“In this slim, devastating collection, Kathleen Collins writes of interracial America like no one before or since. This is a daringly complex vision of both blackness and whiteness by a writer who was utterly ahead of her time.” - Danzy Senna, author of Caucasia
Kathleen Collins writes with an immediacy and vividness that is exhilarating to read. She inhabits a landscape that sidesteps political or sexual correctness in favor of emotional truth-telling...Throughout it all there is a brio that is contagious. - Daphne Merkin
“These stories offer a sharp, clear, unsentimental vision of race in the sixties, the mingling of politics and desire, the search for place that will be both exotic and familiar to modern readers, richly historical and utterly recognizable.” - Katie Roiphe
“[A] lost treasure... this jewel of a book illuminates big timeless themes of familial ties and self-determination, group affinity and individualism, lovers and the power plays between them in a way that feels completely new.”. - American Publishers Association
“[Collins’] stories are intense meditations on love, heartbreak, youthful ennui, gender, and race...The stories in this collection are often conversational and candid, as though the reader has been invited to have a chat with the narrator...There are shades in the intimacy and urgency of Collins’ writing of Lorraine Hansberry and Zora Neale Hurston...Sharp and lovely...Collins’ work will certainly be canonized now, but what a shame that didn’t happen earlier.” - Slate
“[Explores] the brutal battlefield of uneven relationships, the joys and paradoxes of black identity, the eternal struggle between mind and body...This is the magic of Collins’s voice: the firm belief that even the most private of metamorphoses sends out ripple effects far into the real world.” - Village Voice
“Collins can work wonders with a single line...[her] voice is so original...The best reason to read this book is simply that it is fantastic: original, provocative, revelatory and bursting with life.” - Los Angeles Times
“Her tableaux and vignettes take place decades in the past, yet the question of the title story seems more relevant than ever... [A] impressionistic, psychologically observant collection...In poignant, searching scenes and contemplations, readers will be reintroduced to a great and under-appreciated creative talent.” - Huffington Post
“The best of these stories are a revelation. Ms. Collins had a gift for illuminating what the critic Albert Murray called the “black intramural class struggle,” and two or three of her stories are so sensitive and sharp and political and sexy I suspect they will be widely anthologized.” - Dwight Garner, New York Times
“The collection offers a stimulating glimpse at a roller-coaster era for civil rights. They take place where activism and love intersect...Collins’s writing has much in common with Grace Paley’s wry vignettes of New York intellectuals. Her voice is sharp and sophisticated but leavened by vulnerability and self-deprecation.” - Wall Street Journal
“The writing is practically visceral; straightforward and crisp, leaving you wanting more and thinking about what you just read.” - Book Riot
“This previously unpublished collection of her stories will have many readers wishing they’d seen her work before. Offered here are acute and lucidly rendered narratives ... With a quick but searing touch of the brush, Collins crosses racial, gender, and generational divides, and her readers will, too.” - Library Journal
“These stories fill a gap in the literature, whether or not you knew a gap was there, and they speak to the present like a sharp-eyed worldly aunt who has seen it all before.” - Shelf Awareness
“For literary tastemakers, the superb stories in the late filmmaker Kathleen Collins’s Whatever Happened to Interracial Love?, published for the first time, feel fiercely of the moment.” - Vogue
“A multidimensional revelation... Delves deep into modern history and personal experience to yield, in calm yet prismatic phrases, urgent and deeply affecting insights into her times, which echo disturbingly today... Collins’s style is fine, graceful, and reserved, but pierced with the harsh simplicity of lurking menace.” - New Yorker
“Each one of these stories will take you somewhere deep and familiar, the kind of writing that makes the world around you fade away.” - Bustle
“A posthumous masterpiece. . . . A triumph.” - O, the Oprah Magazine
“[An] astonishing posthumous collection of stories from an underappreciated author… While these are stories about the African-American experience in the 1960s, their perspective on complex subjects in American makes them as relevant today as they were then.” - Marie Claire
“Sharp, tender, and precise--full of wit and pleasure. Reading [Collins] feels likes eavesdropping on an electric historical moment from a secret perch just above the kitchen table. I lost myself in these stories with a sense of wrestling and delight, grateful for the crackles and surprises they continually delivered.” - Leslie Jamison, author of The Empathy Exams
“Fresh and energetic.” - Harper's Magazine
“[A] gorgeous and strikingly intimate short story collection… Collins’ prose is so precise and hypnotic that no amount of rereading it feels like enough. Astonishing and essential. A gem.” - Kirkus Reviews (starred review)
“Race, gender, love, and sexuality are portrayed beautifully and humanely… Full of candor, humor, and poise, this collection, so long undiscovered, will finally find the readers it deserves.” - Publishers Weekly (starred review)
“These vivid stories revisit the tumultuous ‘60s through the lives of black and white people as they connect, break apart and struggle to make sense of their identities. Collins died in 1988, but her modern voice reminds us how little the dilemmas and heartache of interracial America have changed.” - People
“Collins was a contemporary of Alice Walker and Jamaica Kincaid, and we should make room for her in the literary canon; Whatever Happened to Interracial Love? is evidence that this space would be much deserved.” - New York Times Book Review
“A powerful collection… Collins’ stories are frank and elegant time capsules from the past that will speak with urgency and beauty to readers of today.” - Dallas Morning News
“Collins’ writing is powerful and poignant, and she offers readers an essential look into issues like race, gender, and sexuality.” - Nylon Magazine
“Fiercely honest and refreshingly candid.” - In Style
“The late writer’s newly unearthed work covers race, gender, family, and sexuality in a series of intimate stories gracefully stitched together to explore the African American experience.” - Entertainment Weekly
“Sexy and radical and intimate.” - Miranda July, author of The First Bad Man
“From the first page you know you’re in the hands of an exceptional writer... Collins’ stories are passionate and light-footed, angry but also delicate - they move like quicksilver... She’s deliciously funny. She speaks of the many-sided lives of black women with care and intelligence. I adored this book.” - Zadie Smith, author of Swing Time
“Each of Collins’ stories leaves the reader wanting to know more about the characters and their creator, which makes this an intriguing and bittersweet publication of these stories long awaiting the attention they deserve.” - Booklist
“Make[s] you ache with the powerfully felt sense of real people who value racial parity and collaboration, the aims of art and the necessity of commerce, fearless conversation and creative isolation…Sensuous and immediate, the 16 slim, elliptical stories are built upon elegantly captured moments…hum[s] with far-seeing energy.” - Elle
“Kathleen Collins has the dramatist’s gift for multiple voices and viewpoints. Here are parents and children, blacks and whites, blacks and other blacks, lovers (together and apart); here are, intellectuals, artists, dreamers, strivers, braggarts and idealists: all struggling to justify their lives to each other and to themselves. How well she understands mixed motives, emotions and bloodlines. Histories and legacies at cross-purposes. Elective and compulsive affinities, both intellectual and erotic. How unlucky we were to lose her. And how lucky we are to have these stories.” - Margo Jefferson, author of Negroland
“Kathleen Collins has the dramatist’s gift for multiple voices and viewpoints...How well she understands mixed motives, emotions and bloodlines. Histories and legacies at cross-purposes. Elective and compulsive affinities, both intellectual and erotic. How unlucky we were to lose her. And how lucky we are to have these stories.” - Margo Jefferson, author of Negroland
“This book is one of the most eloquent statements I have read of what it was like to be black and young and alive in the 1960s. I applaud its publication.” - Vivian Gornick, author of The Odd Woman and the City
“It is a delightful literary discovery that the creator of the landmark film, ‘Losing Ground,’ also turned her hand to fiction. The stories collected here are witty and revealing, and together constitute an unearthed gem of black women’s fiction.” - Henry Louis Gates, Jr., author of And Still I Rise
“This previously unpublished collection of her stories will have many readers wishing they’d seen her work before... Acute and lucidly rendered... With a quick but searing touch of the brush, Collins crosses racial, gender, and generational divides, and her readers will, too.” - Library Journal
“The stories of Kathleen Collins are sharp, tender, and precise-full of wit and pleasure. Reading her feels likes eavesdropping on an electric historical moment from a secret perch just above the kitchen table. I lost myself in these stories with a sense of wrestling and delight, grateful for the crackles and surprises they continually delivered.” - Leslie Jamison, author of The Empathy Exams
