Werner Herzog came to fame in the 1970s as the European new wave explored new cinematic ideas. With films like Signs of Life (1968); Aguirre, the Wrath of God (1972); The Enigma of Kaspar Hauser (1974); and Fitzcarraldo (1982), Herzog became the subject of public debate, particularly due to his larger than life characters, often played by the wild Klaus Kinski. After the success of his documentary Grizzly Man (2005), Herzog became a leading force in a new form of hybrid documentary, and his tough attitude toward life and film made him a director’s director for a new generation of aspiring filmmakers. Kristoffer Hegnsvad’s award-winning book guides the reader through films depicting gangster priests, bear whisperers, shoe eating, revolutionary filmmakers . . . and a penguin. It is full of rare insights from Herzog’s otherwise secretive Rogue Film School, and features interviews with Herzog.
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Werner Herzog: Ecstatic Truth And Other Useless Conquests
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Werner Herzog: Ecstatic Truth And Other Useless Conquests
Kristoffer Hegnsvad is a writer, documentary filmmaker, and the film and television editor and critic at Dagbladet Politiken, Denmark’s biggest daily newspaper. He is the director of Looking for Exits: Conversations with a Wingsuit Artist and Laamb. Claire Thomson is associate professor in the School of European Languages, Culture and Society at University College London, where her research centers on Danish cinema. She is the author of Short Films for a Small Nation: Danish Informational Film 1935–1965.
“Hegnsvad has written an insightful and well-communicated book, which provides independent and new insights into Werner Herzog’s films.”
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