Berlin! Berlin!: Dispatches From The Weimar Republic

Kurt Tucholsky
Introduction by Ian King
Foreword by Anne C Nelson
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Berlin! Berlin!: Dispatches From The Weimar Republic

Kurt Tucholsky
Introduction by Ian King
Foreword by Anne C Nelson
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Found in: Arts & Letters, Literary Criticism

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Overview

208 PAGESENGLISH

Promotional Details
  • Published date: May 15, 2013
  • Language: English
  • No. of Pages: 208
  • Publisher: Berlinica Publishing LLC
  • ISBN: 9781935902232
  • Dimensions: 5.5" W x 0.6" L x 8.5" H
Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and democrat; a fighter, ladies' man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter, he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger, he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabartes, and as Ignatz Wrobel, he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. Ian King is a translator, the chair of the Kurt Tucholsky Society, a lecturer, and the co-editor of the third volume of Tucholsky’s Complete Works and the conference volumes for the society. He lives in London. Anne Nelson is a professor, a media consultant, a member of the Council on Foreign Relations, and a playwright who specializes in media and international affairs from a human rights perspective. She is the author of Red Orchestra and The Guys: A Play. She lives in New York City.
“A representative selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face.”  —Peter Wortsman, author, Tales of the German Imagination

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