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Hannah Levy-Hass was clearly a quite extraordinary woman  brave, honest, and undiminished in her idealism and hopes: qualities that also characterize her daughter Amira, a fearless Israeli journalist who introduces the Diary with a moving account of her mother’s life and death.”Tony Judt, historian; University Professor and Director of The Remarque Institute, New York University; author, Postwar: A History of Europe Since 1945\u003cbr\u003e\u003cbr\u003eDiary of Bergen-Belsen vividly captures the tempestuous spirits of one of the darkest places on earth during one of the darkest times in history. Hanna Levy-Hass writes with captivation of unthinkable brutality. Her careful writings have created an unforgettable and indispensable chronicle that will live on for generations. She will help us remember, and to never forget.”Edwin Black, author, IBM and the Holocaust\u003cbr\u003e\u003cbr\u003eNo other diary carries quite the same lessons of moral courage and political urgency as Levy-Hass’s does, with her repeated attempts to salvage some form of solidarity out of the abyss of depravity and selfish individualism that engulfed Belsen’s inmates. This new edition includes a powerful foreword and afterword by Levy-Hass’s daughter, Amira, who, without sentimentality or false analogy, links the struggles of her own present with those of her mother’s past.”Jane Caplan, Professor of Modern European History, Oxford University\u003cbr\u003e\u003cbr\u003eThe history of the Holocaust is often reduced to a simple conflict between the persecutors and their victims, but it was a much more complex process. 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In this context, the abusive taunt 'They forgot to gas you' can be seen as the first radical expression of postwar antisemitism as well as an indication of how the Holocaust came to be turned against the Jews. The identification of 'the Jew' with the gas chamber spread from the streets to football stadiums, and from verbal abuse to pamphlet and protest. The slogan 'Hamas, Hamas all the Jews to the gas' indicates that Israel became a second marker of postwar antisemitism. \u003cbr\u003e\u003cbr\u003e The chapters cover themes including soccer-related antisemitism, Jewish responses, philosemitism, antisemitism in Dutch-Moroccan and Dutch- Turkish communities, contentious acts of remembrance, the neo-Nazi tradition, and the legacy of Theo van Gogh. The book concludes with a lengthy epilogue on 'the Jew' in the politics of the radical right, the attacks in Paris in 2015, and the refugee crisis. 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