{"title":"Esthetique","description":null,"products":[{"product_id":"history-as-a-visual-art-in-the-twelfth-century-renaissance","title":"History as a Visual Art in the Twelfth-Century Renaissance","description":"\u003cp\u003eKarl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text but in what the imagination read into it: they prized visual over verbal imagination and employed a circular, or nuclear, spectator-centered perspective cast aside in the Renaissance of the fourteenth and fifteenth centuries.\u003cbr\u003e\u003cbr\u003eTwelfth-century writers assimilated and transformed a tradition of the conceptual unity of all the arts and attributed that unity to the fact that art both conceals and discloses. Recovering that tradition, especially the methods and motives of concealment, provides extraordinary insights into twelfth-century ideas about the kingdom of God, the status of women, and the nature of time itself. It also identifies a strain in European thought that had striking affinities to methods of perception familiar in Oriental religions and that proved to be antithetic to later humanist traditions in the West.\u003cbr\u003e\u003cbr\u003eOriginally published in 1990.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.\u003c\/p\u003e","brand":"None","offers":[{"title":"Couverture rigide","offer_id":46154085269681,"sku":"9780691630793","price":179.0,"currency_code":"CAD","in_stock":true},{"title":"Couverture souple","offer_id":46154085302449,"sku":"9780691601014","price":75.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_2984c1cb-40b7-4ea6-83b1-15121475810a.jpg?v=1764378698"},{"product_id":"creatures-of-attention","title":"Creatures of Attention: Aesthetics and the Subject before Kant","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eCreatures of Attention\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e excavates the early modern prehistory of our late modern crises of attention.\u003c\/b\u003e At the threshold of modernity, philosophers, scientists, and poets across Europe began to see attention as the key to autonomous agency and knowledge. Recovering the philosophical and literary works from eighteenth-century Germany in which \"attention,\" \"subject,\" and \"aesthetics\" developed their modern meanings, Johannes Wankhammer examines control over attention as the cultural technique underpinning the ideal of individual autonomy. Aesthetics, founded by Alexander Baumgarten as a science of sense perception, challenged this ideal by reframing art as a catalyst for alternative modes of selfhood and attention. \u003c\/p\u003e\u003cp\u003eWhile previous scholarship on the history of attention emphasized the erosion of subjectivity by industrial or technological modernization, Wankhammer asks how attention came to define subjectivity in the first place. When periodically recurring crises of attention threaten the coherence of the subject, the subject comes undone at the very seams that first sutured it together. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eCreatures of Attention\u003c\/i\u003e offers the first systematic study of a foundational discourse on attention from 1650 to 1780. Presenting pre-Kantian aesthetics as a critique of the Enlightenment paradigm of strained attention, the book offers a fresh perspective on poetics and aesthetics in eighteenth-century Germany.\u003c\/p\u003e","brand":"None","offers":[{"title":"Couverture souple","offer_id":46154929078449,"sku":"9781501775802","price":44.95,"currency_code":"CAD","in_stock":true},{"title":"Couverture rigide","offer_id":46154929111217,"sku":"9781501775796","price":195.95,"currency_code":"CAD","in_stock":true},{"title":"Livre numérique Kobo","offer_id":46154929143985,"sku":"2f1817c9-c21e-3ad0-b38b-8470f8f8d273","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_889603ad-d277-498e-a9d1-5e643448e684.jpg?v=1763222681"},{"product_id":"painting-as-an-art","title":"Painting as an Art","description":"\u003cp\u003e\u003cb\u003eOne of the twentieth century’s most influential texts on philosophical aesthetics\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003ePainting as an Art\u003c\/i\u003e is acclaimed philosopher Richard Wollheim’s encompassing vision of how to view art. Transcending the traditional boundaries of art history, Wollheim draws on his three great passions—philosophy, psychology, and art—to present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrieving—almost reenacting—the creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring a much richer conception of human psychology than they have in the past. This classic book points the way to discovering what is most profound and subtle about paintings by major artists such as Titian, Bellini, and de Kooning.\u003c\/p\u003e","brand":"None","offers":[{"title":"Couverture souple","offer_id":46154860658865,"sku":"9780691252292","price":72.0,"currency_code":"CAD","in_stock":true},{"title":"Livre numérique Kobo","offer_id":46154860691633,"sku":"157baa9b-417c-3130-8be6-7cf1c9bf3690","price":58.29,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_7d0e0165-8a56-45d2-bf97-2dab32b1010d.jpg?v=1763636475"},{"product_id":"american-aesthetics","title":"American Aesthetics: Theory and Practice","description":"\u003cb\u003eProposes a distinctly American approach to aesthetic judgment and practice.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAlthough there are distinctly American artists-Walt Whitman, Herman Melville, Grandma Moses, Thomas Hart Benton, and Andy Warhol, for example-very little attention has been devoted to formulating any distinctively American characteristics of aesthetic judgment and practice. This volume takes a step in this direction, presenting an introductory essay on the possibility of such a distinctly American tradition, and a collection of essays exploring particular examples from a variety of angles. Some of the essays in this collection extend pragmatist and process insights about the important place aesthetics has in molding and assessing experience. Other essays examine the place of American aesthetics in relation to such particular forms of art as painting, literature, music, and film. Three essays attend to the aesthetic aspects of a flourishing life. In each of the essays, American aesthetics is understood to arise out of deeply felt personal, historical, and cultural backgrounds. Consequently, not only are such relatively abstract notions as harmony, fit, elegance, proportion, and the like involved in aesthetic judgment, but also religious, political, and social factors become embroiled in aesthetic discernment. 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Just ask anyone who has sat for hours in an HMO waiting room or made countless phone calls trying to have a claim settled—or anyone who can’t get coverage. But whenever basic reform is proposed the insurance industry opens a massive campaign against it.\u003c\/p\u003e\n\u003cp\u003eHealth care today is part of big business, which in defeating the Clinton plan successfully pushed any kind of basic reform off the political agenda. Continuing citizen support for some form of public insurance is, says Milton Fisk, a sign that basic reform is still possible. In his book, he argues persuasively that basic reform goes beyond a matter of life and death—it’s integral to maintaining a society where concern for others holds its own against the market.\u003c\/p\u003e\n\u003cp\u003eHealth care, observes Fisk, is not simply an individual responsibility but a public good much like education, and commitment to the social values underlying these public goods is essential to any just society. A healthy society as a value worth pursuing becomes an empty slogan when the poor get inferior health care, when workplaces are dangerous to health, and when a focus on medical treatment leaves out our bodies’ environment.\u003c\/p\u003e\n\u003cp\u003eTaking in the broad sweep of social policy in the last half-century, Fisk describes the shift from welfare toward competitiveness as a key factor in the rise of corporate care in the United States. He analyzes the failure of the Clinton health care plan in detail and shows that its commitment to corporate health care was at odds with its reforming intent. He then argues that without national health insurance, needless obstacles will stand in the way of a healthy society. 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In doing so, Glissant offers a new way to think about questions that are at the forefront of Global Humanities today: identity, race, communities, diasporas, slavery, nation-states and nationalism, aesthetics, ethics, and the place and function of poetry and art in a globalized world. This book will elucidate Glissant's theoretical writings, not only in England and in America but also in the anglophone Caribbean, Africa, and India.","brand":"None","offers":[{"title":"Couverture souple","offer_id":46155152654513,"sku":"9781438483269","price":50.95,"currency_code":"CAD","in_stock":false},{"title":"Couverture rigide","offer_id":46155152687281,"sku":"9781438483252","price":135.95,"currency_code":"CAD","in_stock":false},{"title":"Livre numérique Kobo","offer_id":46155152720049,"sku":"1c5dfb64-a0c0-3d2e-bc99-5e2c2f4deb50","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_8886b5a4-a404-458e-b66d-5fde087032d7.jpg?v=1762748909"},{"product_id":"dimensions-of-aesthetic-encounters","title":"Dimensions of Aesthetic Encounters: Perception, Interpretation, and the Signs of Art","description":"explores central perceptual, interpretative, and semiotic dimensions of these encounters, combining a wide range of examples and intellectual resources from pragmatist, hermeneutical, and semiotic frameworks. 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Recurring themes link each chapter, throwing a powerful light on aesthetic encounters by foregrounding such pivotal notions as play, fundedness and the role of memory, the defining quality of an artwork, energies of objects, potencies, rhythm, form, presentational abstraction, medium, symbolization, intuition, role of the body, and the non-argumentative nature of art.","brand":"None","offers":[{"title":"Couverture souple","offer_id":46154782539953,"sku":"9781438488240","price":48.95,"currency_code":"CAD","in_stock":true},{"title":"Couverture rigide","offer_id":46154782572721,"sku":"9781438488257","price":135.95,"currency_code":"CAD","in_stock":true},{"title":"Livre numérique Kobo","offer_id":46154782605489,"sku":"2c3ee24c-ff17-3a3f-8f5a-ac945b348962","price":40.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_2fc3b230-fbf8-44a9-a32d-8c353a29df5f.jpg?v=1763311368"},{"product_id":"art-of-the-modern-age","title":"Art of the Modern Age: Philosophy of Art from Kant to Heidegger","description":"\u003cp\u003eThis is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art.\u003cbr\u003e\u003cbr\u003eJean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the \"speculative theory.\" According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between \"high art\" and popular art, and between artists and their public.\u003cbr\u003e\u003cbr\u003eRejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes.\u003cbr\u003e\u003cbr\u003e\"[A] remarkable work.... [Schaeffer's] writing is governed by ... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation.\"--From the foreword by Arthur C. 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Li's theory is also contextualized in the threefold inspiration coming from Confucian, Kantian, and Marxist philosophies, which differently conceptualize the aesthetic and cognitive dimensions in humans. By referring to different aesthetic theories and interdisciplinary approaches to cognition, the book aims to show how Li's cognitively oriented project can contribute to contemporary research into aesthetics. 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Not only do art and literature serve an urgent clinical function in Negrete's reading but sublimation itself requires an embrace of femininity.","brand":"None","offers":[{"title":"Couverture souple","offer_id":46154738958513,"sku":"9781438480206","price":50.95,"currency_code":"CAD","in_stock":true},{"title":"Couverture rigide","offer_id":46154738991281,"sku":"9781438480213","price":135.95,"currency_code":"CAD","in_stock":true},{"title":"Livre numérique Kobo","offer_id":46154739024049,"sku":"c05af87b-852d-373c-ad3a-4709f367d6b4","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_68f9a9c1-a46b-4c0c-8dc8-cf9d0a0a706c.jpg?v=1763222159"},{"product_id":"disgust","title":"Disgust: Theory and History of a Strong Sensation","description":"In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. 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