{"product_id":"contesting-the-logic-of-painting-art-and-understanding-in-eleventh-century-byzantium","title":"Contesting the Logic of Painting: Art and Understanding in Eleventh-Century Byzantium","description":"Studies of the icon in Byzantium have tended to focus on the iconoclastic era of the eighth- and ninth-centuries. This study shows that discussion of the icon was far from settled by this lengthy dispute. While the theory of the icon in Byzantium was governed by a logical understanding that had limited painting to the visible alone, the four authors addressed in this book struggled with this constraint. Symeon the New Theologian, driven by a desire for divine vision, chose, effectively, to disregard the icon. Michael Psellos used a profound neoplatonism to examine the relationship between an icon and miracles. Eustratios of Nicaea followed the logic of painting to the point at which he could clarify a distinction between painting from theology. Leo of Chalcedon attempted to describe a formal presence in the divine portrait of Christ. All told, these authors open perspectives on the icon that enrich and expand our own modernist understanding of this crucial medium.","brand":"None","offers":[{"title":"Couverture rigide","offer_id":46697798566098,"sku":"9789004162716","price":209.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_c7f91e49-35dd-444d-9353-01ba6d2ddc22.jpg?v=1768078457","url":"https:\/\/www.indigo.ca\/fr\/products\/contesting-the-logic-of-painting-art-and-understanding-in-eleventh-century-byzantium","provider":"Indigo","version":"1.0","type":"link"}