Interaction of Color: 50th Anniversary Edition

Josef Albers
Foreword by Nicholas Fox Weber
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Interaction of Color: 50th Anniversary Edition

Josef Albers
Foreword by Nicholas Fox Weber
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Found in: Art & Photography, Writers On Art

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Overview

208 PAGESENGLISH

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Overall rating: 5.0 / 5 from 4 reviews.

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Reviews

Great read

"A very unique and eye opening look into how colours can be assembled and interpreted"

Will (5/5)

Classic Colour Text

"This is a classic text and valuable for anyone who works with colour"

Cindy C. (5/5)

Colour theory

"Albers sets the tone of colour theory learning in this book. Very straightforward chapters that are basically short essays of various ideas of what colour is, how it's perceived, and how it's used. Plus some interesting examples. There are no objective colour theory tools here, just examples that illustrate Albers main point that colour is taught by experience and not with theory."

Mangoes (5/5)

A+

"An informative and great read for anyone interested in design"

Barnabas (5/5)

Q&A

  • Published date: Jun 28, 2013
  • Language: English
  • No. of Pages: 208
  • Publisher: Yale University Press
  • ISBN: 9780300179354
  • Dimensions: 6.0" W x 1.0" L x 9.25" H
Interaction of Color, the landmark 1963 book by Josef Albers, . . . isn’t just for aspiring artists. Its mesmerizing illustrations are a revelation for anyone interested in color theory and human perception.”—Pilar Viladas, New York Times

“One of the most beautiful books in the world. . . . Interaction of Color is not solely for artists, though generations of them certainly owe Albers a debt. It is for anyone who wants to get under the hood and understand why and how we see the world the way we do. . . . A visionary work.”—Malcolm Jones, Newsweek

“For the historical insight and lucidity our color-drenched era could definitely use, the 50th-anniversary edition of Interaction of Color, by the Bauhaus-bred artist and teacher Josef Albers, is especially worth examining.”—Sebastian Smee, The Atlantic

“The most comprehensive and intelligent . . . book we have yet on this subject. It is an indispensable volume for the artist, architect, or teacher who finds a greater challenge in discovery than in a ‘safe’ color system.”—Architectural Forum

“In his single book . . . Josef Albers presents what would be equivalent to a complete course on colour theory.”—Inkbot Design

“The best introduction to Albers’s work—Albers’s own Interaction of Color, which I highly recommend.”—New York Magazine

Interaction of Color, with its illuminating visual exercises and mind-bending optical illusions, remains an indispensable blueprint to the art of seeing. . . . An essential piece of visual literacy.”—Maria Popova, Brain Pickings

“One of the most important books on color ever written.”—Michael Hession, Gizmodo

“Will a paperback version preserve the original value of Albers’ text? . . . The answer is an enthusiastic yes, for here is a book which belongs in the studio and classroom that for years has been available only in the best university.”—Arts Review

“One of the most influential artist-teachers of the century, Albers is best known for his squares—a geometric form to which he has been ‘paying homage’ throughout the years. . . . Interaction of Color is a record of an experimental way of studying and teaching color. . . . What he says will be useful in any kind of painting.”—American Artist

“[An] influential classic [that] has inspired artist and designers everywhere.”—Cool Hunting

“This handbook for artists, teachers, and students, by one of modernism’s great artists and thinkers, has been expanded to include nearly 60 color studies.”—Dwell

Selected as a 2007 AAUP University Press Book for Public and Secondary School Libraries

“The text of Interaction of Color provides the careful reader with the content of Josef Albers’s famous color course. His teaching is based on learning by direct perception, not by theories or color systems. There are many books on color on the market, but no one combines eyesight with such profound insight as Josef Albers does in Interaction of Color.”—Hannes Beckmann

Josef Albers, one of the most influential artist-educators of the twentieth century, was a member of the Bauhaus group in Germany during the 1920s. In 1933 he came to the United States, where he taught at Black Mountain College for sixteen years. In 1950 he joined the faculty at Yale University as chairman of the department of design. Albers was elected to the National Institute of Arts and Letters in 1968 and was professor emeritus of art at Yale until his death in 1976. Nicholas Fox Weber is executive director of the Josef and Anni Albers Foundation.

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