{"title":"Jazz","description":null,"products":[{"product_id":"thinking-in-jazz","title":"Thinking in Jazz: The Infinite Art of Improvisation","description":"\u003cdiv\u003eA landmark in jazz studies, \u003ci\u003eThinking in Jazz\u003c\/i\u003e reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea.\u003cbr\u003e\u003cbr\u003eThe product of more than fifteen years of immersion in the jazz world, \u003ci\u003eThinking in Jazz\u003c\/i\u003e combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThinking in Jazz\u003c\/i\u003e overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators.\u003cbr\u003e\u003cbr\u003eBerliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. 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The book follows the controversial trajectories of two jazz legends, emerging from the 1959 album Kind of Blue. Coltrane's odyssey through what became known as \"free jazz\" brought stylistic (r)evolution and chaos in equal measure. Davis's spearheading of \"jazz-rock fusion\" opened a door through which jazz's ongoing dialogue with the popular tradition could be regenerated, engaging both high and low ideas of creativity, community, and commerce. 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Davis, political activist, scholar, author, and speaker\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSophisticated Giant\u003c\/i\u003e presents the life and legacy of tenor saxophonist Dexter Gordon (1923–1990), one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his “solo” turns with her voice and a chorus of voices from past and present. Reading like a jazz composition, the blend of research, anecdote, and a selection of Dexter’s personal letters reflects his colorful life and legendary times. It is clear why the celebrated trumpet genius Dizzy Gillespie said to Dexter, “Man\u003cb\u003e,\u003c\/b\u003e you ought to leave your karma to science.”\u003cbr\u003e  \u003cbr\u003e Dexter Gordon the icon is the Dexter beloved and celebrated on albums, on film, and in jazz lore--even in a street named for him in Copenhagen. But this image of the cool jazzman fails to come to terms with the multidimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. 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Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others. \u003cbr\u003e\u003cbr\u003e But \u003ci\u003eJazz\u003c\/i\u003e is more than mere biography. 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The story of jazz encompasses the story of American courtship and show business; the epic growth of great cities—New Orleans and Chicago, Kansas City and New York—and the struggle for civil rights and simple justice that continues into the new millennium.","brand":"None","offers":[{"title":"Paperback","offer_id":46155282940081,"sku":"9780679765394","price":66.0,"currency_code":"CAD","in_stock":true},{"title":"Hardcover","offer_id":46155282972849,"sku":"9780679445517","price":131.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_00433ebb-1dc9-4089-9bed-682fa732f56c.jpg?v=1764382001"},{"product_id":"jazz-with-a-beat","title":"Jazz with a Beat: Small Group Swing, 1940?1960","description":"is the first book on the often overlooked but vitally important genre of small group swing jazz. 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Stevenson Award, presented by the American Musicological Society (AMS)\u003cbr\u003e\u003cbr\u003eWinner of the Harry and Claire Brook Award, bestowed by the Harry Brook Center for Music Research and Documentation (The Graduate Center of The City University of New York)\u003cbr\u003e\u003cbr\u003eFinalist for the \u003c\/b\u003e\u003cb\u003eMAAH Stone Book Award, bestowed by the Museum of African American History (2025)\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003eHonorable mention for The Portia K. 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The main vibration I felt from Lee’s words was total honesty, almost to a fault. Konitz shows himself to be an acute observer of the scene, full of wisdom and deep musical insights, relevant to any historical period regardless of style. The asides by noted musicians are beautifully woven throughout the pages. I couldn’t put the book down—it is the definition of a living history.”\u003c\/p\u003e\n\u003cp\u003e—David Liebman\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eThe preeminent altoist associated with the “cool” school of jazz, Lee Konitz was one of the few saxophonists of his generation to forge a unique sound independent of the influence of Charlie Parker. In the late 1940s, Konitz began his career with the Claude Thornhill band, during which time he came into contact with Miles Davis, with whom he would later work on the legendary \u003ci\u003eBirth of the Cool\u003c\/i\u003e sessions. 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Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date.\"--\u003ci\u003eChicago Tribune\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eNo musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In \u003cb\u003eReading Jazz\u003c\/b\u003e, editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing.  \u003cbr\u003e\u003cbr\u003eHere are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable.  \u003cbr\u003e\u003cbr\u003e\"The ideal gift for jazzniks and boppers everywhere. . . . 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The author, an active participant in the jazz world as composer, performer, and author of several books on jazz and Latin music, hopes that this book will encourage jazz lovers to take a rhetoric-free look at the charged issue of race as has affected the world of jazz. A work about the formulation of identity in the face of racial difference, the book considers topics such as the promotion of black Southern culture and inner-city styles like rhythm and blues and rap as a means of achieving black racial solidarity. It discusses the body of music fostered by an identification to Africa, the conversion of black jazz musicians to Islam and other Eastern religions, and the impact of a jazz community united by heroin use. White jazz musicians who identify with black culture in an unsettling form by speaking black dialect and calling themselves African-American is examined, as is the assimilation of jazz into the wider American culture.","brand":"None","offers":[{"title":"Hardcover","offer_id":46179340222641,"sku":"9780275961985","price":146.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_3b95f835-81c4-406f-9410-90867a00ee68.jpg?v=1762444190"},{"product_id":"do-you-know","title":"Do You Know...?: The Jazz Repertoire in Action","description":"\u003cp\u003eEvery night, somewhere in the world, three or four musicians will climb on stage together. Whether the gig is at a jazz club, a bar, or a bar mitzvah, the performance never begins with a note, but with a question. 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Comparing the working conditions and public representations of women musicians with figures such as Rosie the Riveter, WACs, USO hostesses, pin-ups, and movie stars, Tucker chronicles the careers of such bands as the International Sweethearts of Rhythm, Phil Spitalny’s Hours of Charm, The Darlings of Rhythm, and the Sharon Rogers All-Girl Band.\u003c\/p\u003e","brand":"None","offers":[{"title":"Kobo eBook","offer_id":46181029478577,"sku":"9e9ccee3-c0ed-325c-bb30-9f02fa5e0d40","price":34.69,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/image_98e0e1a7-bcb1-442b-ba56-3170f65d9bca.jpg?v=1763136217"},{"product_id":"youll-know-when-you-get-there","title":"You'll Know When You Get There: Herbie Hancock And The Mwandishi Band","description":"\u003cdiv\u003e\n\u003cp\u003e As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. 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While the allied occupation was a setback in the search for an indigenous jazz sound, Japanese musicians again sought American validation. Atkins closes out his cultural history with an examination of the contemporary jazz scene that rose up out of Japan's spectacular economic prominence in the 1960s and 1970s but then leveled off by the 1990s, as tensions over authenticity and identity persisted.\u003cbr\u003e\tWith its depiction of jazz as a transforming global phenomenon, \u003ci\u003eBlue Nippon\u003c\/i\u003e will make enjoyable reading not only for jazz fans worldwide but also for ethnomusicologists, and students of cultural studies, Asian studies, and modernism.\u003cbr\u003e\n\u003c\/div\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46181030658225,"sku":"9780822327219","price":40.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46181030690993,"sku":"4a736239-c915-39ac-a5d5-a9dadea42c7e","price":33.69,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_1a58735f-3afa-4945-a316-3944cfbe31f9.jpg?v=1763142394"},{"product_id":"civic-jazz","title":"Civic Jazz: American Music and Kenneth Burke on the Art of Getting Along","description":"\u003cp\u003eJazz is born of collaboration, improvisation, and listening. 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Her inspiring memoir talks frankly about her music and the challenges she faced, and shines a light into the jazz world of the 1960s and 1970s.\u003cbr\u003e  \u003cbr\u003e Vivid and always entertaining, \u003ci\u003eThe Lady Swings\u003c\/i\u003e tells Dottie Dodgion's story with the same verve and straight-ahead honesty that powered her playing.\u003cbr\u003e\u003cbr\u003e A \u003ci\u003eVariety\u003c\/i\u003e Best Music Book of 2021","brand":"None","offers":[{"title":"Paperback","offer_id":46179324854449,"sku":"9780252085512","price":29.95,"currency_code":"CAD","in_stock":false},{"title":"Kobo eBook","offer_id":46179324887217,"sku":"e0f9cf50-2f97-33e7-884b-a1354e64d5b7","price":16.29,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_8509092a-f8ae-4bde-b48c-11958a06d016.jpg?v=1763635933"},{"product_id":"message-to-our-folks","title":"Message to Our Folks: The Art Ensemble of Chicago","description":"\u003cdiv\u003eThis year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices—members played hundreds of instruments on stage, recited poetry, performed theatrical sketches, and wore face paint, masks, lab coats, and traditional African and Asian dress. The group, which built a global audience and toured across six continents, presented their work as experimental performance art, in opposition to the jazz industry’s traditionalist aesthetics.\u003cbr\u003e\u003cbr\u003e In \u003ci\u003eMessage to Our Folks\u003c\/i\u003e, Paul Steinbeck combines musical analysis and historical inquiry to give us the definitive study of the Art Ensemble. In the book, he proposes a new theory of group improvisation that explains how the band members were able to improvise together in so many different styles while also drawing on an extensive repertoire of notated compositions. Steinbeck examines the multimedia dimensions of the Art Ensemble’s performances and the ways in which their distinctive model of social relations kept the group performing together for four decades. \u003ci\u003eMessage to Our Folks\u003c\/i\u003e is a striking and valuable contribution to our understanding of one of the world’s premier musical groups.\u003c\/div\u003e","brand":"None","offers":[{"title":"Paperback","offer_id":46179203481777,"sku":"9780226418094","price":44.5,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46179203514545,"sku":"803ce987-3532-309a-a83d-cbd8ef398259","price":29.59,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_4e3b0aa3-37ce-485e-8151-7e60282e6bd1.jpg?v=1763171617"},{"product_id":"where-the-dark-and-the-light-folks-meet","title":"Where the Dark and the Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz","description":"Where the Dark and the Light Folks Meet tackles a controversial question: Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint. Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has so encumbered it. 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Cole shows how Coltrane's influences extended from tribal tone languages to speeches by Martin Luther King, Jr. -- he even adapted King's rhythmic inflections into a saxophone solo.Bill Cole offers a lengthy musical analysis of Coltrane's career; it also includes a detailed discography with recording data and personnel and over two dozen photographs. Cole draws on quotes from Coltrane himself, transcriptions of his improvisations, analyses of his music, research into West African religion, and his own personal reminiscences of the man, to offer a stimulating perspective on Coltrane's music, life, and thought.","brand":"None","offers":[{"title":"Paperback","offer_id":46193624580273,"sku":"9780306810626","price":28.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_819ef56a-b807-436b-a124-503b998a535f.jpg?v=1762664988"},{"product_id":"the-story-of-jazz","title":"The Story of Jazz","description":"The effect of jazz upon American culture and the American character has been all-pervasive.  This superlative history is the first and the most renowned systematic outline of the evolution of this unique American musical phenomenon. 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More then 140 pieces, written over a 14-year period, are brought together for the first time in this superb\ncollection of essays, reviews, and articles.  Weather Bird is a celebration of jazz, with illuminating commentaryon contemporary jazz events, today''s top muscicians, the best records of the year, and on leading figures from jazz''s past.  Readers will find extended pieces on Louis Armstrong, Erroll\nGarner, Benny Carter, Sonny Rollins, Dave Brubeck, Ornette Coleman, Billie Holiday, Cassandra Wilson, Tony Bennett, and many others. Giddins includes a series of articles on the annual JVC Jazz Festival, which offers a splendid overview of jazz in the 1990s. 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And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer''s brushes.  To a great many\nlisteners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots,\ntraditions, explorations and permutations, personalities and recordings of a climactic  period in jazz history.\nBeginning with hard bop''s origins as an amalgam of bebop and RandB, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie\nMcLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane,\nThelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether  Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright \"badness\" over technical virtuosity was unappreciated by\ncritics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians.\nFortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis''s Kind of Blue, Charles Mingus''s Mingus Ah Um, Thelonious Monk''s Brilliant Corners, Horace Silver''s Further Explorations--Rosenthal\ngives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of\nAmerica''s great musical epochs.","brand":"None","offers":[{"title":"Paperback","offer_id":46193111498929,"sku":"9780195085563","price":54.27,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook (2016 B)","offer_id":46193111531697,"sku":"330b4f8f-9f9e-355c-8e60-2506cd3ddaa7","price":35.99,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook (2016 A)","offer_id":46193111564465,"sku":"ffc17362-60ab-41ea-bff6-ed196c71ed20","price":35.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_171cdd52-2cba-4cc3-9839-1405b3140a32.jpg?v=1763170582"}],"url":"https:\/\/www.indigo.ca\/collections\/jazz.oembed","provider":"Indigo","version":"1.0","type":"link"}