Hollywood Unions is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood.
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Hollywood Unions
Hardcover
$150.00
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"Hollywood Unions is a vital and dynamic history of organized labor's role in the film and television industries. The book stands as a definitive account of how Hollywood works." - Jennifer Holt - author of Empires of Entertainment: Media Industries and the Politics of Deregulation, 1980—1996
Published date: Dec 13, 2024
Language: English
No. of Pages: 356
Publisher: Rutgers University Press
ISBN: 9781978830592
Dimensions:
6.3" W x
1.0" L x
9.5" H
KATE FORTMUELLER is an associate professor of film and media history at Georgia State University, Atlanta. She is the author of Below the Stars: Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID.
LUCI MARZOLA is program coordinator and lecturer in the Division of Cinema and Media Studies in the School of Cinematic Arts at University of Southern California. She is the author of Engineering Hollywood: Technology, Technicians and the Science of Building the Studio System.
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