Sarah Bakeris Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the author ofCreative Labour: Media Work in Three Cultural Industries(2011),Teaching Youth Studies Through Popular Culture(2014),Community Custodians of Popular Music's Past: A DIY Approach to Heritage(2017) and the editor ofRedefining Mainstream Popular Music(2013),Youth Cultures and Subcultures: Australian Perspectives(2015),Preserving Popular Music Heritage: Do-it-Yourself, Do-It-Together(2015),The Routledge Companion to Popular Music History and Heritage(2018) andRemembering Popular Music's Past: Memory-Heritage-History(2019).Lauren Istvandityis a Postdoctoral Research Fellow at Queensland Conservatorium Research Centre, Griffith University, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming:The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collectionRoutledge Handbook to Popular Music History and Heritage.Raphaël Nowakis a Postdoctoral Research Fellow at the Griffith University Centre for Social and Cultural Research, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author ofConsuming Music in the Digital Age: Technologies, Roles, and Everyday Life(2015) and co-editor ofNetworked Music Cultures: Contemporary Approaches, Emerging Issues(2016).