The Painted Gun

Bradley Spinelli
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The Painted Gun

Bradley Spinelli
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Found in: FICTION, General Fiction

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Overview

272 PAGESENGLISH

Promotional Details
  • Published date: Mar 14, 2017
  • Language: English
  • No. of Pages: 272
  • Publisher: WW Norton
  • ISBN: 9781617754982
  • Dimensions: 5.0" W x 1.0" L x 8.0" H
Bradley Spinelli is the author of the novel Killing Williamsburg, and the writer/director of the film #AnnieHall, which the Village Voice called "fascinating." He contributes regularly to Bedford + Bowery and lives in Brooklyn. Visit his website at 13spinelli.com.
[In] this tricky and delightfully surprising crime novel . . . Spinelli deftly segues from one genre to another—from hard-boiled noir to paranoid thriller, puzzle mystery (with each and every riddle logically explained), spy caper, and ultimately to something evocative of Bogart and Bacall. Spinelli is definitely a talent to watch.—Publishers Weekly

An unofficial San Francisco shamus whose tale is set in 1997 but whose heart is stuck in 1947 hunts for the world’s most elusive missing person . . . ‘I keep meeting people who wind up dead,’ aptly observes the narrator/hero . . . If you’d like more where that came from, Spinelli is your man.—Kirkus Reviews

With a plot that winds up like a Swiss watch and then explodes like an RPG, Bradley Spinelli’s The Painted Gun pays off in every way a reader of noir fiction wants it to, and provides a lovely bonus—some of the most sure-footed tough-guy prose I’ve seen since Hammett and Chandler walked those mean streets. Spinelli’s novel pays homage to the conventions of detective fiction while also spinning an original and terrifying web of violence, menace, and intrigue. A bravura performance by a writer of marvelous gifts. —Sterling Watson, author of Suitcase City

The Painted Gun is a fun and wonderfully reckless remix. Bradley Spinelli spins the conventions of noir and whips up a tasty postmodern dish. It’s an homage to yesterday, and also an examination of what’s thrumming outside our walls right now. —Joshua Mohr, author of All This Life

Spinelli gives us noir voices and atmosphere, a thrilling international plot, and—in the lovely, half-mad painter Ashley Fenn—a figure who embodies the seductive dangers of fine art. What more could you ask?—Richard Vine, author of SoHo Sins

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