{"title":"Sculptures et Installations ","description":null,"products":[{"product_id":"drift-1","title":"DRIFT: Choreographing the Future","description":"\u003cp\u003e\u003cb\u003eThe first and only monograph on the extraordinary work of multidisciplinary and experiential Dutch artist duo DRIFT \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eDRIFT was established in Amsterdam in 2007 by Lonneke Gordijn and Ralph Nauta. In their installations and interactive sculptures, environmental issues, human nature, and technology intersect in an intriguing way. \u003c\/p\u003e\u003cp\u003eOver the course of more than a decade, DRIFT's immersive, encompassing, and often site-specific projects have been exhibited all over the world, offering a meditative and poetic experience and addressing themes such as the relationship between the individual and the collective and the impact of technology in our society. 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We discover how Lincoln dealt with a vociferous Confederate politician from Ohio, and why the Lincoln in Union Square doesn't rank as a top-notch Lincoln portrait. Sidebars reveal other aspects of the figure or event commemorated, using personal quotes, poems, excerpts from nineteenth-century periodicals (\u003ci\u003eNew York Times\u003c\/i\u003e, \u003ci\u003eHarper's Weekly\u003c\/i\u003e), and writers ranging from Aeschylus, Washington Irving, and Frederic-Auguste Bartholdi to Mark Twain and Henryk Sienkiewicz.\u003cbr\u003eAs a historical account, \u003cb\u003eOutdoor Monuments of Manhattan: A Historical Guide\u003c\/b\u003e is a fascinating look at figures and events that changed New York, the United States and the world. As an aesthetic handbook it provides a compact method for studying sculpture, inspired by Ayn Rand’s writings on art. 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As this book demonstrates, artistic intentions among the nation's sculptors, whether political, social, theoretical or aesthetic, are as diverse as Canada itself.  The distinguished cultural historian Maria Tippett begins this richly illustrated study of Canadian sculpture in 13,000 BCE by examining a handcrafted shard found in the Bluefish Caves of the Yukon and proceeds to consider Inuit and First Nations sculptural practices alongside those of Euro-Canadians. Dr. Tippett begins with traditional forms such as totem poles and liturgical carvings before moving along to the landmark EXPO 67 exhibition and other significant events, concluding with the postmodern artists who, with \"a relentless striving for the new\" work within new technological realms such as 3D modelling and virtual reality spaces. 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