{"product_id":"cutting-edge-5","title":"Cutting Edge: Art-Horror and the Horrific Avant-garde","description":"\u003cb\u003e\u003c\/b\u003e\u003cp\u003e\r\nExplores what horror movies tell us about issues of taste.\r\n\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\r\nEven before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture. \u003c\/p\u003e\u003cp\u003e\r\n\r\n\u003c\/p\u003e\u003cp\u003e\r\n\r\n\u003c\/p\u003eIn \u003cem\u003eCutting Edge, \u003c\/em\u003eJoan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror's subversiveness as a genre. In her treatment of what she terms \"art-horror\" films, Hawkins examines home viewing, video collection catalogs, and fanzines for insights into what draws audiences to transgressive films. \u003cem\u003eCutting Edge\u003c\/em\u003e provides the first extended political critique of Yoko Ono's rarely seen \u003cem\u003eRape \u003c\/em\u003eand shows how a film such as Franju's \u003cem\u003eEyes without a Face\u003c\/em\u003e can work simultaneously as an art, political, and splatter film.  The rediscovery of Tod Browning's \u003cem\u003eFreaks \u003c\/em\u003eas an art film, the \"eurotrash\" cinema of Jess Franco, camp cults like the one around Maria Montez, and the \"cross-over\" reception of Andy Warhol's \u003cem\u003eFrankenstein\u003c\/em\u003e are all studied for what they reveal about cultural hierarchies. \u003cp\u003e\r\n\r\n\u003c\/p\u003e\u003cp\u003e\r\n\r\n\u003c\/p\u003eLooking at the low aspects of high culture and the high aspects of low culture, Hawkins scrutinizes the privilege habitually accorded \"high\" art-a tendency, she argues, that lets highbrow culture off the hook and removes it from the kinds of ethical and critical social discussions that have plagued horror and porn. Full of unexpected insights, \u003cem\u003eCutting Edge\u003c\/em\u003e calls for a rethinking of high\/low distinctions-and a reassigning of labels at the video store.\u003cp\u003e\r\n\r\n\u003c\/p\u003e\u003cp\u003e\r\n\r\n\u003c\/p\u003e","brand":"None","offers":[{"title":"Couverture souple","offer_id":46412373328082,"sku":"9780816634149","price":39.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_84525f7f-0ce9-493f-b469-92a64979faff.jpg?v=1763922422","url":"https:\/\/www.indigo.ca\/fr\/products\/cutting-edge-5","provider":"Indigo","version":"1.0","type":"link"}