{"product_id":"the-modern-feminine-in-the-medusa-satire-of-fanny-fern-1","title":"The Modern Feminine in the Medusa Satire of Fanny Fern","description":"\u003ci\u003eThe Modern Feminine in the Medusa Satire of Fanny Fern\u003c\/i\u003eargues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called \"the damn mob of scribbling women.\" The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous's laughing Medusa figure and her theory about\u003ci\u003eécriture féminine\u003c\/i\u003e. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton's persona, capable of both an amiable and a caustic satire. The book traces Parton's burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton's concept of\u003ci\u003efumerism\u003c\/i\u003e, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.","brand":"None","offers":[{"title":"Couverture souple","offer_id":46384248586450,"sku":"9783031412783","price":175.5,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_d169a3c1-cbc5-4807-91ff-a0bc426253c2.jpg?v=1763440574","url":"https:\/\/www.indigo.ca\/fr\/products\/the-modern-feminine-in-the-medusa-satire-of-fanny-fern-1","provider":"Indigo","version":"1.0","type":"link"}