#1 NATIONAL BESTSELLER

WINNER OF THE GOVERNOR GENERAL'S  LITERARY AWARD

FINALIST FOR THE MAN BOOKER PRIZE

SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION

SHORTLISTED FOR THE CANADIAN AUTHORS ASSOCIATION AWARD FOR FICTION

SHORTLISTED FOR THE RATHBONES FOLIO PRIZE

“An elegant, nuanced and perfectly realized novel that, fugue-like, presents the lives of individuals, collectives, and generations caught in the complexities of history. Tracing the intertwined lives of two families, moving from Revolutionary China to Canada, this ambitious work explores the persistence of past and the power of art, raising meaningful questions for our times.” —Governor General’s Award jury citation

“A beautiful, sorrowful work. The book impresses in many senses. . . . The larger saga unfurls like silk—and proves similarly resistant to knots, a testament to Ms. Thien’s storytelling skills. . . . Virtuoso.” —The New York Times

“With compassion and meticulous precision, Madeleine Thien explores ordinary lives shaped by extraordinary political events. Like a beautiful and complex piece of music, the narration unfolds in layers, returning again and again to the central themes of family, memory and loss. Thien is a serious and gifted writer.” —Ma Jian, author of Beijing Coma

“The tragedy and absurdity of modern China never felt so alive as in Madeleine Thien’s Do Not Say We Have Nothing. Thien writes of an extended family of musical prodigies whose loves and ambitions are thwarted at every turn. The meticulous research that went into this novel about real-life events makes it so utterly believable that your heart aches. Thien’s writing is as lyrical as works of Bach and Shostakovich that inspire her musician characters, but her tour de force is the last movement of this symphonic novel in which the 1989 massacre at Tiananmen Square unfolds at a thrilling, fortissimo pace.” —Barbara Demick, author of Nothing to Envy
 
“This is a resplendent, epic masterpiece of a novel that brings to light a dark period of Chinese history through wit, humour and nuanced storytelling. The characters linger long after the last page.” —Alice Pung, author of Unpolished Gem
 
“Intelligent, powerful and moving. This is Madeleine Thien’s magnum opus.” —Tan Twan Eng, author of The Garden of Evening Mists

“Imagination, Nabokov says, is a form of memory. Do Not Say We Have Nothing is a perfect example of how a writer’s imagination keeps alive the memory of a country’s and its people’s past when the country itself tries to erase the history. With insight and compassion, Madeleine Thien presents a compelling tale of China of twentieth century.” —Yiyun Li, author of The Vagrants

“Thien at the height of her abilities. . . . With unflinching clarity, Thien examines the strange, frightening psychology of mass violence in this period and how countless lives were lost as a result. It falls to music, art and literature to salvage fleeting moments of beauty from the ruins of history, the lives of the dead.” —National Post
 
“It’s rare to encounter a new literary novel with the sweep and scope of Do Not Say We Have Nothing. It’s no exaggeration to say the reading experience is reminiscent of some of the great Russians: Dostoevsky, Pasternak, Solzhenitsyn. . . . There’s a mastery of storytelling here.” —The Vancouver Sun
 
“A gorgeous intergenerational saga. . . . Should any doubt remain, Do Not Say We Have Nothing will cement Madeleine Thien as one of Canada’s most talented novelists. . . . Thoroughly researched but without the burden of trivia, both riveting and lyrical.” —The Globe and Mail

“To say Thien’s characters come to life is an approximation: they are at once so whole and so open that a reader can step into the book seamlessly, watching, shifting as the pages turn. The affinity reaches so deeply that we celebrate their hopes and mourn their losses; a death leaves me crying in my kitchen. . . . Thien’s descriptions manage to have at once the lightness of the perfect, obvious observation, and the heft of time and place. . . . My copy is dog-eared through with lines that ring and hold. . . . The novel floats by like a dream of words, a piece of the story, in solidarity with its dreamers.” —Montreal Review of Books

“[Thien] strives mightily to decant the tragedy of revolutionary-cum-communist China into a literary epic. . . . That such a diffuse tale should prove shattering serves as testament to Thien’s formidable storytelling skills. The vortex of ideological terror that sweeps up the characters, the harrowing experiences a cruel and pitiless regime foists upon them, and even the potent yet witty prose conveying all this drama sear themselves into your consciousness. . . . Do Not Say We Have Nothing . . . will enthrall just about any reader.” —Toronto Star

“Thien delivers in spades. She has clearly done years of historical research into the turbulent timelines of twentieth-century China. . . . She is creating a memorial for the millions of lives lost, disappeared, shriveled or wasted during not just the years of Mao’s reign but back to the famine of 1910 and forward to the dashed hopes of Tiananmen in 1989. That is some accomplishment.” —Literary Review of Canada

“Sensitive, effective exploration. . . . Thien’s polished prose immerses the reader into the lives of classically trained musicians in the Shanghai Conservatory of Music. . . . A story of love and hope. . . . Thien writes with empathy, even for those who cannot forgive themselves.” —Winnipeg Free Press

“Do Not Say We Have Nothing is a serious accomplishment. . . . A sprawling work, composed of fragmented narratives, and crammed with indelible characters, horrific events and compelling ideas. . . . The sound of music is this novel’s most powerful force.” —Maclean’s