"It's not every day that one is given an inimitable gift of truth. Carnival Lights is that gift. The history books that we've all read throughout time were purposely devoid of the realities of decades of Native genocide, attempts to eradicate our culture, and the horrendous effects of the boarding school era-trauma that continues to permeate the American Indian communities today. Carnival Lights is an opportune story of how two young girls navigate these lived experiences and provides a veracity that will reach deep into your heart, creating a newfound reflection of the actualities of this historical trauma. Chris Stark, a skilled narrative artist, once again engenders storytelling that ingeniously weaves multi-generational authenticities for not only the Native communities, but also as reflected for so many others. It's time for all of us to embrace this gift of truth." -- Deb Foster, Anishinaabe, MS-MFT Executive Director for the Ain Dah Yung Center, a meeting place for American Indian homeless youth and families

"There are so many moods and story currents running through this wonder of a novel that I can attribute to individual women whose lives experiences run parallel to Stark's many characters. The two female adolescences in this novel take us to high and low heights, just like a carnival ride. It's overwhelming, irrational and dangerous, and there is no one to help, just as it has been for Indigenous people from the moment colonizers stepped foot on this continent of Turtle Island. Carnival Lights is powerful storytelling. Indigenous ancestors are persistently returning, so as not to be forgotten in death and memory, and Stark puts the reader right in the center of their pain and struggles." -- Mary K. Kunesh, Minnesota Senator, Standing Rock Lakota descendant, chair of Minnesota Missing and Murdered Indigenous Women taskforce

"Carnival Lights is a powerful story of resilience, an emotional rollercoaster ride and an expression of the raw truth of multigenerational trauma. Sher, a lesbian and protector, or what we call 'two-spirit, ' is particularly connected with the old ways." -- Lenny Hayes, Sisseton-Wahpeton Oyate, and Two-Spirit activist

"Chris Stark weaves Native spirituality throughout Carnival Lights from the 1960s, before the Religious Freedom Act of 1978. We will lay under a fern, waiting for a drop of water to fall from the tip of the leaf with Em, feel the freedom of fleeing abuse with Kris and get to know the protector Sher who watches over Kris like a wolf. Carnival Lights reminds us that we are not alone, and we are watched over by ones we would have never known or seen if it were not for this desperate moment we are in right now. Chris Stark reminds us how important our teachings are, how our memories can comfort us in our darkest hour when we need it the most. Chris draws us into the inspiration and comfort provided to the characters at times guiding their next move." -- Babette Sandman, Ojibwe elder, White Earth Nation enrolled citizen living in Duluth

"Chris Stark has done a beautiful job of incorporating this story of cousins; Sher and Kristin, within a historical and cultural narrative. The trauma that they experience is a familiar tale for many of us. I did not just read this story... I felt this story and I journeyed with Sher and Kristin in all directions, and through many emotions. The connection to the story of Native women today is clear and brilliantly written. Chi miigwetch, Chris!" -- Nicole Matthews, ED of Minnesota Indian Women's Sexual Assault Coalition, White Earth Anishinaabe