A History of Burning: A Novel

Janika Oza
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A History of Burning: A Novel

Janika Oza
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INSTANT NATIONAL BESTSELLER • Winner of the 2024 Asian/Pacific American Award for Literature • Finalist for the 2023 Governor General's Award for Fiction, the 2024 Carol Shields Prize for Fiction, the 2024 Amazon Canada First Novel Award, and the 2024 Dayton Literary Peace Prize. • Named a Best Book of 2023 by the New York Times, The New Yorker, the Globe and Mail, CBC Books, Kobo Canada, and 49th Shelf

“Remarkable. . . . A haunting, symphonic tale that speaks to the nuanced complexities of class and trauma for this particular family. . . . This demand—and spirit—for bolder storytelling that transcends borders and identities certainly can be found in Oza’s generous novel. More life, more joy and more love amid a shifting and layered landscape of unspeakable loss. It’s all there—the complicated humanity and grief of Oza’s family of characters—for the reader to consider and behold.”
New York Times Book Review

A History of Burning is that rare epic that manages to retain both its sweep and its intimacy. Janika Oza has written a generational saga vivid and alive with sensory and historical detail, an excavation of stories often left untold. There is so much insight here into the aftershocks of colonialism and displacement, the way one generation’s decisions, be they voluntary or compelled or somewhere in between, can reverberate through the ages and change lives yet to be lived. This is a beautiful book, unflinching yet deeply engaged with that most human work, the work of forgiveness.” 
—Omar El Akkad, author of American War and What Strange Paradise, winner of the Scotiabank Giller Prize
 
“Vast and intricate, alight with love and contained fury, A History of Burning is a towering debut by a phenomenal writer. A book I want to press into readers’ hands and discuss for hours.”
—Megha Majumdar, author of A Burning

“Janika Oza boldly navigates her remarkable, symphonic debut through a century of displacement of four generations of an extended Indo-Ugandan family. A History of Burning transmutes these sweeping moments of history into a nuanced and layered tale of loss, rage, and transcendence with its unflinching gaze and layered landscapes to ultimately create a heartbreaking and joyous portrait of a family that has kept each other alive with stories.” —Carol Shields Prize for Fiction jury citation  

“Intimate and epic, A History of Burning effortlessly spans continents, political movements, and generations, while never losing sight of the humans living in these houses of history. Janika Oza bears witness, with rigor, with unflinching beauty, to a vital branch of South Asian diaspora, allowing both for the complexities of colonial violence and the human heart. A hymn for the ancestors, and the bitter, radiant acts of their survival: this book is a triumph.”
—Shruti Swamy, author of The Archer and A House Is a Body
 
A History of Burning is as transfixing as a flame. Janika Oza writes strikingly and steadily, with exquisite, incisive detail, about making one’s home in imperfect places. This is a book about what it means to be part of a family and lineage, in all its heartbreaking and wondrous complexity.” 
—Rachel Khong, author of Goodbye, Vitamin
 
“Spanning continents and centuries in the lives of four generations of one Indian-Ugandan family, A History of Burning is a riveting testament to home, exile, survival, and inheritance. Janika Oza is a writer you won’t want to miss.”
—Lisa Ko, author of The Leavers

 
“[Oza’s] writing reminds people that vulnerability and openness are the only ways we can save each other. A History of Burning is the art we need now.”  
—Megan Giddings, author of Lakewood
 
“With the mastery of a seasoned writer, Janika Oza brings vividly to these pages the experiences of one family over nearly a century of history marked by the rapaciousness of colonialism and post-colonialism violence, while capturing memorably how these multiple brutalities damage the lives of those who are its victims. And yet despite their numerous traumas, displacements, and exploitations, her marvellously alive characters find ways to love and be joyful. Truly an astonishing debut.”
—Shyam Selvadurai, author of Mansions of the Moon

“Ambitious in scope and dazzlingly executed, A History of Burning is a marvellous debut. A tour de force.” 
—Sharon Bala, author of The Boat People

“From India to East Africa, England, and Toronto, Oza’s characters experience the heartbreak of departures and arrivals, communities lost and rebuilt. This striking epic combines powerful characters of different generations, compelling storytelling, dramatic settings and conflicts, and thoughtful explorations of displacement and belonging, family ties, citizenship, loyalty, loss, and resilience.”
Booklist (starred review)

“In intimate domestic scenes and scenes of societies in turmoil, she displays a sure-handed ability to write at both small and large scale and to portray with deep sympathy the universal human desire to find ‘a little place to simply exist, freely, and with dignity.’ An ambitious family drama skillfully explores the bonds of kinship and the yearning for peace and security.”
Kirkus Reviews (starred review)

“Oza’s impressive debut spans four continents and five generations of an Indian family as they’re forced to migrate again and again for political and economic reasons. . . .”
Publishers Weekly

Overall rating: 4.3333335 / 5 from 6 reviews.

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Reviews

Quiet Novel that Packs a Punch

"This is a quiet book that doesn't hit you on the head with the issues it discusses; the author lets the impact of the ""pretendian"" sneak up on you and build strength. I've read all of Katherena Vermette's novels and believe her strength is in writing about relationships. That is so evident in this novel, especially in the relationship between sisters lyn and June. They argue a bit and support each other a lot. They are very real people. The sisters' relationship with their mother, Renee, and her false claims of Metis heritage are different. lyn's issues are long-standing and deal with abandonment. Yet she is the most like Renee in having an artistic temperament. June's concerns are more immediate relating to her status as a professor of Native Studies. She is the only daughter still in touch with her mother, albeit infrequently, and is not like her at all in terms of choosing one career path, and one husband, and seeing it through. I liked Ms. Vermette's commentary on racial identity, which are not polemic but come through the words and thoughts of the characters. Her messages are that racial identity is about community; stealing identity is violence; the burden falls on indigenous people to prove their identifies -- ironically, some of those identities were imposed on them by colonizers. Renee not only steals the Metis identity, she dishonours her own as a Mennonite and a French Canadian by ignoring them. I would have liked to hear more about Renee. There is a whole story there about why she did what she did in her professional life and as a mother. Since The Break became a trilogy, maybe this story will have a sequel? I hope so!"

LynnB (4/5)

Generational view

"I found the story of this multigenerational family started a bit slowly for me. However, the beginning is important to the understanding of decisions future generations made. I enjoyed the descriptions of the texture of the community , the vibrant colours and I imagined the luscious smells. Their struggles were real and yet life was colourful and happy. After the major historic change in their country, the struggles are more bleak. Very interesting read. I was actually quite concerned about their outcome by the end."

Breeze (4/5)

It was so good, I went back for seconds. . .

"Originally I borrowed this book from the library. I enjoyed the story so much, I purchased copies for family members and had them delivered to their homes, all through Indigo and my Plum membership. I'm looking forward to some interesting conversations about the experiences of these family members as they navigated being different in Uganda. I highly recommend this book."

Linda (5/5)

A New Canadian Voice on Belonging

"A searing tale -- drawing on historical evidence -- of migration, tragedy, joy, and liberation across three continents. Oza's elegant prose grabs the reader from the outset, and by focusing on a couple of families, turns the book into a thriller of sorts. In other words, while the title may give the impression that this is a ""documentary"" of sorts, it's in fact a full-blown saga in the tradition of Galsworthy and Alex Haley. As someone whose family is rooted in a similar journey from South Asia to East Africa to Canada, I found the stories-within-the-story not just compelling, but also deeply reflective about the unravelling of colonial and postcolonial modernity."

Seamorg (5/5)

It was ok

"Interesting read, but I didn’t enjoy it as much as I thought I would."

Rose (4/5)

A History of Burning: A Novel

"Well-written and engaging, especially if you have some knowledge of India and East Africa. Particularly appreciate how each short chapter moves you along by 5-10 years, which makes each chapter fresh. A glossary of the gujarati and swahili words, which are very successfully peppered into the novel, would be helpful. Recommended."

Choti (4/5)

Q&A

  • Date de publication : Aug 06, 2024
  • Langue : anglais
  • Nombre de pages : 400
  • Éditeur : McClelland & Stewart
  • ISBN : 9780771002359
  • Dimensions : 5.24" W x 1.13" L x 8.04" H
JANIKA OZA's debut novel, A History of Burning, was a national bestseller, a finalist for the Governor General's Award for Fiction, and named a best book of the year by The New Yorker and the New York Times. She is the winner of the 2022 O. Henry Prize for Short Fiction and the 2020 Kenyon Review Short Fiction Award. She has received support from The Millay Colony, Tin House Summer and Winter Workshops, VONA/Voices of Our Nation, and the One Story Summer Writers’ Conference, and her stories and essays have appeared in publications such as The Best Small Fictions 2019 Anthology, Catapult, The Adroit Journal, and The Cincinnati Review, among others. She lives in Toronto.

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