How Many Surrealists Does It Take to Screw in a Lightbulb? or, Why did the Intellectual Cross the Road and Walk into a Bar?

John Towsen
Passer aux renseignements sur les produits

How Many Surrealists Does It Take to Screw in a Lightbulb? or, Why did the Intellectual Cross the Road and Walk into a Bar?

John Towsen
Date de sortie :
Couverture souple
Prix habituel $19.50
Prix promotionnel $19.50 Prix habituel
Vente ferme. Aucun retour ni échange.
La livraison de cet article sera effectuée sur rendez-vous par notre transporteur partenaire.
La livraison de cet article sera effectuée sur rendez-vous par notre transporteur partenaire.

Téléchargement numérique

Accès immédiat à votre bibliothèque Kobo

Livrer à

En stock en ligne. Expédition gratuite pour les commandes d’au moins 49 $

Acheter maintenant et ramasser en magasin Bay & Floor

Ramassage gratuit aujourd’hui

Trouver en magasin

En rupture de stock

Trouvé dans : Humour, Comics & Cartoons

Obtenez 98 points plum  et profitez d’un rabais additionnel avec plum. En savoir plus

Afficher tous les renseignements

Aperçu

224 PAGESANGLAIS

Info promotionnelle
  • Date de publication : Oct 24, 2015
  • Langue : anglais
  • Nombre de pages : 224
  • Éditeur : Arlecchino Books
  • ISBN : 9780692488560
  • Dimensions : 8.5" W x 0.47" L x 11.02" H
John's most recent book, Clowns, came out 39 years ago, so he figured it was high time for another. Yes, he really does have a Ph.D (drama, NYU) -which will no doubt come as a surprise to some of his friends- as well as an NEH fellowship and a Fulbright. He grew up in New York City's Greenwich Village, where he still lives, and had his first exposure to laugh-so-hard-it-hurts comedy when he saw Danny Kaye on the big screen, probably in The Court Jester (1955). A few days after his 7th birthday he made his live television debut in a comedy sketch with Red Skelton and Jackie Gleason on The Red Skelton Show. He subsequently acted in dozens of television shows and commercials, working alongside such names as Gary Moore, Julie Andrews, Kaye Ballard, Alice Ghostley, Edie Adams, Myrna Loy, Claudette Colbert, Robert Preston, Tab Hunter, Sid Caesar, Ed Wynn, Claude Rains, Charlie Ruggles, Walter Slezak, Kate Smith, Shirley Booth, Sam Levenson, Margaret Hamilton, Patty Duke, and Joseph Papp. In his twenties he returned to show biz, this time somehow eking out a living in the world of clown and physical comedy, from the schools of Long Island to the circus sands of Saskatchewan, Saudi Arabia, and points in between, most of it with partner Fred Yockers. He was artistic director for the first two New York international clown-theatre festivals (1983, 1985) and has taught full-length physical comedy courses at Princeton University, Ohio University, and the Juilliard School, plus innumerable shorter workshops in numerous countries. Former students include Laura Linney, Jeanne Tripplehorn, Andre Braugher, Michael Hayden, and Michael Stuhlbarg. His latest research on physical comedy is to be found on his blog: physicalcomedy.blogspot.com. In other parallel lives he taught theatre, multimedia, and digital video in the Creative Arts & Technology program at Bloomfield College for 26 years, and spent many a summer working for the Open Society Institute doing media training for activists in hot spots across the globe.

Articles récemment consultés