{"product_id":"waiting-for-the-barbarians-1","title":"Waiting for the Barbarians: Essays from the Classics to Pop Culture","description":"FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD \u003cbr\u003eAND THE PEN ART OF THE ESSAY AWARD\u003cbr\u003e\u003cbr\u003eOver the past decade and a half, Daniel Mendelsohn’s reviews for \u003ci\u003eThe New York Review of Books\u003c\/i\u003e, \u003ci\u003eThe New Yorker\u003c\/i\u003e, and \u003ci\u003eThe New York Times Book Review\u003c\/i\u003e have earned him a reputation as “one of the greatest critics of our time” (\u003ci\u003ePoets \u0026amp; Writers\u003c\/i\u003e). In \u003ci\u003eWaiting for the Barbarians\u003c\/i\u003e, he brings together twenty-four of his recent essays—each one glinting with “verve and sparkle,” “acumen and passion”—on a wide range of subjects, from \u003ci\u003eAvatar\u003c\/i\u003e to the poems of Arthur Rimbaud, from our inexhaustible fascination with the \u003ci\u003eTitanic\u003c\/i\u003e to Susan Sontag’s \u003ci\u003eJournals\u003c\/i\u003e. Trained as a classicist, author of two internationally best-selling memoirs, Mendelsohn moves easily from penetrating considerations of the ways in which the classics continue to make themselves felt in contemporary life and letters (Greek myth in the \u003ci\u003eSpider-Man\u003c\/i\u003e musical, Anne Carson’s translations of Sappho) to trenchant takes on pop spectacles—none more explosively controversial than his dissection of \u003ci\u003eMad Men\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e Also gathered here are essays devoted to the art of fiction, from Jonathan Littell’s Holocaust blockbuster \u003ci\u003eThe Kindly Ones\u003c\/i\u003e to forgotten gems like the novels of Theodor Fontane. In a final section, “Private Lives,” prefaced by Mendelsohn’s \u003ci\u003eNew Yorker\u003c\/i\u003e essay on fake memoirs, he considers the lives and work of writers as disparate as Leo Lerman, Noël Coward, and Jonathan Franzen. \u003ci\u003eWaiting for the Barbarians\u003c\/i\u003e once again demonstrates that Mendelsohn’s “sweep as a cultural critic is as impressive as his depth.”","brand":"None","offers":[{"title":"Couverture souple","offer_id":46201849315538,"sku":"9781590177136","price":25.95,"currency_code":"CAD","in_stock":true},{"title":"Couverture rigide","offer_id":46201849348306,"sku":"9781590176078","price":28.95,"currency_code":"CAD","in_stock":false},{"title":"Livre numérique Kobo","offer_id":46201849381074,"sku":"89a79841-8750-4cb4-bcaf-9d2048677966","price":14.39,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8980\/5233\/files\/1_e9395885-a2d5-4789-8d71-daee61a69549.jpg?v=1764406238","url":"https:\/\/www.indigo.ca\/fr\/products\/waiting-for-the-barbarians-1","provider":"Indigo","version":"1.0","type":"link"}