For fans of American War and Cloud Atlas, a hauntingly beautiful and prescient debut novel set in a future where a renamed China is the sole global superpower and citizens can record and transfer memories between minds.
When I was a boy, my mother used to tell me stories of a world before memories could be shared between strangers . . .
In a far-off future ruled by the Qin Empire, every citizen is fitted with a Mindbank, an intracranial device capable of recording and transmitting memories between minds. This technology gives birth to Memory Capitalism, where anyone with means can relive the life experiences of others. It also unleashes opportunities for manipulation: memories can be edited, marketed, and even corrupted for personal gain.
After the sudden passing of his mother, an unnamed narrator inherits a collection of banned memories from her Mindbank so dangerous that even possessing them places his freedom in jeopardy. Traversing genres, empires, and millennia, these memories once belonged to sumo wrestlers and social activists, armless swimmers and watchmakers, all struggling to survive amid the backdrop of Qin’s ascent toward global dominance. Determined to release his mother's memories to the world before they are destroyed forever, the narrator will risk everything—even if the cost is his own life.
Powerful and provocative, These Memories Do Not Belong to Us masterfully explores how governments and media manipulate history to control the collective imagination. It inspires us to see beyond the sheen of convenient truths, revealing stories of sacrifice and love that refuse to be eradicated.
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"I really enjoyed this book. It kept me invested all the way through. Normally, I struggle with short stories because they don’t always give enough time to build up the world or the characters, but this was different"
— Jayd (4/5)
A great read set in an intriguing world!
"Loved this book! The premise was super interesting - a world where China is the superpower and memories can be bought and sold (""Memory Capitalism"") and the stories are all nicely woven together over different periods of time, styles, and geographies. Really well-written and captivating."
— KatieH (5/5)
Great read!
"I was really blown away by the stories. Maybe because I’m first generation Chinese to Canada but I don’t think so. Saw it at Indigo bestseller wall. Really kaleidoscopic in the best way. Think it’s going to win a lot of awards. Great read!"
— Mingyuan (5/5)
Dazzling Speculative Fiction!
"“These Memories Do Not Belong to Us” is easily one of the most original and thought-provoking novels I’ve come across this year. It's set in a future where memories are monetized and stored in centralized databases, and the story explores grief, technological control, and historical erasure under a Chinese superstate. Told through the framework of a mother’s gift to her son (memories), the narrative journeys through a series of interwoven ""epics"" of loss, love, and rebellion seen through the perspectives of different characters. Despite the wide range of ideas it tackles, the story remains deeply human. It shows how memory shapes identity and how our understanding of the past is filtered through both personal experience and state power. The speculative future it imagines feels like it's quickly becoming a reality. Unforgettable read! Grateful to have received an early copy."
— SKero (5/5)
Q&A
Published date: Aug 12, 2025
Language: English
No. of Pages: 224
Publisher: McClelland & Stewart
ISBN: 9780771020384
Dimensions:
5.73" W x
0.82" L x
8.54" H
“Stunning. A deeply imaginative debut of a near-future dystopia, profoundly humane in its exploration of memory and the stories that make us who we are.” —Vincent Lam, Giller Prize–winning author of Bloodletting & Miraculous Cures
“Chilling, poignant, and uncomfortably timely. Ma’s braided memory dispatches explore a future in which the shifting concepts of safety, loyalty, and truth lead nowhere except condemnation.” —Tessa Hulls, Pulitzer Prize–winning author of Feeding Ghosts
“Mesmerizing. A deeply felt and meticulously crafted novel that entrances the reader from the first sentence to its last.” —Jason Mott, National Book Award–winning author of Hell of a Book
“This isn’t just a novel. It’s a revolutionary experiment in how our memories and histories can save us. By turns heartbreaking and eerily prescient, Ma’s ambitious debut breaks open the hidden parts of us and scatters them across the night sky for you to discover.” —Sequoia Nagamatsu, author of How High We Go in the Dark
“Yiming Ma’s gripping, kaleidoscopic debut marries our current anxiety around surveillance, technology, personal data, and geopolitical unrest with a world where stories remain a tool for connection and revolution.” —Lillian Li, author of Number One Chinese Restaurant
“Extraordinary. A melancholic mosaic of lives brilliantly bearing witness to the ways memories shape and reshape individuals, nations, histories, and futures.” —Ai Jiang, Nebula and Bram Stoker Award–winning author of Linghun "A chilling dystopian novel in stories. . . . Throughout, Ma bravely and lucidly portrays how an authoritarian regime seeks to control people's minds, and how people's lives can be commodified by technology. This timely work leaves readers with much to chew on." —Publishers Weekly
"Ma is a brilliant mind with a shining voice. His writing is spellbinding, and his plot and characters are innovative and engaging. Reading it was reminiscent of . . . Ted Chiang's Story of Your Life. It made me believe that books can change my brain's chemistry." —Debutiful
"Powerful and provocative, These Memories Do Not Belong to Us masterfully explores how governments and media manipulate history to control the collective imagination. It forces us to see beyond the sheen of convenient truths and to unearth real stories of sacrifice and love that refuse to be eradicated." —Electric Lit
YIMING MA grew up in Toronto and spent a decade in the tech and finance world across New York, London, Berlin, and South Africa before writing the dystopian novel These Memories Do Not Belong to Us, set in a world where memories are bought and sold. He attended Stanford for his MBA and also holds an MFA from Warren Wilson College, where he was named the Carol Houck Smith Scholar. His stories and essays have appeared in the New York Times, The Guardian, Literary Hub, Hazlitt, and The Florida Review, and elsewhere. His story “Swimmer of Yangtze” won the 2018 Guardian 4th Estate Story Prize. Born in Shanghai, he now divides his time between Toronto and Seattle. Visit him at www.yiming-ma.com
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