The cultural and scientific significance of animal magnetism as performance.
The long nineteenth century bears the mark of Anton Mesmer. In a burgeoning media landscape, and in an emerging entertainment culture that fashioned growing numbers of people into audiences, the performative qualities of Mesmer's magnetic healing techniques came to define magnetism's cultural power. Shaped by many performers, magnetism flowed into the practices of other practitioners ? mentalist, somnambulist, spiritist, hypnotist, mystical, magical and medical. Examining mesmerism as a socially and theatrically embedded phenomenon, Performing Magnetism shows that it was not merely a medical or pseudoscientific practice but a performative and culturally situated one. Drawing on new case studies from Europe, Asia and Northern Africa, the book offers a transnational perspective on nineteenth-century epistemologies and explores how magnetic practices intersected with science, art, popular entertainment, and engagement with the occult. Its interdisciplinary scope will engage readers interested in the cultural history of performance, media, and knowledge.
Contributing authors: Kaat Wils (KU Leuven), Kornélia Deres (ELTE Eötvös Loránd University), Gennaro Ambrosino (University of Warwick), Thibaut Rioult (Université libre de Bruxelles), Robert William Rix (University of Copenhagen), Özgür Türesay (Ecole Pratique des Hautes Etudes), Stephanie Peel (Université libre de Bruxelles), Alessandra Aloisi (University of Oxford), Olivier Verhaegen (Université Paris Panthéon-Sorbonne), Andrea Ceci (Università di Pisa/École Pratique des Hautes Études), Zoë Ghyselinck (Ghent University), Miranda Zent (University of Montana Western), Julia Ostwald (Universität für Musik und darstellende Kunst).
