Exploring the relation between Paul Klee's philosophical thought and art, this book deals both with the impact of Klee's art on recent philosophy and with the relation between Klee's own theoretical writings and his art. Through various approaches the contributors show how Klee's ideas are realized in his art and how, conversely, his art serves to expand and develop his theoretical conceptions.

Addressing temporality (Boehm); ascendancy and counterforce (Krell); artist as tree (Baracchi); visible space (Figal); nature sketches (Baumgartner); image of garden (Schmidt); prominence of rhythm (Barbarić); musical elements (Schuback); tragedy (Acosta); space of transformation (Vallega); Merleau-Ponty and Cézanne (Johnson)--these essays, taken comprehensively, mark a major contribution to the understanding of the philosophical depth of Klee's art and thought.

This book is a reprint of Research in Phenomenology Volume 43, Issue 3.