“Exquisite . . . A beautiful tale about beauty. It is also a tale about grief, balancing solitude and comradeship, and finding joy in both the exalted and the mundane.” —The Washington Post Book World
 
“An empathic chronicle of one museum, the works collected there and the people who keep it running—all recounted by an especially patient observer.” —The New York Times Book Review
 
“As rich in moving insights as the Met is in treasures, All the Beauty in the World reminds us of the importance of learning not ‘about art, but from it.’ This is art appreciation at a profound level.” —NPR
 
“Hauntingly beautiful . . . A work of art as luminous as the old masters paintings that comforted him in his grief.” —The Associated Press
 
“The outstanding art book of the year.” —The Sunday Times (London)
 
“Consoling and beautiful.” —The Guardian
 
“Bringley’s story overflows with wonder, beauty, and the persistence of hope, as he finds not just solace but meaning and inspiration in the master- pieces that surround him.” —The Christian Science Monitor
 
“I loved Bringley’s book. It taught me how to get more out of museums, how to pay attention, and how to think differently about time.” —The Financial Times
 
“The august galleries and their unseen basements throng with life and levity as well as with art appreciation. There is a humility and generosity to this ekphrastic project—an ever-grateful acceptance of the fact that in art, its author found life.”—The Times Literary Supplement
 
“Bringley is a marvelous guide....... All the Beauty in the World succeeds joyously.” —The Daily Telegraph
 
“A lovely book . . . You will see the museum with new eyes.” —BookPage
 
“Intimate and fascinating.” —Town & Country
 
“A profound homage to the marvels of a world-class museum and a radiant chronicle of grief, perception, and a renewed embrace of life.” —Booklist
 
“With his engaging voice, Patrick Bringley takes the listener inside New York’s Metropolitan Museum of Art in a uniquely personal way.” —Audiofile (Earphones Award Winner)
 
“The book works on so many wonderful levels . . . that at the end you make plans to visit the book again, perhaps this time with it under your arm on your next visit to the Met.” —Air Mail
 
“I actually dreamed about the museum while I was reading this… Learning about working life for the people who spend the most time with the art was fascinating.”  —Book Riot
 
“This absorbing memoir is also a beautifully written manual on how to appreciate art, and life. It’s a must-read for art lovers.” —Tracy Chevalier, author of Girl with a Pearl Earring
 
“Patrick Bringley offers an intimate perspective on one of the world’s greatestinstitutions. But All the Beauty in the World is about much more: the strange human impulse to make art, the mystery of experiencing art, and what role art can play in our lives. What a gift.” —Rumaan Alam, author of Leave the World Behind
 
“Wonderful. If you have ever been to a museum and stood motionless be- fore anexhibit, if you’ve ever looked at a painting and found yourself crying, if you have everwondered how a sculptor could find a human body inside a block of stone, this book is for you.” —Natalie Haynes, author of
A Thousand Ships and Divine Might
 
“This book makes me yearn to have Patrick Bringley at my side in every museum I will visit for the rest of my life. Having a copy of All the Beauty in the World in my purse will be the next best thing.” —Hope Jahren, author of Lab Girl and The Story of More
 
“Illuminating and transformative experiences shared by a guard from one of the world’s greatest museums. Patrick Bringley is a lucky guy.” —Kerry James Marshall, artist, Mastry retrospective at
the Metropolitan Museum of Art
 
“Simply wonderful. This funny, moving, beautifully written book takes the reader on a journey that unfolds as epiphanies. It is a testament to the capacity of art to illuminate life.”
—Keith Christiansen, curator emeritus, the Metropolitan Museum of Art
 
“An astounding book about an astounding place. All the Beauty in the World is atonce a keenly intelligent examination of the power of art and a profoundly empathetic exploration of the workaday culture that makes art visible to all.” —Alex Ross, New Yorker staff writer and author of Wagnerism and The Rest Is Noise