Sophocles: Philoctetes

Sophocles
Edited by Seth L. Schein
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Sophocles: Philoctetes

Sophocles
Edited by Seth L. Schein
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Found in: History & Political Science, Europe

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Overview

384 PAGESENGLISH

Promotional Details
  • Published date: Sep 12, 2013
  • Language: English
  • No. of Pages: 384
  • Publisher: Cambridge University Press
  • ISBN: 9780521681438
  • Dimensions: 1.0" W x 1.0" L x 1.0" H
The Greek dramatist Sophocles, born to a wealthy family at Colonus, near Athens, was admired as a boy for his personal beauty and musical skill. He served faithfully as a treasurer and general for Athens when it was expanding its empire and influence. In the dramatic contests, he defeated Aeschylus in 468 b.c. for first prize in tragedy, wrote a poem to Herodotus (see Vol. 3), and led his chorus and actors in mourning for Euripides just a few months before his own death. He wrote approximately 123 plays, of which 7 tragedies are extant, as well as a fragment of his satiric play, Ichneutae (Hunters). His plays were produced in the following order: Ajax (c.450 b.c.), Antigone (441 b.c.), Oedipus Tyrannus (c.430 b.c.), Trachiniae (c.430 b.c.), Electra (between 418 and 410 b.c.), Philoctetes (409 b.c.), and Oedipus at Colonus (posthumously in 401 b.c.). With Sophocles, Greek tragedy reached its most characteristic form. He added a third actor, made each play independent---that is, not dependent on others in a trilogy---increased the numbers of the chorus, introduced the use of scenery, shifted the focus from religious to more philosophical issues, and brought language and characters, though still majestic, nearer to everyday life. His finely delineated characters are responsible for the tragedy that befalls them, and they accept it heroically. Aristotle (see Vols. 3, 4, and 5) states that Sophocles said he portrayed people as they ought to be; Euripides, as they are. His utter command of tragic speech in the simple grandeur of his choral odes, dialogues, and monologues encourages the English reader to compare him to Shakespeare (see Vol. 1).
"This excellent commentary by Seth Schein … deserves to become both a frequent point of reference for scholars and a welcome resource for teachers and their pupils. Undergraduate students reading the play with me this term have reacted very positively to the book, especially to its careful explanation of the Greek and its full discussion of the play's dramatic and literary qualities … Schein has thought hard about what his target audience needs, and the fruits of that thinking are everywhere palpable."
P. J. Finglass, Bryn Mawr Classical Review

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