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For the past five years he's been touring colleges and universities, delivering three hour lectures on everything from the music industry's corruption of young talent, the history of black music from Blues to Rap, his own controversial lyrics, problems in the black community, self-empowerment, contemporary culture and current political leaders to Public Enemy's rise to international stardom. All while maintaining his solo and Public Enemy's recording careers.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFight the Power\u003c\/i\u003e examines a multitude of complex social, racial and artistic issues. 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They feature both classic lyrics that helped define the genre, including Grandmaster Flash \u0026amp; the Furious Five’s “The Message” and Eric B. \u0026amp; Rakim’s “Microphone Fiend,” as well as lesser-known gems like Blackalicious’s “Alphabet Aerobics” and Jean Grae’s “Hater’s Anthem.”\u003cbr\u003e  \u003cbr\u003e Both a fan’s guide and a resource for the uninitiated, \u003ci\u003eThe Anthology of Rap\u003c\/i\u003e showcases the inventiveness and vitality of rap’s lyrical art. The volume also features an overview of rap poetics and the forces that shaped each period in rap’s historical development, as well as a foreword by Henry Louis Gates, Jr., and afterwords by Chuck D and Common. 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Illuminating different aspects of Japanese hip-hop, Condry chronicles how self-described \"yellow B-Boys\" express their devotion to \"black culture,\" how they combine the figure of the samurai with American rapping techniques and gangsta imagery, and how underground artists compete with pop icons to define \"real\" Japanese hip-hop. He discusses how rappers manipulate the Japanese language to achieve rhyme and rhythmic flow and how Japan's female rappers struggle to find a place in a male-dominated genre. 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Just as American rap crossed borders, French rap influenced artists in the rest of the Francophone world.\u003cbr\u003e\u003cbr\u003eIn addition to a foreword by Adam Krims, a noted rap authority, this volume has contributions by some of the most renowned hip-hop scholars on both sides of the Atlantic and addresses hip-hop from the perspective of various disciplines: African studies, anthropology, cultural studies, ethnology, French and Francophone studies, history, linguistics, musicology, psychology, and sociology. Contributors discuss the history of French rap music from its origin to the present, the various artists and their groups, stage performances of the rap groups in Paris, Marseilles, the art of graffiti, and the French public's perceptions of rap music. Each chapter is equipped with a short bibliography.\u003cbr\u003e\u003cbr\u003eThis is the first book on the subject of French rap music and hip-hop culture in English. A wonderful resource for scholars and students of African, French and pop culture, ethnomusicology, and for the general public interested in rap music and the hip-hop culture.","brand":"None","offers":[{"title":"Hardcover","offer_id":46193183654065,"sku":"9780810844308","price":77.95,"currency_code":"CAD","in_stock":false},{"title":"Paperback","offer_id":46193183686833,"sku":"9780810844315","price":84.95,"currency_code":"CAD","in_stock":true},{"title":"Kobo eBook","offer_id":46193183719601,"sku":"c3cce8d5-a176-363c-a642-c4b586158cd7","price":61.19,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_9c05c4a6-8f8c-4b80-b26f-26186c618fbf.jpg?v=1763074632"},{"product_id":"and-it-dont-stop","title":"And It Don't Stop: The Best American Hip-hop Journalism Of The Last 25 Years","description":"\u003cp\u003eIn September 1979, there was a cosmic shift that went unnoticed by the majority of mainstream America. 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Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate-radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre.Against all odds, these young MCs will grow up to become some of the UK’s most famous musicians, scoring number one records and dominating British pop culture for years to come. Hip-hop royalty will fawn over them, billion dollar brands will queue up to beg for their endorsements and through their determined DIY ethics they’ll turn the music industry's logic on its head.But getting there won’t be easy. Successive governments will attempt to control their music, their behaviour and even their clothes. The media will demonise them and the police will shut down their clubs. National radio stations and live music venues will ban them. There will be riots, fighting in the streets, even murder. 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Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books \u003ci\u003eHouston Rap\u003c\/i\u003e and \u003ci\u003eHouston Rap Tapes\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eThis second edition of \u003ci\u003eHouston Rap Tapes\u003c\/i\u003e amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. 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