Pachinko meets Beasts of a Little Land in this stunning, evocative tale, set in 1920s Korea, of one seemingly ordinary woman—an uneducated villager living under Japanese occupation—who takes control of her own destiny and rises to become an advocate for women’s literacy as a force for change.
“Women need other women to survive.”
In 1924, Korea is an occupied country. In Seoul’s secret, underground networks and throughout the countryside, rebellion against the Japanese Empire simmers, threatening to boil over. Kim Na-Young lives a simple life in the rural village of Daegeori, where she watches the moon rise and set over the pine-wooded mountains, tends to her household alongside her best friend, Yeon-Soo, and cares for her sick mother.
But the occupation touches every Korean life—even Na-Young’s. In the wake of a tragedy that stuns the village, Na-Young’s father arranges her marriage to a man she’s never met, and Na-Young and Yeon-Soo decide to flee, taking their fate into their own hands. That decision sets them on their own collision course with the occupying forces, resulting in a violent encounter that will alter both of their lives forever—in shockingly different ways.
Taking us from a small village to the bustling corridors of Seoul, where women and girls can learn to read and write in multiple languages and members of the revolution pass coded messages through the back rooms of teahouses, Ann Y. K. Choi weaves a masterful tale of a woman taking command not only of her own identity but her own destiny.
A sweeping journey through historical Korea and an utterly compelling portrait of one woman’s remarkable life, All Things Under the Moon is both a stunning literary achievement and a beautifully written tribute to the sacrifices women make for each other.
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"An inspiring story that explores the power of friendships as a means of survival in a harsh landscape."
— J. A. (5/5)
A truly immersive read!
"(I received an Advanced Readers Copy of this book prior to its official release) This beautifully written novel tells the story of a young woman, Na-Young, as she navigates the oppressive systems in 1924 occupied Korea. The characters are compelling and despite the foreign setting (both temporal and geographic), the struggles are relatable. The story-telling is cinematic (you know how immersive novels play in your head as you read? This one is definitely on a giant IMAX screen as opposed to the one in your living room)! The historic details are immaculate while Na-Young's experience invoke real emotion. Highly recommend!"
— Reader416 (5/5)
A modern woman trapped in time forging her own pat
"Genre: historical fiction Themes: occupation, feminism, independence, sisterhood 📖 Read if you like: The Lotus Shoes Na-Yeong lives in a time when the only thing expected from a woman is to be a wife and bear children. Her desires for an education are dashed, because no husband wants a wife who is smarter than him and her natural inquisitive nature is stifled by formality. When her marriage is rapidly arranged without her knowledge, she decides to flee her rural village with best friend and confident Yeon Soo who is similarly fleeing her own circumstance. When the girls take their own fates in hand, they will unknowingly step into disaster. For Korea has been occupied by a brutal Japanese regime in 1924 with a police force who only understand violence and control. One chance encounter will set about a chain reaction of events which will charter the future for both friends in unexpected ways. Na-Yeong journey through a life of discovery, moral ambiguity and sacrifice is spell-binding. She may be naive, but as she plays parts to propel herself through changing roles she begins to understand herself and the power of women supporting women. The historical context was an interesting one I learned a little about during my first trip to Korea, but the long standing animosity between Korea and Japan leaves a lingering taste of rebellion. Hearing the mindset of a learned Japanese invader and a young woman still learning the power of her own voice, yet fully aware of her feelings was an interesting contrast and provided thoughtful discourse. I felt like I was transported in time with this story and gained an understanding of the complex political situation and rise of resistance groups at the time. I am always going to love a story where women are shattering the roles society has confined them to, so one in which women are educating women and finding new avenues to succeed in a world made for men is motivational in it’s own right. As is that quiet recognition of seeing suffering in one another and offering the only form of kindness available. People will want different things, yet they can still be connected by mutual decency. Na-Yonge is far from perfect and makes impulsive choices without thought and she tells a white lie or two to fit in, but fear and loneliness can control the decision making process. It is here where growth happens through surviving through mistakes and living in the now instead of dwelling in the past. This is exactly the sort of coming of age historical fiction I search for and I devoured this novel in a single day, so clearly I was engaged. Thank you to Simon & Schuster Canada for an advanced copy for review!"
— Karisbookclub (5/5)
Moving and Unforgettable.
"What I continue to find interesting about ALL THINGS UNDER THE MOON is that the author, Ann Y. K. Choi, is doing what the characters themselves are doing - spreading awareness of the many dimensions of human rights violations. The story is set in Korea during the early 1900s and offers North American readers a glimpse into East Asian history, while delving into themes such as identity, sacrifice, survival, and friendship, which remain deeply relevant today. As a Korean-Canadian male, I was curious (and I must admit, a bit worried) that I might feel defensive since one of the major threads that weave throughout the story is the oppression of women. For example, I did not know that men were once allowed to have multiple wives, and how that practice affected family dynamics. Yet throughout my reading, I did not feel threatened or insecure, because the author frames these struggles as structural and historical forces that left both men and women helpless in many ways. The writing emphasized that everyone suffered under the same system, and I found myself empathizing with multiple characters regardless of gender or ethnicity. One of the most beautiful aspects of this novel is its message that, through a mix of fate and human effort, even the most entrenched forces can be shifted towards the common good, a truth revealed most powerfully through Na-Young’s journey. The one thing I wish is that the beginning and the ending had been given more time. After about page 50, the story settled into a beautiful rhythm where the writing felt seamless. I often re-read passages because I didn’t want to miss any details. It felt like watching a movie, where every frame demands your full attention. Near the ending, the pace quickened again, and I found myself wishing it would slow down. Perhaps it was because, deep down, I didn’t want the story to end. Some characters introduced and developed along the way seemed to have more to offer, and I wanted to see more of them intertwined in Na-Young’s journey. The final chapter, “Harmony,” is especially touching as it brings the story full circle. For those who may not know, “harmony” also means “grandmother” in Korean. After reading the Author’s Note at the very end, I re-read those last two pages, and I felt even more moved. The novel ends with the sense that both Na-Young and the entire country are on the cusp of a new beginning. For that reason, I believe this story deserves a sequel, and I truly hope the author will consider writing one."
— P Y. (5/5)
Q&A
Published date: Sep 02, 2025
Language: English
No. of Pages: 320
Publisher: Simon & Schuster
ISBN: 9781982114565
Dimensions:
6.0" W x
1.2" L x
9.0" H
“What really shines in this novel. . . is the vibrancy of the relationships between the female characters.” — Miramichi Reader
Ann Y. K. Choi, originally from Chung-Ju, South Korea, is a Toronto-based author and educator. Her novel, Kay’s Lucky Coin Variety, was shortlisted for the Toronto Book Award. In 2017, Choi was honoured by the Korean Canadian Heritage Awards committee and awarded with the Culture Award for promoting Korean heritage within Canada. Choi currently serves on the program advisory committee for gritLIT, Hamilton’s literary festival, mentors emerging writers in a group she founded called Writers in Trees, and teaches creative writing at the University of Toronto, School of Continuing Studies.
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