"Sound and Horror in the Giallo Film is everything one might hope for: convincing, sophisticated, accessible, and a major contribution to the study of popular Italian cinema and film sound."—Robert A. Rushing, author of Descended from Hercules: Biopolitics and the Muscled Male Body on Screen

"A long overdue examination of the vocal as a fundamental dimension of a popular genre, Sound and Horror in the Giallo Film demonstrates that, through their use of the voice, films can be seen to be embedded in and constitutive of specific social, cultural, economic and political contexts. Drawing on a wide range of new sources, Damien Pollard takes us closer to the one question truly worth asking about cinema: how does it speak to us? How, precisely, do films register and participate in the historical moment that produces them?"—Valentina Vitali, author of Capital and Popular Cinema: The Dollars Are Coming!

"Sound and Horror in the Giallo Film is a highly original, intellectually stimulating, and enjoyable piece of scholarship. By inviting us to take a pause from received wisdom about this ever-popular group of films and listen to them carefully, Pollard compellingly uncovers yet more hidden depths within the already complex and multi-layered giallo."—Austin Fisher, author of Blood in the Streets: Histories of Violence in Italian Crime Cinema

"In a series of meticulous and insightful case studies focused on key giallo classics, Pollard enables us to hear as well as see this cycle of Italian suspense-thrillers in new ways."—Leon Hunt, author of Mario Bava: The Artisan as Italian Horror Auteur