"Claudia Petrucci’s The Perfect Circle is a deceptive slow burn. Set against the backdrop of a climate-ravaged Europe—where a dense fog settles over Milan, Rome burns, and Venice sinks—the novel gestures toward dystopia without fully inhabiting its daily terrors. Its environmental crises primarily serve to frame protagonist Irene Sartori’s work as a broker of luxury homes to wealthy, foreign buyers, who are seemingly unbothered by the impending collapse. The plot accelerates through an increasingly suspenseful dual-timeline structure that places Irene within a revenge scheme set in motion before her birth.  When she finds herself immersed in a property’s history to which she only has partial access, Irene experiences a clouding of judgment, much like the dense fog enveloping Milan, threatening her ability to extricate herself from the house and its haunting past." —Asymptote

"Areal estate broker finds herself at the center of a house spiraling around family, love, and time in this novel by Italian author Petrucci.

A thrilling study of time that playfully intertwines birth and death, motherhood and human extinction."—Kirkus Reviews

“Claudia Petrucci makes climate emergency a literary motif, in a story that spirals, like the interior of the house in the novel, before closing in ‘a perfect circle.’” —Lorenza Gentile, La Stampa 

 “Claudia Petrucci gave the plot of her book a circular pattern. It can be seen in the constant alternation between the two timelines of the novel, which unfolds like concentric circles—a story perfectly told.” —La Lettura, Il Corriere della Sera 

“It’s impossible not to have many questions while reading Petrucci, but she’s good at surprising the reader with the answers she gives. The Perfect Circle is ready to become a Luca Guadagnino movie, and this is the book you might want to take on vacation to remind you that climate change exists, but that choosing unhappiness over love can have equally devastating consequences.” —Francesca Pellas, Il Foglio 

“A refined revenge story … A satisfying novel that keeps you guessing and in suspense until the very end.” —Il Piccolo 

 “Part thriller, part dystopia—a novel as ambiguous as a treasure hunt.” —Elle, Libri 

Praise for The Performance 

“All the world’s a stage … In this English-language debut, Claudia Petrucci provides a fresh take on an age-old issue: the blurred lines between art and life. In the novel, set in Milan, a woman working in a grocery store returns to the acting profession she once loved. She is an incandescent actor but soon suffers a complete breakdown, showing signs of life only when reading scripted scenes. What follows is a tangled Pygmalion story in which her boyfriend and her theater director conspire, each with his own motives, to shape her anew according to their own script.” —The Millions Most Anticipated 

“An unsettling and stunning tale … Petrucci’s captivating character-driven debut explores the boundary between reality and illusion in the theater world.” —Publishers Weekly, starred review 

“What’s left of an actor when she leaves the stage? Who is she when she takes off her mask and is no longer just a character? These are some of the questions running through Claudia Petrucci’s debut novel, The Performance, and they make for a very intense and original story.” —La Repubblica 

“A daring, staggering debut novel.” —Elle 

“Lush, relentless and fast-paced, The Performance is a story that lingers in the mind long after the curtain falls.” —Literary Review 

“Claudia Petrucci’s debut novel is a dazzling story that straddles the line between fiction and reality, between love and possession.” —Esquire 

“This is a manifestation of talent. The Performance is a miracle of perfection.” —VERONICA RAIMO, author of The Girl at the Door 

“Solid architecture, elegant prose, an uncanny story that subtly unsettles the reader. Claudia Petrucci has crafted a wonderful debut novel.” —NADIA TERRANOVA, author of Farewell, Ghosts