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Through a study of the ideas and constructions of these visionary reformers, Hudson explores their efforts to build new forms of housing and \"settlements\" designed to free the residents, especially women, from drudgery, allowing them to participate in creative work and to enjoy the \"songs of larks.\" Resolving to obliterate this movement of human liberation, Stalinists in the field of architecture unleashed a \"little\" terror from below, prior to Stalin's Great Terror.\u003cbr\u003e\u003cbr\u003eUsing formerly secret Party archives made available by perestroika, Hudson finds in the rediscovered theoretical work of the avant-garde architects a new understanding of their aims. He shows, for instance, how they saw the necessity of bringing elite desires for a transformed world into harmony with the people's wish to preserve national culture. Such goals brought their often divided movement into conflict with the Stalinists, especially on the subject of collectivization. Hudson's provocative work offers evidence that in spite of the ultimate success of the Stalinists, the Bolshevik Revolution was not monolithic: at one time it offered real architectural and human alternatives to the Terror.\u003cbr\u003e\u003cbr\u003eOriginally published in 1993.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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It is widely believed that celebrated local architect Albert Kahn designed many of Detroit's structures, such as the General Motors and First National Bank buildings. In fact, while Kahn's efforts were focused on running his highly successful firm, it was Rowland, his chief designer, who was responsible for the appearance and layout of these buildings?an important point in appreciating the contributions of both Kahn and Rowland. During the early twentieth century, Rowland devised a wholly new or \"modern\" design for buildings, one not reliant on decorative elements copied from architecture of the past. As buildings became more specialized for their intended use, Rowland met the challenge with entirely new design methodologies and a number of improved technologies and materials that subsequently became commonplace. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eDesigning Detroit: Wirt Rowland and the Rise of Modern American Architecture\u003c\/i\u003e begins with a brief overview of Rowland's early life and career. Author Michael G. Smith goes on to analyze Rowland's achievements in building design and as a leader of Detroit's architectural community throughout both World Wars and the Great Depression. The interdependence of architecture with the city's fluctuating economic prosperity and population growth is explored, illuminating the conditions for good architecture and the arts in general. The author identifies the influence of Jay Hambidge's \"dynamic symmetry\" in Rowland's work and how it allowed him to employ color as a modern replacement for traditional ornamentation, leading to the revolutionary design of the Union Trust (Guardian) Building, for which he receives nearly unanimous praise in national media. This book is concerned primarily with Rowland's influence on Detroit architecture, but spans beyond his work in Michigan to include the designer's broad reach from New York to Miami. 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Stunning color photographs capture the unique design elements?including the boldly colored glazed brick walls of the atrium?reminiscent of Girard's role as color consultant for the GM Tech Center. 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Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.\u003c\/p\u003e\n\u003cp\u003eAfter describing the ordinary postwar house and its orderly, prescribed layout, Harris analyzes how cultural iconography associated these houses with middle-class whites and an ideal of white domesticity. She traces how homeowners were urged to buy specific kinds of furniture and other domestic objects and how the appropriate storage and display of these possessions was linked to race and class by designers, tastemakers, and publishers. 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His structures – developed from landscape, program, material, and construction – are highly individual and independent of the stylistic developments of modern architecture. His constant attempts to invent new things gave rise to the idiosyncratic forms and constructions that are typical of his work. The author, Daniel Treiber, has produced a well-researched and thorough presentation that highlights the fundamental aspects of the American architect’s work that are relevant from a contemporary perspective. He systematically investigates the forms, types, and strategies of Wright’s oeuvre and accompanies his outstanding texts with a lavish offering of photographs and plans. 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For much of the nineteenth century, however, these asylums epitomized the widely held belief among doctors and social reformers that insanity was a curable disease and that environment—architecture in particular—was the most effective means of treatment. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eThe Architecture of Madness,\u003c\/i\u003e Carla Yanni tells a compelling story of therapeutic design, from America’s earliest purpose—built institutions for the insane to the asylum construction frenzy in the second half of the century. At the center of Yanni’s inquiry is Dr. Thomas Kirkbride, a Pennsylvania-born Quaker, who in the 1840s devised a novel way to house the mentally diseased that emphasized segregation by severity of illness, ease of treatment and surveillance, and ventilation. 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But at the city’s westernmost edge, there is a quiet and beauty like nowhere else in all of New York. There are miles of mansions and monuments, acres of flora, and a breadth of wildlife ranging from Peregrine falcons to goats. It’s where the Gershwins and Babe Ruth once lived, William Randolph Hearst ensconced his paramour, and Amy Schumer owns a penthouse. Told in the uniquely personal voice of a longtime resident, \u003ci\u003eHeaven on the Hudson\u003c\/i\u003e is the only New York City book that features the history, architecture, and personalities of this often overlooked neighborhood, from the eighteenth century through the present day.\u003cbr\u003e\u003cbr\u003eCombining an extensively researched history of the area and its people with an engaging one-on-one guide to its sights, author Stephanie Azzarone sheds new light on the initial development of Riverside Park and Riverside Drive, the challenges encountered—from massive boulders to “maniacs”—and the reasons why Riverside Drive never became the “new Fifth Avenue” that promoters anticipated. From grand “country seats” to squatter settlements to multi-million-dollar residences, the book follows the neighborhood’s roller-coaster highs and lows over time. Readers will discover a trove of architectural and recreational highlights and hidden gems, including the Drive’s only freestanding privately owned villa, a tomb that’s not a tomb, and a sweet memorial to an eighteenth-century child. Azzarone also tells the stories behind Riverside’s notable and forgotten residents, including celebrities, murderers, a nineteenth-century female MD who launched the country’s first anti-noise campaign, and an Irish merchant who caused a scandal by living with an Indian princess.\u003cbr\u003e\u003cbr\u003eWhile much has been written about Central Park, little has focused exclusively on Riverside Drive and Riverside Park until now. \u003ci\u003eHeaven on the Hudson\u003c\/i\u003e is dedicated to sharing this West Side neighborhood’s most special secrets, the ones that, without fail, bring both pleasure and peace in a city of more than 8 million.\u003c\/p\u003e","brand":"None","offers":[{"title":"Couverture souple","offer_id":46174832853169,"sku":"9781531508050","price":35.99,"currency_code":"CAD","in_stock":true},{"title":"Couverture rigide","offer_id":46174832885937,"sku":"9781531501006","price":51.99,"currency_code":"CAD","in_stock":false},{"title":"Livre numérique Kobo","offer_id":46174832918705,"sku":"5950f350-e045-314b-9ed0-c5a7dcd258a7","price":27.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_f60eee39-a574-4d85-9d6c-d174068552a7.jpg?v=1763632999"},{"product_id":"fiske-and-marie-kimball","title":"Fiske and Marie Kimball: Shaping Public Engagement with Architecture and the Arts","description":"\u003cb\u003eThe fascinating journey of one of the art world's great midcentury power couples\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The essays in this interdisciplinary volume explore how Fiske and Marie Kimball, together and in their own respective ways, shaped the experience and understanding of art and architecture in the twentieth century. 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