From the Outside: My Journey Through Life and the Game I Love

Michael Arkush , Ray Allen
Foreword by Spike Lee
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From the Outside: My Journey Through Life and the Game I Love

Michael Arkush , Ray Allen
Foreword by Spike Lee
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Overview

288 PAGESENGLISH

Promotional Details
  • Published date: Jan 22, 2019
  • Language: English
  • No. of Pages: 288
  • Publisher: HarperCollins
  • ISBN: 9780062675484
  • Dimensions: 5.31" W x 0.65" L x 8.0" H

“Allen’s astute telling provides a bracing reminder that athletes’ success comes from the right attitude, the right skills, and the right set of circumstances.” - Publishers Weekly

“Allen goes behind the box scores to offer an insightful and notably introspective look at his life in basketball...he looks at the game and his part in it with a refreshing, always thoughtful candor.” - Booklist

“I wanted to hate this book. After all, it was Ray Allen who stole the 2013 championship from my beloved Spurs. But From the Outside is fun and compelling (even when he details his famed Game 6 shot). Add this to your collection of basketball books.” - Shea Serrano, author of Basketball (And Other Things) and The Rap Year Book

“We see dimensions of Ray Allen, on and off the court, we never knew or appreciated.” - William C. Rhoden, writer-at-large for ESPN’s The Undefeated, and author of Forty Million Dollar Slaves: The Rise, Fall, and Redemption of the Black Athlete

“Ray Allen is the product of hard work, grit, efficiency, and the sweetest stroke in the history of the game. He swishes this book like everything else he has done in his life.” - Seth Davis, basketball analyst for CBS Sports and author of Getting to Us: How Great Coaches Make Great Teams

“The three-point assassin Ray Allen reveals himself as a complex, deeply feeling man in this fresh, new portrait.” - Ron Shelton, director of White Men Can't Jump

Directing, writing, and starring in his own films, as did Charlie Chaplin and Orson Welles before him, Lee has arguably had almost as profound an influence on American filmmaking as his predecessors, although in very different ways. In his own words, he is good at "marketing," and what he has marketed is a highly politicized African American cinema that is also commercially viable. Many critics credit Lee with paving the way for a new wave of mass-market yet socially conscious filmmakers, including John Singleton, Charles Lane, and Carl Franklin. The eldest of six children, Lee was educated first at Morehouse College and then at New York University's film school. His first feature release, She's Gotta Have It (1986), won the Prix de Jeunesse at Cannes and was both critically acclaimed and commercially successful in the United States. Lee went on to make School Daze (1988) and Do the Right Thing (1989), a technically sophisticated film that addressed racism in a complex and controversial fashion. The film constructs a narrative that leaves it to the viewer to decide whether its protagonist, Mookie, has done the right thing when he responds to the death of one of his friends at the hands of the police by throwing a trash can through the window of his employer, who had called the police in the first place. Because a riot ensues, many (white) critics argued that the film celebrated violence, and the press suggested that it would incite black spectators to riot (it did not). Other critics suggested that Mookie actually defuses a riot, by directing the community's anger toward property and away from the police. Two years later, Lee tackled the subject of interracial relationships in another hotly debated film, Jungle Fever (1991), which some saw as preachy and sexist and others praised as bold and complex. However, his most recent and ambitious film, Malcolm X (1992), has been almost universally acclaimed. Lee has published a companion text for each film that includes biographies of all of the principals, essays on such topics as guerilla filmmaking, production stills, details of salaries and finances, excerpts from his journal or production notes, and the script. These materials demystify production, advertise the talents of the people who work for him, and promote his political positions, particularly his commitment to black entrepreneurship and cultural self-expression.

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