Following a resurgence of interest in Daphne du Maurier's writing,The Pathology of Desire in Daphne du Maurier's Short Storiesoffers an overview of all her collections and a detailed reading of nine stories. These contain recurrent references to the incomplete or impaired human form and are best read through a corporeal lens. The criticism illustrates her importance as a cultural commentator fascinated by the results of frustrated human desire, and includes a synopsis of the published collections, and the stories within them, to give the reader a sense of the variety of the overarching themes and the persistent force of corporeality in the stories. Du Maurier is well-known as a novelist, but her short fiction is pivotal to understanding her position and influence as a writer. She rewrites fairytales and foregrounds female violence long before it became a cultural trend.
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The Pathology of Desire in Daphne du Maurier's Short Stories
Setara Prachais senior research fellow and lecturer in the Department of English at the University of Buckingham.
By dissecting eight spine-chilling short stories in the Daphne du Maurier corpus, Setara Pracha tantalizingly demonstrates how the writer addresses key contemporary issues through the body part centerstaged in each. Such a “literary embodiment of cultural and social themes” allows Pracha to anatomize the gender, sexual, political, moral, and historical considerations which these stories support. One’s perception of the scope and depth of du Maurier’s stories is markedly broadened by this first full-length study of her short fiction, which also aims at placing du Maurier among the masters of the genre.
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