The background music on a film can make or break the audience experience. Imagine the shower scene in Psycho without the shrieking violins or Jaws without the ominous notes thatportend the shark's attack! Musical accompaniment helps create atmosphere for the viewer, from subtle undertones to compositions that heighten the drama. In 100 Greatest Film Scores, authors Matt Lawson and Laurence E. MacDonald consider the finest music produced for cinema since the development of motion picture sound. Each entry includes background details about the film, biographical information about the composer, a concise analysis of the score, and a summary of the score's impact both within the film and on cinematic history. Among the many films cited here are iconic scores for The Adventures of Robin Hood, A Beautiful Mind,The Big Country, Chariots of Fire, Citizen Kane, Edward Scissorhands, Fargo, Gonewith the Wind, The Great Escape, Jurassic Park, King Kong, Lawrence of Arabia, The Lion in Winter, North by Northwest, On the Waterfront, Out of Africa, The Pink Panther, Raiders of the Lost Ark, Vertigo, and Up. Arranged alphabetically and featuring a photo of each movies, the entries in this volume give the reader insight into how music functions across a wide spectrum of film genres. Representing some of the greatest composers in the history of cinema including Elmer Bernstein, Bernard Herrmann, Alfred Newman, John Williams, and Hans Zimmer, 100 Greatest Film Scores will be of interest to fans of movie music everywhere.
You’re item was added to pickup at [location]
You’re [amount] away from FREE shipping!
You qualify for FREE shipping!
Translation missing: en.settings.free_shipping_default_message
Matt Lawson is a film music scholar, academic, and lecturer in music. He is a fellow of the Higher Education Academy and a fellow of the Royal Society of Arts. Laurence E. MacDonald was a college professor at Mott Community College, where he still teaches a course on the history of film music. He is the author of The Invisible Art of Film Music, 2nd Edition (Scarecrow Press, 2013).
Laurence E. MacDonald was a college professor at Mott Community College, where he still teaches a course on the history of film music. He is the author of The Invisible Art of Film Music, 2nd Edition (Scarecrow Press, 2013).
Determining the top 100 film scores from 1931 to 2014 is not an easy task, and yet Lawson and MacDonald undertook just that, using as their chief criterion scores that were “especially significant.” The task was so daunting that the authors included an appendix containing an additional 100 scores for consideration. Films included in both the main list and the appendix must be narrative rather than non-narrative; they could not be documentaries or musicals. They should be, as the authors write in the introduction, "films in which music is generally unseen, but still an integral part of each film.” The authors arranged the book in alphabetical order but did not assign a ranking to any of the films listed, either in the main list or the appendix. Entries include a short synopsis, details about the music, analysis and discussion of the use of thematic material, any public recognition received, recommended recordings, and any bibliographic sources consulted. A glossary of film and music terms is also included as an appendix.
You May Also Like
Previous
Next
Recently Viewed
Choosing a selection results in a full page refresh.
Opens in a new window.
eBooks from Indigo are available at Kobo.com
Simply sign in or create your free Kobo account to get started. Read eBooks on any Kobo eReader or with the free Kobo App.
Why Kobo?
With over 6 million of the world's best eBooks to choose from, Kobo offers you a whole world of reading. Go shelf-less with your library and enjoy reward points with every purchase.