Certainty

Madeleine Thien
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Certainty

Madeleine Thien
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Found in: FICTION, General Fiction

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Overview

CANADIAN320 PAGESENGLISH

Promotional Details
  • Published date: Feb 14, 2017
  • Language: English
  • No. of Pages: 320
  • Publisher: Knopf Canada
  • ISBN: 9780345811226
  • Dimensions: 5.2" W x 0.9" L x 7.9" H
MADELEINE THIEN is the author of the story collection Simple Recipes (2001) and four novels: Certainty (2006), Dogs at the Perimeter (2011), Do Not Say We Have Nothing (2016), and The Book of Records (2025). Do Not Say We Have Nothing was shortlisted for the Booker Prize, the Women's Prize for Fiction and the Folio Prize, and won the Governor General's Literary Award for Fiction, among other honours. Her books have been translated into twenty-five languages, and her stories and essays have appeared in The New Yorker, Granta, the Times Literary Supplement, The New York Review of Books and elsewhere. As a librettist, she created Chinatown, a full-length opera by Alice Ping Yee Ho and Paul Yee, and collaborates on a range of chamber works. In 2024, she received the Writers' Trust Engel Findley Award, honouring a writer in mid-career. Born in Vancouver, Madeleine lives in Montreal and teaches part-time at Brooklyn College at The City University of New York.
National bestseller
Finalist for the Kiriyama Prize for Fiction
Winner of the Amazon.ca First Novel Award

“Intricate and elegiac. . . . Written in powerful and uncluttered prose that cuts to the heart of grief.”
Ottawa Citizen

Certainty is poised to become an international literary bestseller and . . . the most popular Canadian novel since Miriam Toews’s A Complicated Kindness . . . as well known as The English Patient. . . . If all that happens, it’s ever so well deserved.”
The Globe and Mail

“As I read Madeleine Thien’s first novel, I was reminded time and again of Anne Michaels’ Fugitive Pieces, another work set largely in Canada but taking as its canvas the memories and unresolved legacies of the Second World War. There is a huge difference in tone between the novels—Michaels’ feels carved out of solid dark mahogany, while Thien’s is like an airy house on stilts—but both employ science and the natural world as metaphors to explore the mysterious human layers of memory, loss, and love. . . . [Thien] is a brilliant creator of images. There are purely sensual ones. . . . There are also unforgettable human images. . . . There is unbearable sadness here, and yet there is hope as well.”
Quill & Quire (starred review)

“[A] compelling debut novel.”
—CBC Books

“In her beautifully written debut novel, Thien spins a silky web of a story, a lovely and powerful multigenerational saga. . . . There is a light, translucent quality to Thien’s prose that casts a certain dreamlike quality on the tale, and yet the magnetic plot will keep the reader’s interest through the end.”
Booklist

“The austere grace and polished assurance of her prose [is] remarkable.”
The New York Times Book Review

“A moving, richly textured and immaculately nuanced study of war, grief, displacement, love, renewal.”
Montreal Review of Books

“Thien’s clear-eyed, austere writing is a thing of simple beauty. . . . A wise and thoughtful debut.”
Winnipeg Free Press



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