A child helps a friend grapple with the loss of a relative.
Lizzie’s mother is making brownies to take to Joshua’s house; Joshua’s grandfather has just died, and, as Mom explains, he and his family are sitting shiva, the Jewish period of mourning. At Joshua’s home, people explain various customs to Lizzie, like ritual handwashing and covering mirrors. Though informative, these moments sometimes feel a bit clunky, clearly intended to educate readers unfamiliar with shiva rather than advance the narrative. Rabbi Sarah arrives to lead prayers and hold space for the family to share stories about Joshua’s grandpa. The family’s dog, Queenie, provides moments of levity, keeping the serious topic from becoming overwhelming and demonstrating that it’s OK to laugh even amid grief. After, Lizzie sits with Joshua while he cries and recalls his grandfather telling him to nosh on something sweet every day, because life shouldn’t be bitter. Joshua decides to eat two brownies—one for himself, and one for his grandpa—representing the sweetness that exists even in times of sorrow. Newman handles the complexity of loss with care and authenticity in an age-appropriate way. Rich’s muted, expressive watercolors are well suited to the gently solemn tone of the story. Lizzie and Mom are brown-skinned, while Joshua and his family are lighter-skinned; their community is diverse.
A sensitive introduction to grief and to Jewish mourning rituals.
—Kirkus Reviews

Loss, comfort, and rituals of remembrance intertwine in Newman and Rich’s relational introduction to the Jewish tradition of sitting shiva. Warmly rendered digital and watercolor compositions anchor the reader as young Lizzie and Mom visit the home of a friend, Joshua, who has lost his grandfather. Lizzie’s first shiva offers a natural framework for introducing Jewish mourning customs: “My mom and dad covered all the mirrors so we can think about Grandpa instead of ourselves,” Joshua notes. But the narrative also deals in universal themes—the title refers not only to the baked goods that Lizzie takes to the house but also to Joshua’s memories of his beloved, funny grandfather, and to the loving-kindness of showing up for others in times of grief. Compassionate and accessible, this story assures readers that solace can be found even in sorrow. A contextualizing author’s note concludes. Background characters are portrayed with various skin tones.
—Publishers Weekly