Approaching Romanian literature as world literature, this book is a critical-theoretical manifesto that places its object at the crossroads of empires, regions, and influences and draws conclusions whose relevance extends beyond the Romanian, Romance, and East European cultural systems. This "intersectional" revisiting of Romanian literature is organized into three parts. Opening with a fresh look at the literary ideology of Romania's "national poet," Mihai Eminescu, part I dwells primarily on literary-cultural history as process and discipline. Here, the focus is on cross-cultural mimesis, the role of strategic imitation in the production of a distinct literature in modern Romania, and the shortcomings marking traditional literary historiography's handling of these issues. Part II examines the ethno-linguistic and territorial complexity of Romanian literatures or "Romanian literature in the plural." Part III takes up the trans-systemic rise of Romanian, Jewish Romanian, and Romanian-European avant-garde and modernism, Socialist Realism, exile and émigré literature, and translation.
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Mircea Martinis Professor Emeritus in the Department of Literary Studies at the University of Bucharest, Romania, and a prominent figure of post-World War II East European literary criticism, theory, and comparative studies. A corresponding member of the Romanian Academy, he is Editor-in-Chief ofEuresis: Romanian Journal of Literary and Cultural Studiesand president of the Romanian Association of General and Comparative Literature. His latest book isRadicalism and Nuance(2015).Christian Moraruis Class of 1949 Distinguished Professor in the Humanities and Professor of English at University of North Carolina, Greensboro. He is the author and editor of a number of books, includingCosmodernism: American Narrative, Late Globalization, and the New Cultural Imaginary(2011) andReading for the Planet: Toward a Geomethodology(2015).Andrei Terianis Dean of Faculty of Letters and Arts and Professor of Romanian Literature in the Department of Romance Studies of Lucian Blaga University of Sibiu, Romania. He is also a senior researcher with the G. Calinescu Institute of Literary History and Theory of the Romanian Academy. His latest books include the co-authored reference seriesGeneral Dictionary of Romanian Literature(7 volumes, 2004-2009) andChronology of Romanian Literary Life: 1944-1964(10 volumes, 2010-2013).
Romanian Literature as World Literature has a salutary effect, for it succeeds in providing a set of well-documented and pertinent answers meant to cure Romanian literature of the symptoms of nationalism . The volume published in the prestigious Bloomsbury Academic''s series ''Literature as World Literature'' edited by Thomas O. Beebee comprises a theoretically dense Introduction and 15 articles that demythologize the ''national reading'' of literature, proposing a paradigmatic and epistemological shift that integrates Romanian literature into a nodal qua cosmopolitan and multifaceted ethno-linguistic context in which centers, hierarchies, and hegemonic claims are blurred . RLWL can serve as an indispensable tool for scrutinizing other eastern European literatures. It is, above all, a theoretical ''manifesto'' that successfully revises and redefines Romanian literature as Weltliteratur, and integrates it into a global geocultural palimpsest . [T]he volume deserves a Romanian translation so as to familiarize national readers with a timely revisionist project that is apt to contribute to the making of a 21st-history of Romanian literature, and also to generate further debates among Romanian critics.
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