the \"Blackfish Effect\" culminated in a stunning 2016 corporate policy change announcement from SeaWorld - an end to its profitable captive orca shows. \r\n\r\nSocial-issue documentaries like Blackfish are art for civic imagination and social critique. Today's documentaries interrogate topics like sexual assault in the military (The Invisible War), racial injustice (13th), government surveillance (Citizenfour), and more. These artistic nonfiction films have changed national conversations, influenced media agendas, and mobilized communities and policymakers -- accessed by expanding audiences in a transforming media marketplace. In Story Movements: How Documentaries Empower People and Inspire Social Change, Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling. Featuring original interviews with award-winning documentary filmmakers and field leaders, the book reveals the influence and motivations behind the vibrant, eye-opening stories of the contemporary documentary age.","brand":"None","offers":[{"title":"Hardcover","offer_id":46214448775378,"sku":"9780190943417","price":137.5,"currency_code":"CAD","in_stock":false},{"title":"Paperback","offer_id":46214448808146,"sku":"9780190943424","price":36.55,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46214448840914,"sku":"4e7af675-ad7e-32e0-a4a1-2aea4fe31100","price":27.19,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_61ca82d7-9b7b-4eda-850f-2ee0eb17c94d.jpg?v=1763518911"},{"product_id":"the-interactive-documentary-in-canada","title":"The Interactive Documentary in Canada","description":"\u003cp\u003eInteractive documentary emerged rapidly from a constellation of changing technologies and practices to much excitement, yet its history is short and its future uncertain. In the mid-2010s Canada was a world leader in the creation of i-docs. Less than a decade later technological obsolescence has rendered many of these celebrated projects inaccessible, while rapid digital innovation continues to change the i-doc form and its modes of experience.\u003c\/p\u003e \u003cp\u003e\u003cem\u003eThe Interactive Documentary in Canada\u003c\/em\u003e captures this transitional moment in documentary filmmaking and media production. Bringing together a range of historical, theoretical, and critical approaches, this collection examines the past – and the imagined future – of a nonfiction storytelling phenomenon that has Canadian institutions, figures, and works at its centre. Embracing a polyphonic conception of interactive documentary, the volume includes explorations of web-based, app-based, installation, and virtual reality works that push the boundaries of what is understood as documentary cinema. Leading documentary scholars and makers consider the historical and technological contexts of i-doc production, innovation, and exhibition; the political and pedagogical potential of the genre; the ethics of the i‐doc experience; and the format’s future lifespan in the contemporary media landscape.\u003c\/p\u003e \u003cp\u003e\u003cem\u003eThe Interactive Documentary in Canada\u003c\/em\u003e establishes a place for the i-doc in the history of Canadian film, highlighting the genre’s significant impact on the National Film Board of Canada and on contemporary global documentary media.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46217922281682,"sku":"9780228021087","price":45.34,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46217922314450,"sku":"9780228021070","price":141.3,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46217922347218,"sku":"f3bed4bb-5054-3cb7-b4a7-3e1edc460b6b","price":31.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_f921ed44-ac11-4753-a02d-f1cec8cb74c0.jpg?v=1763072349"},{"product_id":"sporting-realities","title":"Sporting Realities: Critical Readings Of The Sports Documentary","description":"\u003cdiv\u003eDespite the increasing number of popular and celebrated sports documentaries in contemporary culture, such as ESPN's \u003ci\u003e30 for 30\u003c\/i\u003e series, there has been little scholarly engagement with this genre. Sports documentaries, like all films, do not merely showcase objective reality but rather construct specific versions of sporting culture that serve distinct economic, industrial, institutional, historical, and sociopolitical ends ripe for criticism, contextualization, and exploration.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSporting Realities\u003c\/i\u003e brings together a diverse group of scholars to probe the sports documentary's cultural meanings, aesthetic practices, industrial and commercial dimensions, and political contours across historical, social, medium-specific, and geographic contexts. It considers and critiques the sports documentary's visible and powerful position in contemporary culture and forges novel connections between the study of nonfiction media and sport.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  \u003c\/div\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46217087582418,"sku":"9781496221797","price":40.95,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46217087615186,"sku":"9781496217578","price":133.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46217087647954,"sku":"00e9fd53-ed1f-3152-93f1-83d52f9e0cef","price":32.59,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_c8daabbb-341c-447a-aaf8-2889c8880989.jpg?v=1764379475"},{"product_id":"cinema-and-the-environment-in-eastern-europe","title":"Cinema and the Environment in Eastern Europe: From Communism to Capitalism","description":"\u003cp\u003eThe annexation of Eastern Europe to the Soviet sphere after World War II dramatically reshaped popular understandings of the natural environment. With an eco-critical approach, \u003cem\u003eCinema and the Environment in Eastern Europe\u003c\/em\u003e breaks new ground in documenting how filmmakers increasingly saw cinema as a tool to critique the social and environmental damage of large-scale projects from socialist regimes and newly forming capitalist presences. New and established scholars with backgrounds across Europe, the United States, and Australia come together to reflect on how the cultural sphere has, and can still, play a role in redefining our relationship to nature.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46222046429394,"sku":"8d09969b-87cf-3fea-b267-02b58677b8d4","price":27.09,"currency_code":"CAD","in_stock":true},{"title":"Library Binding","offer_id":46243676979410,"sku":"9781805391050","price":175.99,"currency_code":"CAD","in_stock":true},{"title":"Paperback","offer_id":46676614152402,"sku":"9781836955740","price":32.68,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_02cad221-0a98-41d7-a980-635913a8e642.jpg?v=1763681054"},{"product_id":"activism-and-post-activism","title":"Activism and Post-activism: Korean Documentary Cinema 1981-2022","description":"\u003cp\u003e\u003cem\u003eActivism and Post-activism: Korean Documentary Cinema, 1981--2022\u003c\/em\u003e is a new book about nonfiction filmmaking in the private and independent sectors of South Korean cinema and media from the early 1980s to the present day. Drawing on the methodologies of documentary studies, experimental film and video, digital cinema, local discourses on independent documentary, and the literature on the social changes of South Korea, author Jihoon Kim historicizes the formation and development of Korean independent documentary in close dialogue with South Korea's social movements. From the 1980s mass anti-dictatorship movement to twenty-first-century labor issues, feminism, LGBT rights, environmental justice, and key events such as the Sewol Ferry disaster and the Candlelight Protests, Kim offers a comprehensive history of Korean social change documentaries in terms of their activist tradition. At the same time, Kim also maps out the formal and aesthetic divergences of twenty-first-century Korean documentary cinema beyond the activist tradition, while also demonstrating how they have inherited and dynamically renewed the tradition's engagement with contested reality and history. Making the tripartite connections between the socio-political history of South Korea, documentary's aesthetics and politics, and the shifting institutional and technological evolution of documentary production and distribution, the book argues that what is unique about this forty-year history of South Korean documentary cinema is the intensive and compressed coevolution of its two interlocked tendencies: activism and post-activism.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46227152830674,"sku":"aa02fa26-23d1-326a-8c22-059747a9a895","price":44.39,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46673214079186,"sku":"9780197760413","price":143.0,"currency_code":"CAD","in_stock":false},{"title":"Paperback","offer_id":46674210455762,"sku":"9780197760420","price":55.46,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_987e7cc0-3401-4c41-a462-c246eca2c429.jpg?v=1764370594"},{"product_id":"francophone-african-women-documentary-filmmakers","title":"Francophone African Women Documentary Filmmakers: Beyond Representation","description":"\u003ci\u003eFrancophone African Women Documentary Filmmakers\u003c\/i\u003e is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. \u003cbr\u003e\u003cbr\u003eFeaturing 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in \u003ci\u003eKaddu Beykat\u003c\/i\u003e, Rama Thiaw's \u003ci\u003eThe Revolution Will Not be Televised\u003c\/i\u003e, Katy Lena Ndiaye's\u003ci\u003e Le Cercle des noyes\u003c\/i\u003e and \u003ci\u003eEn attendant les hommes\u003c\/i\u003e, Dalila Ennadre's \u003ci\u003eFama: Heroism Without Glory\u003c\/i\u003e and Leila Kitani's \u003ci\u003eNos lieux interdits. \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eShunned from costly fictional- 35mm-filmmaking, \u003ci\u003eFrancophone African Women Documentary Filmmakers\u003c\/i\u003e examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach\/promote.","brand":"None","offers":[{"title":"Paperback","offer_id":46227529138386,"sku":"9780253066534","price":52.95,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46227529171154,"sku":"9780253066527","price":104.95,"currency_code":"CAD","in_stock":false},{"title":"Kobo eBook","offer_id":46227529203922,"sku":"f56c98a1-4376-3f09-8396-e46455d86816","price":42.39,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_60f3d0ac-eb73-404e-a13d-9f6013fd815c.jpg?v=1762425131"},{"product_id":"the-great-sports-documentaries","title":"The Great Sports Documentaries: 100+ Award Winning Films","description":"\u003cp\u003eSports and competition have been film subjects since the dawn of the medium. Olympic sports documentaries have been around nearly as long as the games themselves; films about surfing, boxing, roller derby, motorcycle racing and bodybuilding were theatrical successes during the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003eThe author surveys the history of the sports documentary subgenre, covering more than 100 award-winning films of 40+ different competitions, from traditional team sports to dogsled racing to ballroom dancing.\u003c\/p\u003e","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46248719614162,"sku":"f65cb6e1-c29f-34f6-8d93-bc575e1ea803","price":21.79,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_62e5597d-2907-4ead-b428-3e7f2891178a.jpg?v=1763137168"},{"product_id":"the-art-of-the-observer","title":"The art of the observer: A personal view of documentary","description":"\u003cp\u003eThe art of the observer is a personal guide to documentary filmmaking, based on the author’s years of pioneering work in the fields of ethnographic and documentary cinema. It stands in sharp contrast to books of academic film criticism and handbooks on visual research methods, being based extensively on concrete examples from the author’s own filmmaking experience. The book places particular emphasis on observational filmmaking and the ways in which this approach is distinct from other forms of documentary. It offers both practical insights and reflections on what it means, in both emotional and intellectual terms, to attempt to represent the lives of others. The book makes clear that documentary cinema is not simply a matter of recording reality, but of artfully organising the filmmaker’s observations in ways that reveal the complex patterns of social life.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46250169794770,"sku":"9781526165350","price":49.99,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46250169827538,"sku":"9781526165343","price":170.0,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46250169860306,"sku":"4e036f9e-2fdd-341f-9f38-c68b4f209ffc","price":40.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_2c0e06b2-2711-4244-ab6e-228f864bd98f.jpg?v=1763680131"},{"product_id":"reel-resistance-the-cinema-of-jean-marie-teno","title":"Reel Resistance - The Cinema of Jean-Marie Teno","description":"\u003cb\u003eWeaving together critical analysis and a filmic conversation, this book journeys through the multiple layers of Cameroonian filmmaker Jean-Marie Teno's thematically and aesthetically challenging body of work, framed here as a formof decolonial cinematic resistance.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eCo-winner African Literature Association Book of the Year - Scholarship\u003cbr\u003e\u003cbr\u003eBoth a monograph and a critical dialogue between academic Melissa Thackway, author of \u003ci\u003eAfrica Shoots Back\u003c\/i\u003e, and the Cameroonian filmmaker Jean-Marie Teno, this collaborative work takes the reader on a journey through Teno's multifaceted on-going filmic reflection on Cameroon and the wider African continent, its socio-political systems, history, memory and cultures. Presenting and contextualizing Teno's cinema, it addresses the notion of political commitment in art and of cinema as a form of resistance. It also considers Teno's filmmaking both in relation to the theoretical and aesthetic debates to have animated West and Central African filmmakers since the 1960s and 1970s, and n relation to documentary filmmaking practices on the continent and beyond.  In so doing, the book offers an analysis of the predominant stylistic and thematic traits of Teno's work, examines the individual films and the collective oeuvre, and highlights the evolutions of his film language and concerns. It identifies and explores the committed socio-political and historical themes at play, such as violence, power, history, memory, gender, trauma and exile. It also considers Teno's unwavering focus, both thematically and in his filmmaking choices, on forms and instances of resistance, framing his cinema as a form of decolonial aesthetics.","brand":"None","offers":[{"title":"Hardcover","offer_id":46259932299474,"sku":"9781847012425","price":157.2,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46259932332242,"sku":"a5295d1a-52ff-3f0b-b2df-6d4ff9066f88","price":27.19,"currency_code":"CAD","in_stock":true},{"title":"Paperback","offer_id":46704338108626,"sku":"9781847013491","price":39.29,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_3a101496-42b2-4aa0-8143-8583a96fc073.jpg?v=1763681483"},{"product_id":"precarious-sociality-ethics-and-politics","title":"Precarious Sociality, Ethics And Politics: French Documentary Cinema In The Early Twenty-first Century","description":"\u003cb\u003eA study of how French social documentary engages our precarious world.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e An exploration of turn-of-the-century French documentary cinema, \u003ci\u003ePrecarious Sociality\u003c\/i\u003e explores how filmmakers engage and resist the ways finance capitalism has violently reshaped reality since the late 1990s. Audrey Evrard traces the dissolution of twentieth-century class narratives into a more complete recognition of difference empowering new solidarity grounded in economic, social, and ecological precariousness. Placing well-known auteurs side by side with less canonical filmmakers, \u003ci\u003ePrecarious Sociality\u003c\/i\u003e reaffirms the enduring power of long-form documentaries in a political landscape reshaped by social media clips.","brand":"None","offers":[{"title":"Hardcover","offer_id":46258740789458,"sku":"9781786838421","price":114.5,"currency_code":"CAD","in_stock":false},{"title":"Kobo eBook","offer_id":46258740822226,"sku":"9887706d-5e2d-3312-9c18-918ea42c53c0","price":95.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_3aa609ee-f199-4a6f-979a-27fa546d0afc.jpg?v=1763137636"},{"product_id":"der-narrative-ausdruck-des-grauens","title":"Der narrative Ausdruck des Grauens: Eine filmanalytische Aufarbeitung des Atrocity-Films German Concentration Camps Factual Survey","description":"\u003cp\u003eDer Dokumentarfilm German Concentration Camps Factual Survey stellt in seiner heute vorliegenden Form eine Besonderheit dar. Seine Bilder stammen aus den unterschiedlichen Konzentrations-, Arbeits- und Vernichtungslagern des nationalsozialistischen Deutschlands; er wurde in Zusammenarbeit der Fraktionen der Alliierten im Jahr 1945 gedreht und ermöglicht authentische Rück- und Einblicke, die ohne ihn schon längst nicht mehr möglich wären. Aufgrund von Meinungsverschiedenheiten innerhalb der Alliierten konnte das Projekt erst 2014 vervollständigt und veröffentlicht werden. Richard Holzinger Reiter legt mit diesem Buch einerseits eine Einführung in die Thematik der Atrocity Pictures, andererseits die erste detaillierte Analyse des Films German Concentration Camps Factual Survey überhaupt vor. Dabei betrachtet er den Film in seiner Gesamtheit – um so auch eine kritische Sichtweise auf das Werk zu ermöglichen. So, wie der Film als eine Form der Aufklärung über die grausamen Ereignisse innerhalb der Lager dienen sollte, um den Menschen zu zeigen, was sie übersehen haben, zeigt auch Holzinger Reiter auf, dass diese Atrocities als Teil der Vergangenheit gegenwärtig und noch immer so relevant sind, wie sie es bei Kriegsende waren. Die Bilder haben über die Jahre in ihrer Wirkung nicht an Ausdruck und Wichtigkeit verloren, sie bilden eine Brücke zur Vergangenheit, die das Grauen der damaligen Arbeits-, Konzentrations- und Vernichtungslager eindrücklich und bewegend vergegenwärtigt. Wir dürfen unsere Augen nicht verschließen und müssen uns dem Grauen stellen – nur so können wir aus der Geschichte lernen und eine bessere Zukunft schaffen, die aus Fehlern lernt, anstatt sie zu wiederholen.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46282667851986,"sku":"30d3061b-f823-30d4-9b36-faa0604e1a5c","price":27.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_0e4f1639-6156-4163-8a87-7e9346f9d3de.jpg?v=1763135242"},{"product_id":"audio-visuelle-tropen","title":"Audio-Visuelle Tropen: Die Rhetorik von ‚Nahrungs-Aufnahmen‘ im Dokumentarischen","description":"\u003cp\u003eIn diesem Buch werden Dokumentarfilme analysiert, welche prominent die zeitgenössische Ernährung zum Thema haben. Die audiovisuelle Dokumentation wird dabei als Argumentation begriffen, das Zusammenspiel von bestimmten Inszenierungs-Modi in Sachen Bewegtbild und Ton als rhetorische Figuren, genauer als Tropen, welche jeweils bestimmte Persuasionen zu evozieren imstande sind. Frei nach Ansätzen aus dem Bereich der Neuen Rhetorik und der Psychoanalytischen Filmtheorie (u. a. Christian Metz) wird ein Modell, bestehend aus Metonymie, Synekdoche, Metapher, Katachrese und Ironie, entwickelt, um klären zu können, wie ‚Nahrungs-Aufnahmen‘ argumentationstechnisch oder vielmehr sophistisch, wenn nicht gar rabulistisch funktionieren.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46282363601106,"sku":"aaa08d05-3db5-3f50-968b-2dd9ed670052","price":72.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_340a361d-4960-4887-ac66-365bdbdac390.jpg?v=1763194920"},{"product_id":"vestidas-de-azul","title":"Vestidas de azul: Análisis social y cinematográfico de la mujer transexual en los años de la Transición española","description":"\u003cp\u003e\u003cem\u003eVestida de azul\u003c\/em\u003e de Antonio Giménez-Rico fue el \u003cstrong\u003eprimer documental español\u003c\/strong\u003e protagonizado por seis mujeres transexuales que se estrenó en salas comerciales. Hoy, 35 años después y con la perspectiva que da el paso del tiempo, la periodista Valeria Vegas analiza cómo los medios y el cine abordaban la transexualidad en una época verdaderamente hostil para un colectivo tan expuesto como minoritario. A través de las circunstancias que rodearon a Eva, Loren, Tamara, Josette, Nacha y Renée, la autora indaga en aspectos como la prostitución, el espectáculo, la exclusión social o las leyes opresoras. Sus vidas son también las de otras muchas mujeres para las que no siempre la democracia fue sinónimo de libertad.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46288648863954,"sku":"c85c4cdf-8740-3e5e-a4bf-95c17eb1342d","price":11.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_20bef9e9-2420-4349-a79a-b654e5ea7093.jpg?v=1762637554"},{"product_id":"los-condenados-de-la-tierra","title":"Los condenados de la tierra","description":"\u003cp\u003eEntre 1966 y 1968 el cineasta italiano Valentino Orsini y el filósofo italiano-venezolano Alberto Filippi realizaron la película I dannati della terra (Los condenados de la tierra), inspirada en el libro homónimo del revolucionario afrocaribeño Frantz Fanon, que se había hecho famoso por el prólogo de Jean Paul Sartre. Rodada entre Italia y África, la película fue producida por la cooperativa Ager Film, fundada en Roma por Giuliani De Negri y que en aquellos años editó otros largometrajes memorables como I sovversivi, de los hermanos Vittorio y Paolo Taviani y La hora de los hornos, de Octavio Getino y Fernando Solanas. I dannati della terra es un ensayo cinematográfico de intervención sobre la necesidad ética y política de hacer la revolución, una revolución que abarque tanto al Tercer Mundo como a Europa. Recorre la historia de la intensa amistad entre el cineasta militante de la izquierda italiana Fausto Morelli y su alumno, el joven fanoniano Abramo Malonga, así como sus conversaciones sobre las luchas de liberación africanas que tienen lugar a partir del documental legado por Malonga, al morir prematuramente, a su maestro Morelli para que concluya su largometraje. Proyectado en el Contrafestival de Venecia de 1968, el film postula una \"hipótesis abierta\" centrada en una audaz alegoría final sobre la violencia del poder, la cual afronta temas cruciales que preceden y anuncian los debates del 68. Medio siglo después, Mariano Mestman y Alberto Filippi se han dedicado a recuperar esta película, mucho tiempo olvidada, y a reconstruir el contexto cultural y político en la cual fue concebida, así como los debates que suscitó. Este volumen recoge la documentación y los diferentes escritos en ocasión del film, que se ha vuelto de incuestionable actualidad por el creciente conflicto entre el Sur global y Occidente, en este dramático inicio de milenio.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46298362937554,"sku":"f0088813-2143-3dc7-8419-fda5e5868d11","price":11.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_099c6715-b0cc-4c3d-bdbc-4df69e173a77.jpg?v=1762558974"},{"product_id":"mi-perro-booster","title":"¡MI PERRO BOOSTER!: ÉL SALVÓ MI VIDA . . . y cambió la vida de otras personas en todo el mundo!","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e¡MI PERRO BOOSTER!\u003c\/em\u003e por Davis Hawn\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUn perro llamado Booster salvó la vida de Davis Hawn y transformó su deseo de autodestrucción en una pasión por ayudar a los discapacitados de todo el mundo.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\"¡Tu valor y el de Booster para el mundo son inestimables!\" ---\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e(Dra. Bonita Bergin, Fundadora del Concepto de Perro de Servicio)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e¡MI PERRO BOOSTER\u003c\/em\u003e es una emocionante historia que se desarrolla por décadas, en la que Booster, un perro rescatado por un hombre, lo salva a él... pasando así de estar al borde del suicidio, a ser un apasionado por mejorar la vida de personas en todo el mundo!\u003c\/p\u003e\r\n\u003cp\u003eUn día, Davis tuvo una epifanía, un momento de revelación como el de Helen Keller. A él le molestaba estar siempre triste, ¡y era porque el \u003cem\u003emaldito cachorro\u003c\/em\u003e siempre estaba feliz! Pero en un momento, todo cambió, y para siempre. ¡Ellos se conectaron! Davis, con lágrimas, miró a Booster a los ojos, la ventana del alma, y le dijo, \"¡Lo entiendo!\" Fue entonces, cuando le hizo la promesa de que lo compartiría con el mundo, y el resto es historia.\u003c\/p\u003e\r\n\u003cp\u003eDavis se convirtió en un defensor, compartiendo la magnitud del impacto que en la sociedad tienen los perros en general, y los perros de servicio, en particular. Viajó por todo el mundo durante más de una década, compartiendo sus conocimientos, dando conferencias, realizando reportajes en periódicos y presentándose en televisión y, de vez en cuando, causando \"problemas\" al defender los derechos de los perros de servicio y sus dueños.\u003c\/p\u003e\r\n\u003cp\u003eJuntos lucharon por el acceso a tiendas, aerolíneas, taxis y otros, en diversos lugares del mundo. Desde aparecer en televisión en vivo en Cuba, hasta visitar a niños con VIH en Tailandia, entablar amistad con niños discapacitados en México, y ayudar a aprobar una ley nacional de discapacidad en las Bahamas, su historia es cautivadora.\u003c\/p\u003e\r\n\u003cp\u003eLlorarás, reirás y te maravillarás al sumergirse en este brillante ejemplo de la enormidad del vínculo humano-canino.\u003c\/p\u003e\r\n\u003cp\u003eEl sitio web de Booster evidencia sus logros mundanos, especialmente su adoración por los\u003c\/p\u003e\r\n\u003cp\u003eniños que universalmente correspondieron a su amor.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePor favor consulte: www.boosterelperrodeservicio.com\u003c\/strong\u003e\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46298378764498,"sku":"251c9c10-24ce-33cc-bbc4-480eb76ed6c8","price":9.89,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_d53b6973-4322-4d85-b14b-4c6d40e04cc1.jpg?v=1763075574"},{"product_id":"round-our-way","title":"Round our way: Sam Hanna's visual legacy","description":"\u003cp\u003eSam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the ‘Lowry of filmmaking’ by BBC broadcaster Brian Redhead in the 1980s.  The well-meant label stuck, even though it misses the variety of Hanna’s remarkable output.\u003cbr\u003e\u003cbr\u003eHanna’s intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. \u003cbr\u003e\u003cbr\u003eWritten and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna’s unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46296211751122,"sku":"9781838369361","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_4ede88a0-17ee-48c5-8d41-dc7846f1c704.jpg?v=1763636468"},{"product_id":"detras-del-arbol","title":"Detrás del árbol: Investigación para el documental. Entrevistas a documentalistas argentinos","description":"\u003cp\u003eLa experiencia de quienes se han animado a un género difícil y esquivo como el documental es reseñada en este libro a través de otro género literario y de investigación también problemático como es la entrevista. Eduardo Feller, mediante su vasta experiencia que combina la realización con la docencia, conversa cara a cara con documentalistas argentinos y ofrece la visión de los protagonistas.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46318087995602,"sku":"7c61239e-70f2-34d8-9da8-e14c81634967","price":11.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_a4f1a3d3-0441-4ab2-bd4e-09600429a440.jpg?v=1763029482"},{"product_id":"la-theorie-des-flaques","title":"La théorie des flaques","description":"\u003cp\u003eCe roman vous livre l'enquête d'une journaliste suite à la mort d'une jeune actrice célèbre. Les différents aspects de sa personnalité et les failles qui peut être éclaireront sa mort pour la rendre acceptable se dessineront au fil des entretiens. Ce roman n'est pas un livre d'aventure, pas un thriller, pas un feel good. Il est seulement fait pour vous toucher. Vous émouvoir. En le lisant, vous penserez sûrement à une actrice célèbre. Pourquoi pas? Ce qui importe, c'est que vous ressentiez l'émotion et l'empathie que je me suis efforcé de mettre dans ces lignes.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46327648551122,"sku":"010bda45-6c49-31d0-a12d-865597c66932","price":9.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_5282ae5c-f939-4483-b5ff-e380af21e287.jpg?v=1762905072"},{"product_id":"perpetrator-cinema","title":"Perpetrator Cinema: Confronting Genocide in Cambodian Documentary","description":"\u003cp\u003e\u003cem\u003ePerpetrator Cinema\u003c\/em\u003e explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post–Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-generation survivor and the perpetrator of genocide. These films break with Western tradition and disrupt the political view that reconciliation is the only legitimate response to atrocities of the past. Rather, transcending the perpetrator’s typical denial or partial confession, this extraordinary form of “duel” documentary creates confrontational tension and opens up the possibility of a transformation in power relations, allowing viewers to access feelings of moral resentment.\u003c\/p\u003e\r\n\u003cp\u003eRaya Morag examines works by Rithy Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume Suon, among others, to uncover the ways in which filmmakers endeavor to allow the survivors’ moral status and courage to guide viewers to a new, more complete understanding of the processes of coming to terms with the past. These documentaries show how moral resentment becomes a way to experience, symbolize, judge, and finally incorporate evil into a system of ethics. Morag’s analysis reveals how perpetrator cinema provides new epistemic tools and propels the recent social-cultural-psychological shift from the era of the witness to the era of the perpetrator.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46328511824082,"sku":"f8d3b2ea-8eba-309f-b26c-392c468f9cb6","price":31.19,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_45a5147b-c5bf-451a-a776-b55b98997e64.jpg?v=1763033249"},{"product_id":"genocidio-y-cine-documental","title":"Genocidio y cine documental","description":"\u003cp\u003e\u003cstrong\u003eEste libro tiene como propósito estudiar la representación del genocidio en el cine documental\u003c\/strong\u003e. En los últimos años ha habido un creciente interés y una aceptación mayor a estudiar las representaciones de los genocidios como parte integral de ese campo de estudios; es decir, no solo pensar su dimensión y análisis histórico, político o sociológico sino también sus formas de representarlo artística y visualmente. Asimismo, en una cultura que se ha vuelto cada vez más audiovisual, el lugar de las imágenes para el conocimiento de estos sucesos ocupa un lugar fundamental, ya sea para su enseñanza como también para la propia toma de conciencia sobre el hecho. Los documentales nos ayudan a explicarnos lo sucedido, a establecer relaciones, a ofrecer interpretaciones, a dar cuenta de nuestro mundo, a tratar de encontrar palabras, aunque sea una ardua tarea. De este modo, \u003cstrong\u003eel cine documental posee un rol fundamental en el conocimiento de los genocidios: ha funcionado como evidencia\u003c\/strong\u003e, ha colaborado en la difusión masiva de los casos y ha formado, consolidado y servido de soporte de imaginarios colectivos en torno a los genocidios.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46337757741266,"sku":"992e6745-298c-319c-b38e-29d0cf50ce36","price":12.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_9727ced1-44f0-4414-8a0d-5055ec5559d4.jpg?v=1762704507"},{"product_id":"spatial-violence-and-the-documentary-image","title":"Spatial Violence and the Documentary Image","description":"\u003cp\u003eState and corporate violence has always been waged on material space. However, with the escalation of late-capitalist and neocolonial modes of extraction, incarceration, and bordering, these processes of spatial exploitation are accelerating and morphing. In this eloquent and wide-ranging study, Patrick Brian Smith examines how the documentary image is responding-aesthetically, discursively, and politically-to these transformations in spatial violence. Forging connections between a geographically disparate set of documentary works, Smith argues that over the past two decades we have seen an increasing number of experimental documentary works that are structured around radical interrogations of the spatial. How is it that a concentrated, durational, and temporal focus on diverse political spaces and sites of contestation and conflict helps to reveal the layers of spatial violence, exploitation, and injustice embedded within them?\u003c\/p\u003e\u003cp\u003ePatrick Brian Smith is a University Fellow in the School of Arts, Media and Creative Technology at the University of Salford.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"None","offers":[{"title":"Hardcover","offer_id":46345636315346,"sku":"9781839541780","price":165.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_757b4f9b-6494-4815-b188-3974d9a68681.jpg?v=1762931022"},{"product_id":"perpetrators-in-documentaries-on-genocide","title":"Perpetrators in Documentaries on Genocide","description":"\u003cp\u003eDocumentaries are the most common film genre representing genocide and thus significantly shape public understanding of the subject. \u003cbr\u003e\u003cbr\u003e\u003ci\u003ePerpetrators in Documentaries on Genocide\u003c\/i\u003e is a wide-ranging comparative study that analyses how numerous genocides and their perpetrators have been presented in documentary film. Spanning seven 20th-century genocides across three continents and combining interviews with filmmakers, distant reading, content analysis, and historical research, this book tracks the multifaceted representational strategies of over 200 films. \u003cbr\u003e\u003cbr\u003e​​​​​​​Addressing both the local and global contexts impacting their production, the book finds that the socio-political circumstances in the aftermath of genocide, but also the concept of genocide itself, enormously shape the representation of perpetrator groups and their victims. This book highlights and critiques dominant trends in documentary representation, proposing a broader and methodologically innovative approach to studying the depiction of atrocities that provides an encompassing framework for understanding genocide documentaries.\u003c\/p\u003e","brand":"None","offers":[{"title":"Hardcover","offer_id":46355406848210,"sku":"9781399558211","price":162.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_33861e94-66da-4e88-ae5c-9e10a3824b5d.jpg?v=1763635091"},{"product_id":"mi-perro-booster-1","title":"¡Mi Perro Booster!: ÉL SALVÓ MI VIDA . . . y cambió la vida de otras personas en todo el mundo!","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e¡MI PERRO BOOSTER! \u003c\/em\u003epor Davis Hawn\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUn perro llamado Booster salvó la vida de Davis Hawn y transformó su deseo de autodestrucción en una pasión por ayudar a los discapacitados de todo el mundo.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\"¡Tu valor y el de Booster para el mundo son inestimables!\" --- \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e(Dra. Bonita Bergin, Fundadora del Concepto de Perro de Servicio)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e¡MI PERRO BOOSTER\u003c\/em\u003e es una emocionante historia que se desarrolla por décadas, en la que Booster, un perro rescatado por un hombre, lo salva a él... pasando así de estar al borde del suicidio, a ser un apasionado por mejorar la vida de personas en todo el mundo!\u003c\/p\u003e\u003cp\u003eUn día, Davis tuvo una epifanía, un momento de revelación como el de Helen Keller. A él le molestaba estar siempre triste, ¡y era porque el \u003cem\u003emaldito cachorro\u003c\/em\u003e siempre estaba feliz! Pero en un momento, todo cambió, y para siempre. ¡Ellos se conectaron! Davis, con lágrimas, miró a Booster a los ojos, la ventana del alma, y le dijo, \"¡Lo entiendo!\" Fue entonces, cuando le hizo la promesa de que lo compartiría con el mundo, y el resto es historia.\u003c\/p\u003e\u003cp\u003eDavis se convirtió en un defensor, compartiendo la magnitud del impacto que en la sociedad tienen los perros en general, y los perros de servicio, en particular. Viajó por todo el mundo durante más de una década, compartiendo sus conocimientos, dando conferencias, realizando reportajes en periódicos y presentándose en televisión y, de vez en cuando, causando \"problemas\" al defender los derechos de los perros de servicio y sus dueños.\u003c\/p\u003e\u003cp\u003eJuntos lucharon por el acceso a tiendas, aerolíneas, taxis y otros, en diversos lugares del mundo. Desde aparecer en televisión en vivo en Cuba, hasta visitar a niños con VIH en Tailandia, entablar amistad con niños discapacitados en México, y ayudar a aprobar una ley nacional de discapacidad en las Bahamas, su historia es cautivadora.\u003c\/p\u003e\u003cp\u003eLlorarás, reirás y te maravillarás al sumergirse en este brillante ejemplo de la enormidad del vínculo humano-canino.\u003c\/p\u003e\u003cp\u003eEl sitio web de Booster evidencia sus logros mundanos, especialmente su adoración por los\u003c\/p\u003e\u003cp\u003eniños que universalmente correspondieron a su amor. \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePor favor consulte: www.boosterelperrodeservicio.com \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46364510453970,"sku":"9781962832106","price":41.89,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_6eb1af51-eca2-4384-8972-4bf9981ab80a.jpg?v=1762619763"},{"product_id":"早期中国电影史再研究-1905-1925","title":"早期中国电影史再研究（1905—1925）","description":"\u003cp\u003e《早期中国电影史再研究（1905—1925）》是对1905至1925年中国电影相关史实的再考辨。“再研究”以中国电影史学界既有的影史著述为依据，在整理爬梳相关史料和观点的基础上，结合搜集发现的新资料，对电影史的一些错误史实和观点进行质疑和考辨。\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46376765915346,"sku":"d86ad87f-1dbf-3174-b333-c417d51b8954","price":26.03,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_eabef5fe-f9bf-46bc-81a1-22722450f807.jpg?v=1762681894"},{"product_id":"actuality-interviewing-and-listening","title":"Actuality Interviewing and Listening: Conduct successful interviews for documentary and nonfiction storytelling.","description":"\u003cp\u003eUPDATED EDITION 2023\u003c\/p\u003e\u003cp\u003eThis book explains how to conduct an interview in many different situations because many of the same principles are involved. The art of listening is a critical factor in interviewing for a documentary, podcast interview, journalistic effort, talk show interview, public relations video, human resources interview, law deposition, newspaper interview, oral history interview, or another type of interview.\u003c\/p\u003e\u003cp\u003e\"The secret to interviewing is to know how to listen. \"Actuality-style interviewing and listening techniques allow the interviewer and interviewee to communicate in an objective reality atmosphere.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"In today's world of spin and framing, actuality interviewing and listening style of interviewing is a valuable tool.\" The book gives practical examples and instructions on all aspects of interviewing.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Make a conscious effort to listen to the person speaking. It is not as easy as it may sound. Be aware of their body\u003c\/p\u003e\u003cp\u003elanguage and their words. But do not allow your mind to start judging and analyzing. It is called mindful listening, being\u003c\/p\u003e\u003cp\u003ethere in the present. If you start to drift away, let go of those thoughts. Listening in this way will give you all the information\u003c\/p\u003e\u003cp\u003eyou need to respond. Communication is only possible with both parties in the loop.\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46383274721490,"sku":"9780982702376","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_3e77215d-0237-4d6e-bcb0-df301703a748.jpg?v=1762400816"},{"product_id":"the-documentary-filmmaking-master-class-second-edition","title":"The Documentary Filmmaking Master Class (Second Edition): Tell Your Story from Concept to Distribution","description":"\u003cb\u003e\"A realist with a sense of humor, Chasse is both stringent and encouraging as she covers every aspect of creating a successful production.\" —\u003c\/b\u003e\u003ci\u003e\u003cb\u003eBooklist\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e starred review\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHow to Make and Distribute a Documentary \u003c\/b\u003e\u003ci\u003e\u003cb\u003ewithout\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e Losing Your Mind or Going Broke\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eDocumentary filmmaking requires more than just a passion for the subject––whether it be one’s personal story or that of someone else, a historical event or a startling discovery, a political movement or a heinous crime. Making a documentary and getting it in front of an audience requires determination, careful planning, money, and a strong production team. With over thirty years of experience in filmmaking, author Betsy Chasse mentors readers every step of the way with a down-to-earth approach and invaluable advice. Chapters cover topics such as:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eChoosing a Subject\u003c\/li\u003e\n\u003cli\u003eDeveloping a Business Plan\u003c\/li\u003e\n\u003cli\u003eSecuring Financial Backing\u003c\/li\u003e\n\u003cli\u003eAssembling a Production Team\u003c\/li\u003e\n\u003cli\u003eNailing Interviews and Shooting B-Roll\u003c\/li\u003e\n\u003cli\u003eGetting through Post-Production\u003c\/li\u003e\n\u003cli\u003eDistributing and Marketing the Film\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eThe new edition enhances the well-regarded original title to adapt to the quick-changing media landscape, with all-new sections on updating revenue models for streaming, making the most of self-distribution and festivals, creating an algorithm-friendly marketing strategy, building your personal brand, and using AI tools thoughtfully. Both novices and experienced filmmakers will benefit from this all-inclusive guide. With the right knowledge, persistence, and \u003ci\u003eThe Documentary Filmmaking Master Class\u003c\/i\u003e in their camera bags, readers will not only turn their visions into reality, they’ll be able to share the results with others and navigate the process with confidence.","brand":"None","offers":[{"title":"Paperback","offer_id":46383828500690,"sku":"9781621538677","price":47.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_75735f86-29e0-492d-a449-e4f0e32c0e30.jpg?v=1763685682"},{"product_id":"the-documentary-filmmaking-master-class-second-edition-1","title":"The Documentary Filmmaking Master Class (Second Edition): Tell Your Story from Concept to Distribution","description":"\u003cp\u003e**\"A realist with a sense of humor, Chasse is both stringent and encouraging as she covers every aspect of creating a successful production.\" —**\u003cem\u003e\u003cstrong\u003eBooklist\u003c\/strong\u003e\u003c\/em\u003e \u003cstrong\u003estarred review\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHow to Make and Distribute a Documentary\u003c\/strong\u003e \u003cem\u003e\u003cstrong\u003ewithout\u003c\/strong\u003e\u003c\/em\u003e \u003cstrong\u003eLosing Your Mind or Going Broke\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDocumentary filmmaking requires more than just a passion for the subject––whether it be one’s personal story or that of someone else, a historical event or a startling discovery, a political movement or a heinous crime. Making a documentary and getting it in front of an audience requires determination, careful planning, money, and a strong production team. With over thirty years of experience in filmmaking, author Betsy Chasse mentors readers every step of the way with a down-to-earth approach and invaluable advice. Chapters cover topics such as:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eChoosing a Subject\u003c\/li\u003e\r\n\u003cli\u003eDeveloping a Business Plan\u003c\/li\u003e\r\n\u003cli\u003eSecuring Financial Backing\u003c\/li\u003e\r\n\u003cli\u003eAssembling a Production Team\u003c\/li\u003e\r\n\u003cli\u003eNailing Interviews and Shooting B-Roll\u003c\/li\u003e\r\n\u003cli\u003eGetting through Post-Production\u003c\/li\u003e\r\n\u003cli\u003eDistributing and Marketing the Film\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe new edition enhances the well-regarded original title to adapt to the quick-changing media landscape, with all-new sections on updating revenue models for streaming, making the most of self-distribution and festivals, creating an algorithm-friendly marketing strategy, building your personal brand, and using AI tools thoughtfully. Both novices and experienced filmmakers will benefit from this all-inclusive guide. With the right knowledge, persistence, and \u003cem\u003eThe Documentary Filmmaking Master Class\u003c\/em\u003e in their camera bags, readers will not only turn their visions into reality, they’ll be able to share the results with others and navigate the process with confidence.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46396196683986,"sku":"59636b5a-5c42-3293-a5e4-a3cd5b448d35","price":36.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_e17c7b8c-0e50-491e-b763-064e3771343c.jpg?v=1763108078"},{"product_id":"kill-the-documentary","title":"Kill the Documentary: A Letter to Filmmakers, Students, and Scholars","description":"\u003cp\u003eCan the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In \u003cem\u003eKill the Documentary\u003c\/em\u003e, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from \u003cem\u003eNanook of the North\u003c\/em\u003e to the recent Ken Burns\/Lynn Novick series \u003cem\u003eThe Vietnam War\u003c\/em\u003e. Tethered to what Godmilow calls the “pedigree of the real” and the “pornography of the real,” they fail to activate their viewers’ engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an “us-watching-them” mode that ultimately reinforces self-satisfaction and self-absorption.\u003c\/p\u003e\r\n\u003cp\u003eIn place of the conventional documentary, Godmilow advocates for a “postrealist” cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, \u003cem\u003eKill the Documentary\u003c\/em\u003e proposes provocative new ways of making and watching films.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46405793087698,"sku":"49810b80-3adf-39e1-8583-2358f48a2e0f","price":31.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_bd403a6a-04fe-4ec9-8acb-b6f5a18a4d73.jpg?v=1763071798"},{"product_id":"unveiling-bodies","title":"(Un)veiling Bodies: A Trajectory of Chilean Post-Dictatorship Documentary","description":"\u003cp\u003eDocumentary plays an essential role in the struggles over memories of Latin America's dictatorial pasts. Ever since Chile's military coup of 11 September 1973, whether inside the country or in exile, filmmakers have passionately and incessantly documented, created, and reenacted memories from this traumatic event and its aftermath.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e(Un)veiling Bodies\u003c\/em\u003e analyses the rich landscape of Chilean documentary during the first two decades after the restoration of civilian rule in 1990. Ramírez-Soto proposes a trajectory that shifts from revealing the bodies of direct victims to unveiling the body of the film itself. This is a journey deeply intertwined with the country's own democratic transition.\u003c\/p\u003e\u003cp\u003eInformed by the affective turn in film studies, this book offers a novel approach to this largely unexplored field of Chilean cinema by arguing that these heterogeneous works shift from a 'cinema of the affected' to a 'cinema of affect'. By doing so, these documentaries contribute to Chilean society's own restoration of the senses.\u003c\/p\u003e\u003cp\u003eElizabeth Ramírez-Soto is Assistant Professor in the School of Cinema at San Francisco State University. Her articles have appeared in \u003cem\u003eQuarterly Review of Film and Video\u003c\/em\u003e, \u003cem\u003eRethinking History\u003c\/em\u003e, and \u003cem\u003eJournal of Latin American Cultural Studies\u003c\/em\u003e. She is also the coeditor of \u003cem\u003eNomadías: El cine de Marilú Mallet, Valeria Sarmiento y Angelina Vázquez\u003c\/em\u003e (2016).\u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46424745246930,"sku":"9781781884294","price":18.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_45efdcdd-1bbe-4816-b853-256ff59e8ca9.jpg?v=1762881777"},{"product_id":"deux-minutes-et-quatorze-secondes","title":"Deux minutes et quatorze secondes: Une exécution de Juifs filmée en 1941 et son usage dans les documentaires d’histoire","description":"\u003cp\u003eEté 1941 sur une plage de la mer baltique. Le clair soleil, le sable, l’eau, le vent. Des gens se baignent et font des cabrioles dans l’eau, flirtent, jouent et badinent sur la plage. Quelques heures plus tard, au même endroit, dans des fosses creusées au pied d’anciennes fortifications russes en face de la mer, on amène d’autres gens pour y être fusillés. Les personnes qui se baignaient dans la mer et jouaient sur le sable peu avant assistent à la scène. Un sergent de la marine allemande, Reinhard Wiener, filme. Son très court métrage apparaît systématiquement dans les documentaires télévisuels d’histoire qui traitent de la destruction par fusillade des juifs d’URSS durant la Seconde Guerre mondiale, où il est associé à des événements qui lui sont étrangers par la date et le lieu.\u003c\/p\u003e\r\n\u003cp\u003eDans cet ouvrage, l’auteur examine le court-métrage de Reinhard Wiener, le seul film qui nous est parvenu, des exécutions par fusillades des Juifs. Les premières pages sont dévolues à une description du film comme objet matériel, ainsi qu’à l’analyse de ce qu’il montre. S’ensuit une présentation du contexte historique général, à savoir la destruction par fusillade des juifs lors de l’opération Barbarossa, dans certaines villes lettones plus particulièrement. La question de l’usage de ce film par les réalisateurs de films documentaires, des années 1960 aux années 2000 fait également l’objet d’une analyse approfondie. La dernière partie de l’ouvrage est consacrée aux éléments traitant de l’auteur du film, du lieu et de la date du filmage et enfin de l’histoire du film.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46461710270674,"sku":"14cb756f-33bb-3772-b80a-531d3c201e39","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_864b11a1-b188-400f-9cce-795232acfdb7.jpg?v=1762931942"},{"product_id":"didactica-historica-3-2017","title":"Didactica Historica 3\/2017: Le documentaire en histoire\/ Geschichte dokumentarisch\/ Il documentario storico","description":"\u003cp\u003eLes  archives exploitées dans les films documentaires ne sont pas le miroir des réalités passées. Les images à l'écran sont bien plus que la seule illustration des souvenirs des témoins ou des propos exprimés en voix off. Aucune prise de vue n'échappe au cadrage, puis au montage, donc à un minimum de mise en scène en fonction d'un point de vue. Quel serait alors un bon usage du documentaire en histoire ? Comment est-il fabriqué en amont et à quelles fins ? À quel public est-il destiné ? Quelle est sa place à la fois en classe et plus largement dans l'espace médiatique ? Dans le dossier \"Le documentaire en histoire\", des documentaristes, des agents culturels, des historiens du cinéma, des didacticiens et des enseignants explorent ces questions.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46483166626002,"sku":"f9ec285a-f138-36e2-bd5c-c873eee182d7","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_17cb01a1-d4e3-4172-bd11-dd3d965195a8.jpg?v=1763028845"},{"product_id":"how-to-film-truth","title":"How to Film Truth: The Story of Documentary Film as a Spiritual Journey","description":"How to Film Truth explores the history of documentary film as a search for truth by filmmakers, and a journey of discovery for subjects and audiences. This process, the act of documenting, exploring, and reflecting on our reality in all its created beauty, wonder, and mystery can itself be a devotional practice. The history can be seen as moving from actuality to ecstasy, from propaganda to empathy, and finally to confessional, emotional, personal, and communal healing.","brand":"None","offers":[{"title":"Paperback","offer_id":46511374008530,"sku":"9781532640339","price":26.0,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46511374041298,"sku":"9781532640346","price":53.0,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46511374074066,"sku":"43542efc-a74a-35cb-b00e-464710cbcbc7","price":18.39,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_b62a178a-a2d6-404a-acaa-9c064bac7111.jpg?v=1762749315"},{"product_id":"kill-the-documentary-1","title":"Kill the Documentary: A Letter to Filmmakers, Students, and Scholars","description":"Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In \u003ci\u003eKill the Documentary\u003c\/i\u003e, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from \u003ci\u003eNanook of the North\u003c\/i\u003e to the recent Ken Burns\/Lynn Novick series \u003ci\u003eThe Vietnam War\u003c\/i\u003e. Tethered to what Godmilow calls the “pedigree of the real” and the “pornography of the real,” they fail to activate their viewers’ engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an “us-watching-them” mode that ultimately reinforces self-satisfaction and self-absorption.\u003cbr\u003e\u003cbr\u003eIn place of the conventional documentary, Godmilow advocates for a “postrealist” cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, \u003ci\u003eKill the Documentary\u003c\/i\u003e proposes provocative new ways of making and watching films.","brand":"None","offers":[{"title":"Paperback","offer_id":46512196714706,"sku":"9780231202770","price":40.81,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46512196747474,"sku":"9780231202763","price":156.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_b6ccd1db-f33c-496a-b907-088b94856523.jpg?v=1763683879"},{"product_id":"strangers-within-1","title":"Strangers Within: Documentary as Encounter","description":"\u003cp\u003e\u003cstrong\u003e'The foreigner is within me, hence we're all foreigners. If we're all foreigners, there are no foreigners.' – Julia Kristeva\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eStrangers Within\u003c\/em\u003e is an anthology exploring the idea of documentary as encounter through essays, stories, interviews and other creative responses by filmmakers, artists, and writers. The texts engage with the risks of encounter, unsettling assumptions about the distinctions between host and guest; stranger and friend; self and other; documentarian and protagonist. Opening up a series of questions about the mystery of another person, whose difference and unknowability is already a part of one's self, the anthology offers a multidisciplinary approach to understanding the convergences between encounter, hospitality and autobiography.\u003c\/p\u003e\r\n\u003cp\u003eWith contributions by Khalik Allah, Ruth Beckermann, Jon Bang Carlsen, Adam Christensen, Annie Ernaux, Gareth Evans, Jane Fawcett, Xiaolu Guo, Umama Hamido, Therese Henningsen, Marc Isaacs, Mary Jiménez Freeman-Morris, Juliette Joffé, Andrew and Eden Kötting, David MacDougall, Trinh T. Minh-ha, Toni Morrison, Bruno de Wachter and Andrea Luka Zimmerman.\u003c\/p\u003e\r\n","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46513617928402,"sku":"f389030e-bd19-3193-881a-a6c84fb3ed56","price":10.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_698aab3c-d8fd-4b07-a65a-7f3368ef93b2.jpg?v=1765175947"},{"product_id":"kings-of-drag-2","title":"Kings Of Drag 2: High Quality Studio Photographs Of British Drag Kings","description":"\u003cp\u003e60 Drag Kings and Queerlesque performers were invited to my studio to be photographed in their performance costumes. This series of 10 books was assembled over 9 months in 2019, London UK. The photographer works from his home studio in Islington. The Models were invited to be photographed for their vivacity and wit.\u003c\/p\u003e\u003cp\u003eIn order to maintain print quality it has been necessary to print only 45 pictures per book. To save money you might prefer the cheaper Ebook version. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46502524584146,"sku":"9781916245723","price":26.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_92fbee89-607b-4389-8a04-e763bb82850d.jpg?v=1762879944"}],"url":"https:\/\/www.indigo.ca\/collections\/documentary.oembed","provider":"Indigo","version":"1.0","type":"link"}