Son of Nobody

Yann Martel
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Son of Nobody

Yann Martel
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*Valid July 3, 2026 - July 19, 2026 at Canadian stores, while quantities last. Not valid on previous purchases or in conjunction with other offers.

Overall rating: 4.0 / 5 from 3 reviews.

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Reviews

Interesting read but format as ebook challenging

"I have - gasp - never read of Life of Pi. This was actually the first book I have ever ready by Martel, but I knew, going in, that he tends to be a bit more of an experimental writer. This one was no exception. The format is a little jarring for me, because there is the epic poem/story with the actual story of the main protagonist coming together in the footnotes. Also, some of the footnotes are a history lesson or lesson in the Iliad which was interesting. And that is how I will capture my review of this book. It is certainly interesting. And I suspect it would make the subject of a good dissertation in a lot of ways, which is kind of circular since the book is, in itself, kind of a dissertation for the main character as he works out the meaning behind the epic he is unearthing and advocating for. Did I enjoy it? Yes, and no. There were a lot of parts of the story that sucked me in and that I wanted to read more about. But the way they were presented was a bit jarring and pulled me in and out of the story in a way that didn't always work for me. I suspect that this one will get a lot of critical acclaim. And it is a lovely story. Just not a fan of how it is woven together and presented. Which may also have a lot to do with reading this in an e-format vs. a paper copy. I would definitely say if you are going to read this to pick up the book and not the e-book version."

Bubbles333 (3/5)

The Trojan War from the common man

"This is an incredibly ambitious approach to a very well known epic, that of the Trojan War. Instead of Homer’s aristocratic centred lyrical dactylic hexameter oral tale, this book presents a free verse version that centres on the common man, the son of nobody Psoas of Midea. It spins a fictitious tale of exaggerations and godly heroes into one of mundane commonality and hardship, of unglorified death and time old tranditions of abandonment, duty and pride. This all comes to fruition through an academic studying at Oxford. Plucked from an obscure Canadian university to the height of pretension and prowess, Harlow Donne makes a possible career altering discovery. The format of the book bounces between unearthed verse with footnotes and comments relating the past to his present circumstances. Harlow recalls how he met his wife and how their relationship has disintegrated like two warriors stranded on the beaches of Troy doomed to fight until one perishes. His own reflections on ambition, family and responsibility are directed to his daughter whether he is actually in conversation with Helen or simply imagining her while she remains a world away. He is self-centred and by the end becomes more monster than hero, like most men who go to war. This is academic, but also accessible. It breathes new life into a stale rendition of a glorified war and makes mythology modern. It parries the ancient world with current afflictions and makes these regal epics tales for the common man. For a civilization doomed to repeat itself, the parallels to the past and the continuation of this song and dance are a timely reminder with a creative spin on the bard. Besides porcupines, wildebeests and camel’s shit are much more interesting than sheep. With underlying themes on how history is more fiction than reality in order to captivate, the devotion and loyalty required for greatness even if the cost is one’s family and missed memories, the seasons of life replayed throughout time and the philosophical analysis of the human condition, it is a marvel of fiction with big ideas and an even bigger story. The quality of writing was once again outstanding with vivid imagery and a visceral allegory for man’s journey. I did find the excerpts to be repetitive and stitched together piecemeal, but that was referenced at the end, as well as madness so the tone fit. Overall, it left a lingering impression and is a unique body of work. 🎧 Thank you to Penguin Random House Canada, RBMedia and Netgalley for an eARC and ALC. At first I found the text full of jargon and difficult to transverse, loosing out on the Greek phrases completely, so I was thrilled to start off with the audiobook and continue with both. Robin Wilcock and Aaron Willis did a brilliant job of narrating the past and present and mirroring the unique format of the book in a soothing tone of the epic saga and of normality that made the book easy to digest and enjoy. My reading experienced was greatly enhanced through a dual reading and I am curious to see a printed text given how the formatting plays into the narrative."

Karisbookclub (4/5)

Unprecedented, Unforgettable

"I am destroyed. It was set up in way that was unlike anything I've every read, and it devastated me in ways I don't know any novel ever will again. It was not at all what I expected, despite containing all that I expected it to. Take the time you need. Before, after, and during reading this. But please, do read it. It's not long but it'll linger forever. ""When we die and we come to drink from the river that makes us forget, know that I will not drink the drop that makes me forget you. And while I live, I shall not forget you in some other way. "" 💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔"

Cat B. (5/5)

Q&A

  • Published date: Mar 31, 2026
  • Language: English
  • No. of Pages: 352
  • Publisher: Knopf Canada
  • ISBN: 9781039001503
  • Dimensions: 6.25" W x 1.13" L x 9.28" H
Named a Most Anticipated Book of 2026 by EsquireMarie Claire • Art+ • The Times • The Guardian • The Observer • The Financial Times • BBC • The Sydney Morning Herald • A Globe and Mail Spring 2026 Read • Featured in The American Booksellers Association's Spring 2026 Preview • Oprah Daily

“Among his boldest and most experimental works to date. . . . Despite all the moving parts, the novel’s structure is compelling, and the footnotes offer a clean canvas for Martel’s musings on familiar themes of war.” Toronto Star

“Martel delivers another staggering and insightful novel of ideas.” Esquire (The 22 Most Anticipated Books of 2026)

“An ambitious, often captivating novel. . . . Martel’s imagination is amply matched by his craft. . . . Son of Nobody invites readers to take part in its playfulness, ensnares them with a superb imitation epic, and then slowly shatters their hearts.” ―Financial Times

“A brilliant novel of ideas. . . . A powerful meditation on life, death, and the vanity of human wishes, all illustrated by a poem that would do Homer proud. A stunningly imagined revisitation of an ancient past that is every bit as awful as the present.” Kirkus Reviews, (starred review)

“[An] inventive novel about a classics scholar who makes a thrilling discovery. . . . Martel’s brilliant examination of how history is made and of who pays the price for all-consuming obsessions is original, thought-provoking, and utterly absorbing.” Booklist (starred review)

“Martel’s fiction within a fiction, the Psoad, has genuine charm . . . with ingenious touches throughout. I loved a passage in which the poem’s narrator describes brilliant mosaics that depict the vibrant life of Troy on its famous walls. . . . Martel (or is it Donne?) . . . bring[s] a witty freshness to standard elements of Homeric narrative.” —The New York Times

“A beautiful story about what we can learn from the past when it comes to homesickness, grief, love and ambition.” ELLE

“Profound prose. . . . [A] challenging, rewarding new work.” —Winnipeg Free Press

“[A] bravura deconstruction of heroic narratives.” —Daily Mail

“Inspired. . . . An appealing labor of love.” ―Publishers Weekly

“An absolutely stunning read. We follow a scholar as he pieces together a lost epic of the Trojan War: not of the mighty kings focused on during The Illiad, but of a common foot soldier’s suffering during the ten long years of war.” —Sierra Hollabaugh, The American Booksellers Association

“In Son of Nobody, Yann Martel sketches an expansive double narrative of ancient Greek text and the lonely academic whose translation attempts keep circling back to his own life and loves.”The Boston Globe

“A singular tour de force. . . . Brain-busting and beautiful. . . . Son of Nobody could be Martel’s magnum opus.” New Zealand Listener

Life of Pi author Yann Martel again flexes his extraordinary imagination in this latest novel. . . . Son of Nobody joins other brilliant novels involving deranged scholars, including Vladimir Nabokov’s Pale Fire.” —Heller McAlpin, The Christian Science Monitor, ‘15 March Books to Read and Relish’

“[An] inventive novel about a classics scholar who makes a thrilling discovery. . . . Martel’s brilliant examination of how history is made and of who pays the price for all-consuming obsessions is original, thought-provoking, and utterly absorbing.” Shelf Awareness

“Martel’s ambitious approach to [Son of Nobody’s] structure elevates what could have been a derivative—if well executed—work.” —Buzz (UK)
YANN MARTEL is the author of Life of Pi, the global bestseller that won the 2002 Man Booker Prize and was adapted to the screen in the Oscar-winning film by Ang Lee. He lives in Saskatoon, Canada.

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