A pioneering modernist of unrivaled creative output, Paul Klee (1879-1940) counts among the truly defining artists of the twentieth century, exploring and expanding the terrain of avant-garde art through work that ranges from stunning colorist grids to evocative graphic productions. Klee taught for a decade, from 1921 to 1931, at the Bauhaus, the famed German art and design school, and the novelty of his work and ideas established him as one of the institution’s foremost instructors. He has often been associated with some of the most important art movements of the twentieth century, such as expressionism, cubism, and surrealism, yet his practice remained highly individualistic and distinct; it was never encapsulated by the concerns of a movement or reducible to the modernist binary of abstraction and figuration. Klee’s interests were expansive, and his art reveals a deep engagement with language, music (he was an accomplished violinist), satire, and politics, among other subjects. 

Dawn Ades is professor emerita of the history and theory of art at the University of Essex and professor of the history of art at the Royal Academy of Arts. In 2013, she was made CBE for services to higher education. 
 
Richard Tuttle’s often poetic objects defy genre through exploration of material form. Sometimes, Tuttle crafts fragile assemblages of unassuming materials, like paper wire, string, and cloth. While trespassing constraints of framing, Tuttle manages to investigate the potential of line, activating marginal space whose volume becomes expressive too. Like Paul Klee, Tuttle draws upon the other-than-conscious and the richness of the overlooked. A book of Tuttle’s collected writings from 1966 to 2019, A Fair Sampling, was published by Walther König in 2020.