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Visual and Material Culture, 1300-1700

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Beached Whale Images in Sixteenth-Century Antwerp: Symbols of Humanity's Dominion over the Earth
Ryan E. Gregg Couverture rigide
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The Cultural Work of the Early Modern Dutch Portrait: Amalia van Solms and the Shape of the Self in European Art
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Theatre and Print Culture in the Manner of Jacques Callot
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Gender and the Glove in Early Modern England
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Stigmatics and Visual Culture in Late Medieval and Early Modern Italy
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Geertgen tot Sint Jans and the Art of Longing
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Portraiture and Mnemonics in Early Modern Italy: Connecting and Remembering
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Reframing Seventeenth-Century Bolognese Art: Archival Discoveries
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Women Artists in the Early Modern Courts of Europe: c. 1450-1700
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The Art of Anna Dorothea Therbusch (1721-1782)
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Sufi Lovers, Safavid Silks and Early Modern Identity
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In-Between Textiles, 1400-1800: Weaving Subjectivities and Encounters
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Women Artists and Artisans in Venice and the Veneto, 1400-1750: Uncovering the Female Presence
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Sense Knowledge and the Challenge of Italian Renaissance Art: El Greco, Velázquez, Rembrandt
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Divine and Demonic Imagery at Tor de'Specchi, 1400-1500: Religious Women and Art in 15th-century Rome
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Godefridus Schalcken: A Dutch Painter in Late Seventeenth-Century London
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Women, Art and Observant Franciscan Piety: Caterina Vigri and the Poor Clares in Early Modern Ferrara
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The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media
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Flagellant Confraternities and Italian Art, 1260-1610: Ritual and Experience
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Satire, Veneration, and St. Joseph in Art, c. 1300-1550
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Women Artists and Patrons in the Netherlands, 1500-1700
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Ornament and Monstrosity in Early Modern Art
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Netherlandish and Italian Female Portraiture in the Fifteenth Century: Gender, Identity, and the Tradition of Power
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Jacob van Ruisdael’s Ecological Landscapes
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