From the #1 internationally bestselling author of Recipe for a Perfect Wife comes a chilling horror debut: When a pregnant art conservator’s obsession with a mysterious painting spirals into a nightmarish descent, the line between reality and the supernatural shatters, threatening both her sanity and her life.
In a world shaped by climate crisis and population decline, motherhood has become both prized and quietly monitored. For thirty-nine-year-old art conservator Mathilde “Tilly” Crewson, that has meant years spent struggling to conceive, while navigating the growing social pressure surrounding women’s bodies and reproduction.
When Tilly is tasked with restoring The Mother, a fire-damaged painting believed to be the final work of a grieving surgeon-turned artist, she becomes consumed by its disturbing history. Soon after, Tilly discovers she’s unexpectedly pregnant and it isn’t long before the horrors begin: swarms of insects, whispers in the dark, visits from her dead mother, and an increasingly terrifying bond with the painting itself.
As this malevolence intensifies, Tilly fears the forces surrounding The Mother are not only feeding on her, but on the life growing inside her. To save herself and her family, she may have to destroy the painting once and for all.
But The Mother has plans of its own.
Perfect for fans of Nightbitch and The School for Good Mothers, this unsettling novel explores the intersection between motherhood, art, and ambition, and the terror of losing control over one’s body and mind.
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Overall rating: 4.75 / 5 from 4 reviews.
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Unique and Captivating
"This unique story blends horror and art in a dystopian reality. Tilly is an intriguing main character who faces my idea of horror with governments’ controlling women’s bodies. The creepy painting of ‘The Mother’, with its physical manifestation of the state of the world amplifies the creepiness. Fans of unique horror will appreciate this story."
— Michelleg55 (5/5)
Sinister story with food for thought
"I love dark and gory thrillers, although I wouldn't call myself a 'horror reader'. But when I saw that Canadian author Karma Brown, who has written in several different genres, was taking on the horror genre, I entered and won a GoodReads giveaway for an advanced copy. The Gist: Tilly is a 39-year-old mother and art conservator who is asked to restore ""The Mother"", one of a quartet of well-known paintings by a female artist who was also a surgeon. Tilly soon discovers, after years of trying, that she's pregnant and that's when things start to get eerie. This story has a Margaret Atwood-esque vibe with its dystopian setting where women of childbearing age don't have full control over their own bodies. Due to an epidemic, the government has stepped in and has influence over women's reproductive rights, rewarding those who keep having children, while denying women perks who choose not to have kids. The story balances between the horror aspect as Tilly works to restore the sinister painting as well as her experience as the government asserts more and more pressure on her to ensure this pregnancy is successful. This was an interesting combo (its themes would make a great book club selection), but at times, it felt like the women's reproductive theme overshadowed the slow-building sinister tension. I enjoyed this book which I would call 'horror light'. There are some gruesome scenes that made my skin crawl, but as a self-proclaimed 'wuss', I creeped out but not as scared as I had expected. This was a good first 'kick at the horror can' for Brown who brings an eerie vibe, supernatural elements and a truly chilling cover while also giving readers topics that will instigate great discussion."
— BakingBookworm (4/5)
Creepy and compelling
"A creepy and compelling peek into the not too distant future, where multiple acts of procreation (from those who can) is prioritized in a beat-up world struggling to preserve alarming population levels. Facing escalating climate pressures and mysterious viruses, (a world not too significantly unlike our own), our narrator, Mathilde Crewson, a thirty-nine year old art conservator (like her now deceased mother before her) grieves for her mother and longs desperately for another child, to accompany her seven-year-old daughter. Tilly’s dreams may be on a path to come true, when she is assigned work to restore a strange and macabre work of art, entitled “The Mother”, by an equally strange and now-deceased artist, who likes to include biological material (skin, fingernail clippings, and more) to add texture to her horrifying artwork. Bombarded by impositions from increasingly chilling government programs, and deeply entrenched (and foreboding) cultural expectations, primed to “support” motherhood at all costs, Tilly is a woman with soon-to-become nightmarish challenges, seemingly related to her current (spine-tingling) restoration project. Not a book to read in the dark, this horror book is a wonderful take on female body oppression, motherhood, grief, hauntings, and the primal need in all of us for biological connection. A great big thank you to Netgalley, the publisher, and the artist for an ARC of this book. All thoughts presented are my own."
— Terri(BooklyMatters) (5/5)
Art, Horror, and a Dystopian Edge
"Thanks to Dutton and NetGalley for an ARC of this book in exchange for an honest review. Pub Date: 17 March 2026 Off the bat, this book was pitched as something I would love: art, an art conservator, horror. Sign me up. When I started reading, I realized it is set in a near-future world that is dystopian and even more reliant on technology than we are today. At first, I wasn’t sure if the tech added anything to the story since it felt a bit shoehorned in. However, once I got deeper into the book, the technology became integral and added a lot to the narrative. I am not sure if the author is an art conservator or knows one well, but the details of the job felt spot on. That matters to me, because if an author chooses a very specific profession, I want them to get the details right. The commentary on the pressures society places on women to be mothers and to make that their primary role was handled in a unique way in this imagined society. There was also strong emphasis on how women are controlled not only by husbands, but also by workplaces, technology, and social expectations. The story leaves some things open-ended, which I personally liked, though I am not sure all readers will."
— Drew H. (5/5)
Q&A
Published date: Mar 17, 2026
Language: English
No. of Pages: 320
Publisher: Simon & Schuster
ISBN: 9781668093993
Dimensions:
6.0" W x
0.7" L x
9.0" H
“With Mother is Watching, Karma Brown once again proves she’s an absolute powerhouse of an author, no matter the genre she chooses. Her first horror novel is smart, timely, intensely creepy, and delivers a downright horrifying ending. Read this one with all the lights on!” — HANNAH MARY MCKINNON, internationally bestselling author of A Killer Motive
Karma Brown is the author of ten novels, including Mother is Watching, the #1 international bestseller Recipe for a Perfect Wife, What Wild Women Do, Come Away with Me (a Globe & Mail Best Book of 2015), Globe and Mail and Toronto Star bestsellers The Choices We Make and In This Moment, and The Life Lucy Knew. She is also the author of the bestseller The 4% Fix: How One Hour Can Change Your Life. An award-winning journalist, Karma has been published in SELF, Redbook, and Chatelaine, among other outlets. She lives just outside Toronto with her husband, teenage daughter, and a Labradoodle named Fred.
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