Overcoming the Exploitation of Passion in Videogame Labor: Playing with Passion examines the intersection of passion, precarity, and collocation to pinpoint where and how interventions can be made towards better working conditions. Jackson contends that videogames and passion are inextricably linked and explores this intrinsic link where passion is expected and valorized, be it in the context of play, work, or culture. Passion, Jackson argues, is the connective tissue that sews together the shared experiences that people all over the world will undertake through videogames, including winning close matches, experiencing new worlds, and forging new friendships. This book interrogates the outcomes of labor, videogames, and passion colliding - work and play become inextricably linked, and suddenly a 'passion for games' becomes an insistent and expected 'passion for work.' This, Jackson ultimately posits, leads to the current reality of much of the videogame production industry, where passion is used as a workplace policing tool and a way to push workers to periods of extended work, or crunch periods. Through theorizations regarding passion, bodies, assembly, and assemblage, this text wrestles with what can be done to manifest real change in the videogame industry. Scholars of media studies, technology, and labor studies will find this book of particular interest.
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Overcoming the Exploitation of Passion in Videogame Labor: Playing with Passion
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Overcoming the Exploitation of Passion in Videogame Labor: Playing with Passion
Joshua Jackson is lecturer of computer games modeling and animation at the University of Derby.
“Joshua Jackson offers a bold analysis of the precarities of videogame workers and just how entrenched capitalism, patriarchy and heteronormativity are in the industry and culture of production. But rather than wallow in hopelessness, Playing with Passion provides insight on how we can reconfigure media work without exploitation. It's a call to action for videogame scholars and activists to challenge the status quo for the lives and bodies of those who shared their stories in the book and their peers.”
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