“An important book in my life. Mitchell was the quintessential young person’s writer. He put you on the Canadian prairie during the Depression, and, even for me, a Canadian kid from the West Coast in the ’60s and ’70s, his work was relevant and engaging, intricate in its detail, and possessed by a familiar yearning.”
“This novel is a Jewish-Canadian classic. Even if you can’t relate, you do. You laugh, you wince, and you can’t forget lines like, ‘A boy can be two, three, four potential people, but a man is only one. He murders the others.’”
“A book that captured a moment, unique for its grit and hopelessness. I have read it several times: when it was first published, as a current reflection of that era; and again as a much older reader. It still holds my interest, and impresses me as a snapshot of a new, lost generation.”
“A gripping, brutal recounting of the clash between First Nations cultures (the Iroquois and the Huron) in the 17th century Great Lakes region, the all-powerful trade companies, and Catholic missionaries desperately out of their element. It compares to works such as Cormac McCarthy’s Blood Meridian.”
“I could pick any of Davies’ books—from the Deptford Trilogy to this classic from the Cornish Trilogy—as a favourite novel. This is a book you want to revisit every couple of years. Davies was, and is, a giant of Canadian letters.”
What’s the first thing you do after finishing a draft?
“I nap. And hopefully dream about what I’m going to write next.”
Describe your writing process in one word.
“Velocity.”
What’s the strangest thing in your workspace?
“I keep a brick from the original Boston Garden next to my desk. I have two connections to this legendary arena: Bobby Orr was my hockey hero, and my good friend Cam Neely played there and is now the president of the Boston Bruins organization.”
What moment in your life felt straight out of a novel?
“Meeting my wife of 37 years in a casting session for Family Ties, when we were both 23.”
What is the best word to describe Canadian literature?
“Unflinching.”
Now Available
A poignant, heartfelt, and funny memoir about how, in 1985, Michael J. Fox brought to life two iconic roles simultaneously—Alex P. Keaton in Family Ties and Marty McFly in Back to the Future. An amazing true story as only Michael J. Fox can tell it.