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A non-violent gambler and part-time con man, Maverick's principles revolved around pleasure and not power, and he added humor, satire, and irony to the usually grim-faced Western. In this study of \u003ci\u003eMaverick, \u003c\/i\u003eauthor Dennis Broe details how the popular series mocked, altered, and undermined the characteristics of other popular Westerns, like \u003ci\u003eGunsmoke\u003c\/i\u003e and \u003ci\u003eBonanza.\u003c\/i\u003e Broe highlights the contributions made by its creators, its producer, Roy Huggins, and its lead actor, James Garner, to a format that was described as \"the American fairy tale.\" \u003cbr\u003e\u003cbr\u003eBroe describes how Garner and Huggins struck blows against a feudal studio system that was on its last legs in cinema but was being applied even more rigidly in television. 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Broe also highlights the series' female con women or\u003ci\u003e flaneuses,\u003c\/i\u003e who were every bit the equal of their male counterparts and added additional layers to the traditional schoolteacher\/showgirl Western dichotomy. \u003cbr\u003e\u003cbr\u003eBroe demonstrates the progressive nature of \u003ci\u003eMaverick \u003c\/i\u003eas it worked to counter the traditional studio mode of production, served as a locus of counter-cultural trends, and would ultimately become the lone outpost of anti?Cold War and anti-establishment sentiments within the Western genre. \u003ci\u003eMaverick\u003c\/i\u003e fans and scholars of American television history will enjoy this close look at the classic series.","brand":"None","offers":[{"title":"Couverture souple","offer_id":46159219065009,"sku":"9780814339169","price":32.95,"currency_code":"CAD","in_stock":true},{"title":"Livre numérique Kobo","offer_id":46159219097777,"sku":"55882555-81ff-3952-9007-8fb17c4cfe81","price":34.26,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_b6707ab7-7716-4ed8-a1fc-6af4e0451a24.jpg?v=1763142518"},{"product_id":"dark-shadows","title":"Dark Shadows","description":"While supernatural events have become fairly commonplace on daytime television in recent decades,\u003ci\u003e Dark Shadows\u003c\/i\u003e, which aired on ABC between 1966 and 1971, pioneered this format when it blended the vampires, werewolves, warlocks, and witches of fictional Collinsport, Maine, with standard soap opera fare like alcoholism, jealousy, and tangled love. In this volume, author Harry M. Benshoff examines\u003ci\u003e Dark Shadows\u003c\/i\u003e, both during its initial run and as an enduring cult phenomenon, to prove that the show was an important precursor?or even progenitor?of today's phenomenally popular gothic and fantasy media franchises like Twilight, Harry Potter, and True Blood.    Benshoff demonstrates that viewers of all ages responded to the haunted world of\u003ci\u003e Dark Shadows\u003c\/i\u003e, making unlikely stars out of the show's iconic characters?reluctant vampire Barnabas Collins, playboy werewolf Quentin Collins, vengeful witch Angelique DuVal, and vampire hunter Dr. Julia Hoffman. Benshoff explores the cultural and industrial contexts of the mid-1960s that gave rise to \u003ci\u003eDark Shadows\u003c\/i\u003e and how the show adapted nineteenth-century gothic novels and twentieth-century horror films into a televised serial format. Benshoff also examines the unique aspects of the show's casting and performance modes, its allure as a camp cult text, and the function of the show's many secondary and tertiary texts?including novels, records, games, comic books, and the two feature films, House of Dark Shadows (1970) and Night of Dark Shadows (1971).    In the years since its cancellation, \u003ci\u003eDark Shadows'\u003c\/i\u003e enduring popularity has led to a prime-time NBC remake in the early 1990s, and a popular ongoing fan convention. Benshoff's timely study of \u003ci\u003eDark Shadows\u003c\/i\u003e will appeal to fans of the show and all film and television history scholars who are interested in the roots of one of today's most popular genres.","brand":"None","offers":[{"title":"Couverture souple","offer_id":46159216935089,"sku":"9780814334393","price":32.95,"currency_code":"CAD","in_stock":true},{"title":"Livre numérique Kobo","offer_id":46159216967857,"sku":"d08ab6e1-0ca0-42ac-950a-6c7458f65412","price":34.83,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_124a0be3-5a89-419a-a329-3eb89d02ba3f.jpg?v=1763141788"},{"product_id":"rowan-and-martins-laugh-in","title":"Rowan and Martin's Laugh-In","description":"The highest-rated network program during its first three seasons, comedy-variety show \u003ci\u003eRowan and Martin's Laugh-In \u003c\/i\u003e(NBC, 1968?1973) remains an often overlooked and underrated innovator of American television history. Audiences of all kinds?old and young, square and hip, black and white, straight and queer?watched \u003ci\u003eLaugh-In\u003c\/i\u003e, whose campy, anti-establishment aesthetic mocked other tepid and serious popular shows. In \u003ci\u003eRowan and Martin's Laugh-In, \u003c\/i\u003eauthor Ken Feil presents the first scholarly investigation of the series whose suggestive catch-phrases \"sock it to me,\" \"look that up in your Funk'n'Wagnalls,\" and \"here comes the judge\" became part of pop culture history. \u003cbr\u003e\u003cbr\u003e In four chapters, Feil explores \u003ci\u003eLaugh-In\u003c\/i\u003e's newness, sophisticated style, irreverence, and broad appeal. First, he considers the show's indulgence of \"bad taste\" through a strategy of deliberate ambiguity that allowed audiences to enjoy countercultural, anti-establishment transgression and, reassuringly, conveyed the sense that it represented the establishment's investment in containing such defiant delights. Feil considers \u003ci\u003eLaugh-In\u003c\/i\u003e's camp, otherness, and \"open secrets\" as well as the show's conflicted positions on the \"private\" issues of taste, sexuality, lifestyle, and politics. Sexual swingers, stoned hippies, empowered African Americans, feminists, and flamboyantly \"nellie\" men all filled \u003ci\u003eLaugh-In\u003c\/i\u003e's routine roster, embodied by cast members Goldie Hawn, Jo Anne Worley, Lily Tomlin, Chelsea Brown, Alan Sues, Johnny Brown, and Judy Carne, along with regular guests Flip Wilson, Sammy Davis Jr., and Tiny Tim. Related to these icons, \u003ci\u003eLaugh-In\u003c\/i\u003e reflected on hotly politicized current events: militarism in Vietnam, racist discrimination in the U.S., Civil Rights and Black Power, birth control and sex, feminism, and gay liberation.\u003cbr\u003e\u003cbr\u003e In its playful put-ons of the establishment, parade of countercultural types and tastes, and vacillation between identification and repulsion, Feil argues that \u003ci\u003eLaugh-In\u003c\/i\u003e's intentional ambiguity was part and parcel of its inventiveness and commercial prosperity. Fans of the show as well as readers interested in American television and pop culture history will enjoy this insightful look at \u003ci\u003eRowan and Martin's Laugh-In\u003c\/i\u003e.","brand":"None","offers":[{"title":"Couverture souple","offer_id":46159219556529,"sku":"9780814338223","price":32.95,"currency_code":"CAD","in_stock":true},{"title":"Livre numérique Kobo","offer_id":46159219589297,"sku":"7fc96511-c99d-3d8d-b9ce-e55b3073c925","price":34.26,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_017766e8-b8cf-4954-848d-87cc108c7b44.jpg?v=1763141775"},{"product_id":"treme","title":"Treme","description":"In \u003ci\u003eTreme\u003c\/i\u003e, Jaimey Fisher analyzes how the HBO television series \u003ci\u003eTreme\u003c\/i\u003e (2010?13) treads new ground by engaging with historical events and their traumatic aftermaths, in particular with Hurricane Katrina in 2005 and subsequent flooding in New Orleans. 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