“The House of Doors will draw you into its mesh of secrets and subterfuge.” —The New York TImes

“[Tan] can write with lyrical generosity and beautiful tact . . . lovely, drifting, dreamlike . . . Exquisite.” —The New Yorker

“Entrancing . . . lushly atmospheric . . . There's much to untangle and savor in this exquisite novel . . . Tan has pulled off not just a captivating novel, but an ingenious twist that explores how literature works its magic.” —NPR

“Captivating . . . exquisite. . . I'll remember The House of Doors for its smart cross-cultural excursions and its indelible images.” —Wall Street Journal

“The book's elaborate structure is itself a house of many doors, a metaphor for the hidden truths within . . . Eng employs masterful control, and we follow his thread to a satisfying ending.” —The San Francisco Chronicle

“A magnetic tale of love, betrayal, and colonialism.” —Entertainment Weekly

“[This] exquisitely atmospheric novel has the high gloss of a 1940s Hollywood melodrama . . . Out of these characters' stifled yearnings and rare moments of transcendence, Tan has made a ravishingly romantic novel.” —Slate

“Tan effortlessly fuses fiction and fact as he paints a portrait of Maugham's trip to Malaysia, his desperate search for a new writing subject, colonialism, and the restraints of heteronormative marriage.” —Time

“Based on actual events, [The House of Doors] plumbs timeless issues of race, gender, and sexuality . . . Sublime, elegant prose from the mind of a gifted storyteller.” —Toronto Star

“Tan Twan Eng spins a tale of colonial scandal and intrigue in The House of Doors . . . solid, well-crafted . . . engrossing.” —The Boston Globe

“Brilliant.” —The Washington Post

“The House of Doors is brilliantly observed and full of memorable characters. It is so well-written, everything so effortlessly dramatized, the narrative so well structured and paced, that this is a book that will mesmerize readers far into the future.” —Colm Tóibín, author of THE MAGICIAN

“This is historical fiction at its best. . . The House of Doors is immersive, transporting, and exquisitely crafted.” —Cristina Henríquez, author of THE BOOK OF UNKNOWN AMERICANS

“An amazingly transporting novel about love, desire, and duty, The House of Doors does what the very best stories do - it draws us into many fascinating worlds at once: The British Empire's incursions into South-East Asia; the secret life of one of England's finest writers; a forgotten murder trial playing out in the Kuala Lumpur courts a century ago. Weaving all this together with great skill and power, bringing the reader a surfeit of pleasure, Tan Twan Eng also teaches us a crucial lesson: never trust a writer.” —Jonathan Lee, author of THE GREAT MISTAKE and HIGH DIVE

“This novel reimagines the events surrounding the 1921 visit by writer W. Somerset Maugham to friends in Penang, Malaysia, which would inspire his book of short stories The Casuarina Tree … Tan introduces a contemporary, nuanced take on the psychological complexity of the period … [Tan] crafts a novel that has much to say about the very art of narrative crafting, and structurally functions as something of an infinity mirror held up to a repeating interplay between fiction and nonfiction.” —BookBrowse, 5-Star Review