âNovella length and crystalline in its clarity, it cracklesâŻwith atmosphere and plays with both perception and ever heightening dread.â
âA triumph of storytelling, even without the shocking twistâŻthat changed novel-writing forever.â
âAhhhh, a non-fiction book about our world that is actually hopeful.âŻThat takes the long view and invites us to see with clarity, beyond what appears a morass, aâŻman-made quagmire, into a future that is brighter than we think. Less threatening than we fear. I for one needed this book.â
âWhen I first met Andrew, I was struck by how thoughtful, how gentle, how fearless he was. And his writing is exactly the same. This non-fiction book is about what happens when parents are raising a child they barely recognize. AâŻchild not at all like themselves physically, in temperament, talents, personality, aspirations. It isâŻriveting, filled with insight, love, forgiveness, struggle, understanding. A powerful, beautiful read.â
âIn 1938 fishermen off Madagascar brought up something extraordinary in their nets, a coelacanth, a huge fish with vestige arms, thought to be the missing link and extinct for 400 million years.âŻThis is the riveting story of what was described as the âgreatest scientific find of the century.ââ
âTerrifying, gripping, totally absorbing. I readâŻPerfumeâŻbefore I started to write my first book, Still Life, and SĂźskindâs work showed me the power of engaging all the senses of the reader. Not just intellect, but our more primal senses. Astonishing.â
What book feels like home to you?
âAny Agatha Christie ⌠theyâre comfort reading. I turn to them when life becomes too difficult. A cup of tea and a Poirot or Marple. I know them well, but the familiarity makes it all the more relaxing. Like knowing my way around my home.â
Whatâs the first thing you do after finishing a draft?
âI celebrate with an eclair, or butter tart, or huge piece of carrot cake. The second thing I do is go back to the beginning and start in on the second draft.â
Describe your writing process in one word?
âDisciplined.â
Where do you most like to write?
âAt the kitchen or dining table. I used to think where I sat was vital. Since writing was clearly magical, I needed to do it in the same place, with the same tools. Otherwise, inspiration would pass me by. Now I write anywhere, though I do find that the closer I am to a butter tart, the stronger the magic. Go figure.â
What moment in your life felt straight out of a novel?
âThe moment I fell in love with Michael, on our first date. People say it doesnât happen, but it can. And did. And lasts to this day.â
Whatâs the strangest thing youâve ever researched for a story?
For The Beautiful Mystery, I was allowed to stay in a monastery of cloistered monks. I still donât know why they allowed it. Though itâs just possible that, since I am quite tall, they thought I was a man. I did not disabuse them of that.
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In the 20th Armand Gamache mystery, the chief inspector finds himself playing a lethal game of cat and mouse with an invisible foe.