- Features an array of new methodologies for the study of Mantegna and early Renaissance art
- Critically addresses the question of iconography and “literary” art, as well as the politics of the monographic exhibition
- Includes translations of two seminal accounts of the artist by Roberto Longhi and Daniel Arasse, key texts not previously available in English
- Explores the Mantegna’s potentially transformative impact on the study of the early Renaissance
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Andrea Mantegna: Making Art (History)
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