War Dances

Sherman Alexie
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War Dances

Sherman Alexie
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Overview

208 PAGESENGLISH

Promotional Details
  • Published date: Aug 13, 2010
  • Language: English
  • No. of Pages: 208
  • Publisher: Grove/Atlantic
  • ISBN: 9780802144898
  • Dimensions: 5.5" W x 0.61" L x 8.25" H
Sherman J. Alexie, Jr., was born in October of 1966. His mother was Spokane Indian and his father was Coeur d'Alene Indian. Alexie grew up on the Spokane Indian Reservation in Wellpinit, Washington. He was born hydrocephalic, which means with water on the brain, and received an operation at the age of 6 months. He was not expected to survive, but did, even though doctors predicted he would live with severe mental retardation. Surprisingly, though he suffered from severe side effects, he exhibited no symptoms of retardation and went on to learn to read by age three, and read Steinbeck's The Grapes of Wrath by age five. Alexie decided to attend high school off the reservation, in Reardan, Washington, where he knew he would get a better education. He was the only Indian at the school, and excelled academically as well as in sports, becoming a star player on the basketball team. After high school, Alexie attended Gonzaga University in Spokane on scholarship in 1985. After two years at there, he transferred to Washington State University. Alexie had dreams of being a doctor but discovered he needed a different career path after fainting three times in anatomy class. Taking a poetry workshop at WSU, Alexie found he excelled at writing and, encouraged by poetry teacher Alex Kuo, realized he'd found his new career. After graduating in American Studies from WSU, Alexie received the Washington State Arts Commission Poetry Fellowship in 1991 and the National Endowment for the Arts Poetry Fellowship in 1992. A year after he left WSU, two of his poetry collections, The Business of Fancydancing and I Would Steal Horses, were published. His first collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, was published by Atlantic Monthly Press in 1993. For this collection he received a PEN/Hemingway Award for Best First Book of Fiction, and was awarded a Lila Wallace-Reader's Digest Writers' Award. Alexie was then named one of Granta's Best of Young American Novelists and won the Before Columbus Foundation's American Book Award and the Murray Morgan Prize for his first novel, Reservation Blues, published in 1995. His second novel, Indian Killer, published in 1996, was named one of People's Best of Pages and a New York Times Notable Book. Alexie had become friends with musician Jim Boyd, a Colville Indian, and the two decided to collaborate on the album Reservation Blues, which contains the songs from the book of the same name. In 1996 Boyd and Alexie opened for the Indigo Girls at a concert to benefit the Honor the Earth Campaign. In 1997, Alexie embarked on another collaboration with Chris Eyre, a Cheyenne/Arapaho Indian. They agreed to collaborate on a film project inspired by Alexie's work, This is What it Means to Say Phoenix, Arizona, from the short story collection The Lone Ranger and Tonto Fistfight in Heaven. Smoke Signals debuted at the Sundance Film Festival in January 1998, winning two awards: the Audience Award and the Filmmakers Trophy. In 1999 the film received a Christopher Award, presented to the creators of artistic works "which affirm the highest values of the human spirit." Alexie was also nominated for the Independent Feature Project/West 1999 Independent Spirit Award for Best First Screenplay. Alexie competed in his first World Heavyweight Poetry Bout competition in June 1998, organized by the World Poetry Bout Association (WPBA) in Taos, New Mexico. He won, and then went on to win the title again over the next three years, becoming the first and only poet to hold the title for four consecutive years. Alexie also made his stand-up comedy debut at the Foolproof Northwest Comedy Festival in Seattle, WA, in April 1999, Also in 1998, Alexie participated with seven others in the PBS Lehrer News Hour, Dialogue on Race with President Clinton. Alexie has also been featured on Politically Incorrect , 60 Minutes II, and NOW with Bill Moyers. In February 2003, Alexie participated in the Museum of Tolerance project, "Finding Our Families, Finding Ourselves," an exhibit showcasing the diversity within the personal histories of several noted Americans. He was the guest editor for the Winter 2000-01 issue of Ploughshares, a prestigious literary journal. He was a 1999 O. Henry Award Prize juror, was one of the judges for the 2000 inagural PEN/Amazon.com Short Story Award, and a juror for both the Poetry Society of America's 2001 Shelley Memorial Award and the Poets and Writers "Writers Exchange 2001" Contest. He currently serves as a mentor in the PEN Emerging Writers program. Alexie was also a member of the 2000 and 2001 Independent Spirit Awards Nominating Committees, and has seved as a creative advisor to the Sundance Institute Writers Fellowship Program and the Independent Feature Films West Screenwriters Lab. In October 2003 he received Washington State University's highest honor for alumni, the Regents' Distinguished Alumnus Award. Alexie's work was selected for inclusion in The Best American Short Stories 2004,and his short story "What You Pawn I Will Redeem" was selected by juror Ann Patchett as her favorite story for the The O. Henry Prize Stories 2005. Alexie has published 16 books including his collection of short stories, Ten Little Indians.
“Sherman Alexie is not a finicky writer. He is often messy and in-your-face in a way that can make you laugh (or shudder) when you least expect to. . . . War Dances is Alexie’s fiercely freewheeling collection of stories and poems about the tragicomedies of ordinary lives.” —O, the Oprah Magazine

“Alexie has a wry, subversive sensibility. . . . The structure [in War Dances] is sophisticated yet playful, a subtle way to bring lightness to heavy topics such as senility, bigotry, cancer, and loneliness. . . . A mix tape of a book, with many voices, pieces of different length, shifting rhythms, an evolving story.”—Los Angeles Times

“Smart modern stories interspersed with witty and deep-feeling verse.”—San Francisco Chronicle

“Sherman Alexie mixes up comedy and tragedy, shoots it through with tenderness, then delivers with a provocateur’s don’t-give-a-damn flourish. He’s unique, and his new book, War Dances, is another case in point.”—Seattle Times

“Alexie’s works are piercing yet rueful. He writes odes to anguished pay-phone calls, to boys who would drive through blizzards to see a girl, to couples who need to sit together on airplane flights even though the computer thinks otherwise. . . . [A] marvelous collection.”Miami Herald

“War Dances taps every vein and nerve, every tissue, every issue that quickens the current blood-pulse: parenthood, divorce, broken links, sex, gender and racial conflict, substance abuse, medical neglect, 9/11, Official Narrative vs. What Really Happened, settler religion vs. native spirituality, marketing, shopping, and war, war, war. All the heartbreaking ways we don’t live now—this is the caring, eye-opening beauty of this rollicking, bittersweet gem of a book.” —PEN/Faulkner judge Al Young

“Few other contemporary writers seem willing to deal with issues of race, class, and sexuality as explicitly as Alexie . . . [“War Dances” is] a virtuoso performance of wit and pathos, a cultural and familial critique and a son’s quiet, worthless scream against the night as his father expires . . . [that] reminds me of the early 20th Century master of the short form Akutagawa Riyunosuke. . . . Yet again Sherman Alexie has given us a hell of a ride.”—Barnes & Noble Reviews

"War Dances is maybe the most personal book Alexie has ever published, and it’s certainly one of his most readable. The closest thing to a historical precedent for this book is Palm Sunday, Kurt Vonnegut’s wildly entertaining self-described ‘autobiographical collage’ of anecdotes, fiction, reminiscences, and other work. . . . Each piece firmly builds on some part of the other, like the songs on a good mix tape. . . . The asymmetrical collection on display in War Dances works as a supremely gratifying reading experience.”—The Stranger

“Penetrating . . . Alexie unfurls highly expressive language . . . [in] this spiritedly provocative array of tragic comedies.”—Publishers Weekly

“Encounter [Alexie’s work] once and you’ll never forget it.”—Library Journal

“Alexie is at his best in this collection of hilarious and touching stories.”—Milwaukee Journal Sentinel

“[With War Dances], Sherman Alexie enhances his stature as a multitalented writer and an astute observer of life among Native Americans in the Pacific Northwest. . . . [An] edgy and frequently surprising collection.”—Bookpage

“Remarkable . . . Wonderful . . . [Alexie’s] work reveals both the light and dark within native American life. A paradox in his writing is that you can be in the middle of delighted laughter when he will hit you with a sentence so true to the core of a character’s pain that you suck your breath or are startled to realize you are crying.”—The Globe and Mail

“Alexie is a master storyteller whose prose is laced with metaphoric realities of life, mixed with triumph and tragedy. . . . War Dances is vintage Alexie . . . [and] should be savored. . . . Fans will not be disappointed.”—The Grand Rapids Press

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